NPR: Latino USA Podcast

We continue our investigation into the Los Angeles Department of Children and Family Services (DCFS). While looking into what happened the night Joseph Chacón died, reporter Deepa Fernandes finds out that another baby, Draco Ford, had passed away in the same foster home two months earlier. Why weren’t the foster children, including Joseph, immediately removed after Draco died? We also delve into the difficult decisions social workers have to make and the systemic problems of the foster care system in the U.S. as a whole.

This episode originally aired in July of 2021.

Chilean-American singer-songwriter Francisca Valenzuela has always forged her own path in music. Born and raised in California, Francisca began her career after moving to Chile with her family. Even when major labels and venues wouldn’t open their doors for her, Francisca recorded and performed on her own terms until she became one of Chile’s biggest stars. Francisca went on to release four studio albums, start her own music label, and create Ruidosa, a Latinx feminist collective for women and non-binary voices in music.

In this episode of our "How I Made It" series, Francisca Valenzuela revisits her early days as a young woman building a music career in Latin America, and takes us down the road that led to her latest album, La Fortaleza.

This episode originally aired in July of 2021.

After a domestic violence incident, Leah Garcia called the police looking for safety for her and her two children. But her calls triggered the involvement of LA’s Department of Children and Family Services (DCFS), the largest child welfare agency in the country. Leah’s 5-month-old baby, Joseph, the son she had with her abusive partner, was placed with a foster care family. What happened after became a mother’s worst nightmare: the same system that was supposed to keep her child safe proved to be the biggest threat to his well-being.

This episode originally aired in July of 2021.

This week Latino USA shares an episode of the podcast, Imperfect Paradise: Nury & The Secret Tapes , from LAist Studios.

Imperfect Paradise: Nury & The Secret Tapes tells the story of the biggest political scandal in recent Los Angeles history. A secret recording leaked online in 2022 exposed then-LA City Council President Nury Martinez making racist and derogatory remarks. A year after the scandal, host Antonia Cereijido challenges Nury on her racist comments and the deeper systemic issues of race and politics in an exclusive interview. From LAist Studios, Imperfect Paradise: Nury & The Secret Tapes , available wherever you get your podcasts.

You can subscribe to Imperfect Paradise: Nury & The Secret Tapes here .

Latino USA continues to mark its 30th anniversary and look back at its reporting throughout the last three decades.

On today’s show we look at immigration, then and now.

Maria Hinojosa is joined by Camilo Montoya-Galvez, immigration and politics reporter for CBS; Natalia Aristizabal, Deputy Director of Make the Road New York; and Lee Gelernt, Deputy Director of the ACLU's Immigrants' Rights Project. Together, they discuss immigration policies from the last 30 years.

Today on Latino USA, we want to pay tribute to María Emilia Martin, public radio pioneer, and our founder, by replaying the first special episode marking our show’s 30 years on the air. The episode, first aired in May 2023, is an oral history of Latino USA and features a conversation between Martin and our current co-executive producer Maria Hinojosa, whom Martin chose to be the host of Latino USA back in 1993. “María knew that by launching Latino USA, she would be impacting history in this country forever. What we could never have imagined was that just months after our first sitdown interview, to go over 30 years of Latino USA, I would be having to say goodbye to her on the air,” said Hinojosa. Martin passed away peacefully on Dec. 2 in Austin, Texas, surrounded by her family. We are forever grateful to her for her vision and look forward to continuing to honor her legacy week after week at Latino USA.

As part of our 30th anniversary celebrations, we bring you a taste of a very special evening with the Colombian band Monsieur Periné—hosted at the Greene Space at WNYC and WQXR. Catalina García and Santiago Prieto play songs from their latest award-winning album, “Bolero Apocalíptico”, and chat with Latino USA ’s senior producer Marta Martinez about how they mix classic and modern influences, their love for their Colombian roots and how they found inspiration in the pandemic.

After months of working closely with the archivists and librarians of the Nettie Lee Benson Latin American Collection at the University of Texas in Austin, the Latino USA team wanted to dig deeper into the history and treasures in the library. The Benson has been around for more than a hundred years, and it’s one of the most important institutions in the world collecting the history and stories of Latin America and U.S Latinas and Latinos. But, that history comes with some baggage.

In this episode of Latino USA , we look at some of the objects that connect the Benson to the past, and we explore its complicated history, along with possibilities for how the library can move into the future.

This week Latino USA brings you an episode of the United Stateless Podcast .

United Stateless Podcast documents the stories of "returnees", people who immigrated to the US, largely as children, and have since returned to their home country. In the first season, we focus on Mexico. It's a story of life, love, Spanglish, culture shock, missing bagels, and figuring out where home really is.

In this episode, what, exactly, is Mexico? And what's it like to actually grow up there? And why is Alexandra so interested in all of this?

Subscribe to the United Stateless Podcast here .

On Thanksgiving Day, hundreds of people gather on Alcatraz Island, the famous former prison and one of the largest tourist attractions in San Francisco, for a sunrise ceremony to honor Indigenous culture and history. Fifty years ago, an intertribal group of students and activists took over the island for over 16 months in an act of political resistance. Richard Oakes, a young Mohawk from New York, was one of the leaders in this movement dubbed the "Red Power Movement." Latino USA tells the story of Richard Oakes' life, from his first involvement in activism to his untimely death at the age of 30.

This episode originally aired in November 2018.

At the turn of the 20th century, revolution was starting to brew in the U.S.-Mexico borderlands. A group of Mexican revolutionaries had fled to the United States and were working to overthrow a dictator in their home country. They were called Los Magonistas , and both the U.S. and Mexican governments put all of their efforts to spy on them and suppress their revolution.

In this episode, historian Kelly Lytle Hernandez tells the story of this cross-border insurgency that has been left out of most U.S. history books and shares how it continues to shape border enforcement as we know it today.

Latino USA continues to celebrate 30 years of being on the air, as well as bringing you important conversations as part of our ongoing political coverage.

For this episode, Maria Hinojosa sits down with legendary labor leader and civil rights activist, Dolores Huerta. They speak about politics, the current state of organizing, sex and passion, and much more.

Editorial note: This interview was recorded in September of 2023 before the current crisis in Gaza began.

What will the music of Texas’ Rio Grande Valley sound like 100 years from now? That’s the premise at the heart of Futuro Conjunto, a multimedia sci-fi project by artists Charlie Vela and Jonathan Leal. Futuro Conjunto is an expansive work of speculative fiction, but it also revolves around urgent issues of our present, such as climate change, technology, war, and class disparity. The multimedia project also draws from the Rio Grande Valley’s history and musical traditions, and Vela and Leal collaborated with more than 30 local artists to make this project happen. Futuro Conjunto is, first and foremost, a musical album. But it’s complemented by animated clips, an interactive website, and a detailed history that imagines the events that came to pass between today and several generations into the future.

In this “How I Made It” segment, Vela and Leal explain the inspiration behind Futuro Conjunto and break down how they captured the sounds of the Rio Grande Valley’s future.

This episode originally aired in February of 2021.

Gustavo Dudamel is one of the most famous and acclaimed conductors in the world. He’s been the Music and Artistic Director of the Los Angeles Philharmonic since 2009, when he was just 27 years old. El maestro is the best-known graduate of El Sistema, Venezuela’s national youth music education program. In the years since, Dudamel made a name for himself conducting world-famous orchestras, running his own arts charity — The Gustavo Dudamel Foundation — and founding the Youth Orchestra Los Angeles.

Even amid the ongoing COVID-19 pandemic, Dudamel has been living up to his personal passion of finding creative ways to play and expand access to music, all while stressing the importance of staying in touch with his Venezuelan roots. In this episode of Latino USA, Dudamel talks about staying indoors, calling family home, and his belief that music will inspire a stronger future for all.

This episode originally aired in February of 2021.

This week Latino USA brings you an episode of the podcast, Classy with Jonathan Menjivar .

In this episode, we can’t talk about class without talking about race. Through eye-opening conversations with two people of color in the fashion industry, Jonathan realizes some hard truths about the ways he’s adapted in order to blend in. And he reveals how one small, but bold act is helping him to reclaim his cultural identity.

You can subscribe to Classy with Jonathan Menjivar here .

Maria Hinojosa and Latino USA producer Reynaldo Leaños Jr. join Vice President Kamala Harris aboard Air Force Two as the vice president makes her way to Miami, Florida, as part of her “Fight For Our Freedoms” college tour.

Later, Maria sits down with Vice President Harris for a one-on-one interview where they discuss young Latino voters’ participation, reproductive rights, immigration, and more.

Editorial note: This interview was recorded in September of 2023 before the current crisis in Gaza began.

When Gabby Rivera wrote her coming-of-age novel “Juliet Takes a Breath” in 2016, she didn't know that it would get her attention from an unusual place: Marvel Comics. They asked her to write for America Chavez, their first queer Latina superhero. Gabby said yes. But as she was writing for their superhero, she found herself swept up in #comicsgate, an online harassment campaign against the comic book industry’s efforts to include more women, people of color, and LGBTQ characters. In this "Portrait Of," Maria talks to Gabby about her beginnings as a writer, her difficult experience with #comicsgate, and about returning to comic book writing.

This episode originally aired in June of 2019.

Los Angeles, you might be surprised to learn, sits on top of the largest urban oil field in the country and has been the site of oil extraction for almost 150 years. Today, nearly 5,000 oil wells remain active in Los Angeles County alone, many operating in communities of color, often very close to homes, schools, and hospitals.

Latino USA visits a neighborhood in South Los Angeles, the epicenter of an anti-oil-drilling movement that is gaining momentum. We meet Nalleli Cobo, the 18-year-old who’s working to shut down the oil industry, one well at a time.

This episode originally aired in June of 2019.

Luz Elena Mendoza Ramos is a Chicanx artist and musician who has been playing under the name Y La Bamba for nearly 20 years. As the child of immigrant parents, Luz Elena struggled to feel seen in the music industry, but as they’ve continued making music, they have grown into their identity as an artist.

Last year, Luz Elena moved back to Mexico City to explore where they come from. That search also led to the publication of their seventh studio album — “Lucha” — and to Y La Bamba playing their first show ever in Mexico City.

In this episode, Luz Elena shares why playing that show was so important to them and reflects on their path toward becoming more themselves.

When Austin's cumbia-funk institution Grupo Fantasma went to record their seventh album at a studio in Tornillo, Texas, they had no idea that right next door was a tent city for detained immigrant youth operated by ICE. When they found out, they decided they had to do something. So they teamed up with fellow legends Ozomatli and Locos Por Juana to create a sinister funk tune with a message about the walls that divide us. On this edition of How I Made It, members of Grupo Fantasma break down the creative process behind their new song "The Wall."

In 2018, just months after Hurricane Maria, an eccentric group of cryptocurrency enthusiasts arrived in Puerto Rico. They came with big plans for the island—to help rebuild after the hurricane, and in the process create a high-tech cryptocurrency paradise in the Caribbean.

They also came to take advantage of Puerto Rico’s favorable tax laws. But not everyone in Puerto Rico was on board with their vision to change everything on the island. Latino USA follows the often-bizarre story of these Bitcoin pirates of the Caribbean, from crypto boom to crypto bust.

Omar Apollo, a rising star in the indie R&B scene, began making music on his own by teaching himself chords from YouTube videos and honing his sound in an attic in a small town in Indiana. His first breakthrough came on Spotify in 2017, with the song “Ugotme.” Four years later, Omar has amassed more than 100 million streams on the platform and has toured internationally. In this “How I Made It” segment, Omar Apollo takes us back to the days of making music on borrowed equipment, and shares how he explored everything from funk music to corridos to make his debut album, “Apolonio.”

This episode originally aired in February of 2021.

This week Latino USA brings you an episode of the Caliber 60 podcast.

Avocado consumption has exploded in the U.S. over the past decade. But what’s rarely seen is the rotten underbelly of this industry, controlled by armed groups in Mexico who use smuggled weapons from the U.S. to keep control over this lucrative business. Meet Linda, who lives in Ixtaro, a small avocado producer town. She experienced unimaginable horrors while under the siege of narcos.

You can subscribe to Caliber 60 here .

One in four women in the United States have a family member in prison—and those carrying the resulting financial and emotional burden are disproportionately women of color. Mary Estrada is one of them. She’s been taking care of her husband Robert for 40 years, as he’s been in and out of prison throughout his adult life. Most Sundays, Mary wakes up at 3 a.m. and drives 135 miles each way from Pomona, California to San Diego to meet her incarcerated husband. In this episode of Latino USA , we accompany Mary on one of her Sunday visits, and we learn about the true costs of supporting a loved one in prison.

“Too proper for the Black kids, too Black for the Mexicans," sings Grammy award-winning artist Miguel Pimentel. Miguel is the son of an African-American mother and a Mexican-born father. He's known for his eclectic sound, shaped by his home: Los Angeles. This year, he’ll release a deluxe version of his album, 'War & Leisure,' which will include songs in Spanish. It was inspired by a trip to Zamora, where he met his family in Mexico for the first time. Maria Hinojosa talks to the singer-songwriter about his life-changing trip and how his multicultural upbringing influenced his unique sound.

This episode originally aired in July 2018.

The call for the abolition of all student debt has never been louder– but how did we get to a place where this demand is possible? Latino USA dives into the history of the student loan system in the U.S., as well as the stories of Black and Latinx organizers who have been at the forefront of the movement for student debt cancellation. We look at how their efforts have shifted the conversation and ask why abolishing student debt is an issue of racial and economic justice.

This episode originally aired in July 2022.

Five years ago, Latino USA producer Antonia Cereijido was only an intern and still in college when she did what a lot of people do when they're not sure what their life will look like after graduation: she cried in the bathroom. After wiping her eyes and returning to her desk, she tried to comfort herself by calculating how many other Latinos had cried at the same time she had. This led her to ask herself: do Latinos cry more than other people, on average? Thus began her strange and lachrymose journey into the world of crying.

This episode originally aired on Feb 9, 2018.

Latino USA continues to mark its 30th anniversary and look back on its reporting throughout the decades. One topic the show has heavily reported on is Latinos serving in the military and today we take a new look at that subject.

In this episode, producer Reynaldo Leaños Jr. travels to Laredo, Texas on the U.S.-Mexico border. He brings us the story of Lance Corporal David Lee Espinoza, who was killed in Afghanistan in 2021 during the U.S. withdrawal from the country.

Reynaldo meets with those closest to David to help tell the story of who David was, as well as explore how the military has historically —and continues— to seek Latinos and Latinas to fill its ranks.

Brothers Isaac and Esteban Hernández have performed on some of the most prestigious stages in the world. But their journey to the top rank of their industry had a unique start. Originally from Guadalajara, Mexico, Isaac and Esteban's first ballet teacher was their father, Héctor, and their first ballet studio was their home’s backyard. Last year, they became the first siblings to achieve the rank of principal dancer for the San Francisco Ballet.

Gioconda Belli is an award-winning Nicaraguan author. She has published novels, essays, poetry collections, and a memoir called “The country under my skin,” which recounts her time as a member of the Sandinista National Liberation Front—fighting to free her country from a dictatorship. Now, 40 years after the Sandinista victory, Gioconda finds herself living in exile and unable to return to Nicaragua. She was recently stripped of her citizenship by the person who once was her comrade: President Daniel Ortega.

In this episode of Latino USA, Gioconda talks about her long history of standing up to dictators, what she finds revolutionary in writing, and what hopes she still has for the future of Nicaragua.

The September 11th attacks left nearly 3,000 dead, many more injured and an entire nation traumatized. The 24-hour news cycle that followed focused endlessly on the identity of the terrorists: non-citizens who had been able to exploit “vulnerabilities” in the system. The United States government responded with harsh policy changes in the name of national security, including the Patriot Act, but it also focused the weight of policymaking on curbing immigration, funding astronomical budgets to further tighten borders, and toughening enforcement against non-citizens — including Muslims, Latinos, and others with zero ties to terrorism.

In this episode, we explore major changes and events over the past 20 years that forever changed the U.S. immigration system through the lens of this one catastrophic day.

This episode originally aired in September 2021.

In this episode of Latino USA we partner up with Documented, a nonprofit news site that covers immigrants in New York City, to get a behind-the-scenes look at the experience of trying to navigate the immigration courts as an asylum-seeker under the Trump Administration. We follow the story of Wendy and Elvis, Guatemalan newlyweds who flee violent extortion threats only to find themselves in a maddening and punishing U.S. court system that is now the norm for immigrants seeking safety.

This episode originally aired in March 2020.

In the late 90's, Rodrigo Sánchez and Gabriela Quintero embarked on a one-way trip to Dublin, Ireland. While they were originally heavy metal musicians back home in Mexico, they traded their electric guitars for acoustic ones and became street performers in Ireland to sustain themselves. Eventually, they started getting more recognition. In 2006, they put out their first album, which debuted at number one on the Irish Albums Chart. Their latest album "Mettavolution" has earned them their first Grammy. In this “How I Made It,” Rodrigo and Gabriela take us back to the origins of their band and tell us what keeps them going after more than 20 years.

This episode originally aired in 2019.

The stereotype goes that Latinos only listen to salsa or reggaeton. But one of the biggest genres of music across Latin America is actually heavy metal, with bands like Iron Maiden selling out stadiums across the region when they tour there. On today's Breakdown, we ask.... why? How did metal take over Latin America so completely? We look at the extreme fandom for metal across Latin America and discuss the story behind the groundbreaking Brazilian band, Sepultura, and how they changed the fate of metal music forever.

This episode originally aired in 2019.

Soulection is a music startup, which has quickly grown to be a powerhouse with a record label, a popular radio show, and worldwide tours—bringing together an international group of music lovers. It all began as an online podcast created in a garage in Southern California. At the time, Joe Kay was a college student who was looking to bring independent artists, DJs, and producers to fresh ears. Today, co-founder Joe Kay reflects on Soulection's grassroots beginnings and its impact on the music scene.

The episode originally aired in 2019.

Producer Patricia Sulbarán embarks on a journey to learn how Latino USA covered the height of the HIV/AIDS epidemic as part of the show’s 30th anniversary special coverage. After reviewing hundreds of archival clips, Patricia finds a woman leading the fight against stigma in the 1990s. It was actress, lawyer and activist Ilka Tanya Payán. This episode dives into Ilka’s life and overlooked legacy, as well as the wider reality of lack of treatment for HIV-positive women back then. Today, activist Aracelis Quiñones carries Ilka’s legacy, advising her community on the challenges of aging with HIV.

Muralist Judith F. Baca is mostly known for creating one of the largest communal murals in the world: the Great Wall of Los Angeles. It extends for half a mile along the Tujunga Wash river channel in the San Fernando Valley and it tells the story of California from its pre-Columbian origins until the 1950s. The project involved more than 400 Latino and Black youth from underserved neighborhoods. They started painting in the 1970s, but in the mid-80s they ran out of money. Until now: Judith has recently resumed work on the Great Wall. Latino USA visited her in her studio in Venice.

Earlier this year, award-winning author Meg Medina was named National Ambassador for Young People's Literature—she’s the first Latina to occupy this position. In her role, Meg’s responsible for raising awareness of the importance of young people’s literature, something that is now more crucial than ever, as efforts to ban books in schools and public libraries are on the rise.

Throughout her career, Meg has made it her mission to create and champion literature for children and young adults that speaks to their realities. She doesn’t shy away from incorporating complex or difficult topics in her stories—from grandparents with Alzheimer’s or bullies in school. Meg believes that children and young people are experts in their own experiences and can be trusted to read freely and share their own stories.

In this conversation with Maria Hinojosa, Meg Medina gets deep about identity, family, and what we lose when we don't see stories that reflect ourselves and our realities.

The musical genres most people associate with the Dominican Republic are merengue and bachata. Yet, there's another set of rhythms that are essential to the spirit of the country, and that's Afro-Dominican roots music. That's where the band Yasser Tejeda & Palotré come in. They blend some of the country's black roots rhythms like palo, salve and sarandunga, with jazz and rock to bring a new spin to local sounds—and to reimagine what it means to be Dominican. In this segment of "How I Made It," the band's frontman Yasser Tejeda walks us through the inspiration behind their latest album "Kijombo," and the making of the single "Amor Arrayano," which is all about love across the Dominican-Haitian border.

This episode originally aired in 2020.

Latino USA and Black Public Media bring you Alzheimer’s In Color. It’s the story of Ramona Latty, a Dominican immigrant, told by her daughter Yvonne, and it mirrors countless other families of color navigating a disease that is ravaging the Latino community. It’s been four years now since Ramona was diagnosed. Four years of the lonely journey, which in the end her daughter walks alone, because her mom has no idea what day it is, how old she is or where she is. Ramona lives in a nursing home and COVID-19, and months of separation have accelerated the disease, and Yvonne’s despair.

This episode originally aired in 2020.

In 2018, producer Jeanne Montalvo reported on the choices her parents made when raising her in a bilingual household. Five years later, Jeanne’s two children both command the Spanish language. But the oldest, Martin, was 2.5 years old at the start of the pandemic and never learned English. This came with a series of challenges as he entered the school system in New York. One daycare even suggested Martin was on the spectrum. In this follow-up episode, Latino USA takes a deep dive into bilingual education history as Jeanne looks for solidarity in the ghosts of New York City’s past.

This week Latino USA brings you an episode of the Hungry for History podcast.

Here’s a little-known fact you might not have known... The beer industry might be dominated by men today but women were the original brewers and played a vital role in beer’s popularity! In this episode, Eva Longoria and Maite Gomez-Rejón explore beer’s fascinating history. Plus — Carmen Velasco Favela, owner and founder of Mujeres Brew House, an all-female run/Latina-owned craft beer company in San Diego, CA joins the show.

You can subscribe to the Hungry for History podcast here .

How is ICE handling complaints of sexual abuse from detainees? Maria Hinojosa teams up with Zeba Warsi, two immigrant women and journalists from different generations, to look at sexual abuse in ICE detention more than a decade after Maria’s documentary film on this topic. This time, they investigate how women in ICE detention are sexually abused when they were at their most vulnerable —in a medical setting— and how ICE has done very little to stop it. A special by Futuro Investigates in collaboration with Latino USA.

In the early 1990s, Willie Perdomo was a teenager growing up in East Harlem. He saw and experienced firsthand a tumultuous moment in New York City, including the crack epidemic and the consequences of the war on drugs. In his latest book of poetry, "The Crazy Bunch," Perdomo wrangles with that history and the ghosts of that time. Latino USA's Antonia Cereijido takes a walk with Perdomo through his old neighborhood of Harlem to discuss his teenage years and how memories of that time inspired his newest work.

This story originally aired in July 2019.

Today we're bringing you an episode from our vault — a love story of student activism. We're taking you back to 1968, when thousands of students participated in a series of protests that helped spark the Chicano Movement, historically known as the East L.A. Walkouts. It's also when high school sweethearts and student organizers Bobby Verdugo and Yoli Ríos danced to a Thee Midniters song and fell in love.

This story originally aired in February of 2019.

Steven Melendez thinks a lot about accessibility in the world of classical dance. Steven got his start in ballet at just seven years old, as part of an outreach program run by New York Theater Ballet. Although Steven went on to become a successful professional dancer, he always felt he had to straddle two vastly disconnected worlds: that of classical ballet and his home life in the Bronx. Now, as Steven comes full circle, becoming the artistic director of New York Theater Ballet, he reflects on the strategies that can open the doors of classical ballet to new audiences.

Latino USA continues to celebrate its 30th anniversary, bringing you conversations with some of the most influential Latinos and Latinas of the last three decades. In this episode, Maria Hinojosa catches up with pioneering filmmaker Hector Galán, who for over 40 years has been documenting our Latino communities.

In this conversation, Hector shares how he got his start as a cameraman at a local TV station in West Texas in the 1970s and how the Chicano Movement gave him a sense of identity and purpose that has stayed with him throughout all these years. After a long career making documentaries, Hector looks back at his legacy and the projects he still wants to pursue.

According to Haitian-American author Edwidge Danticat, stories are a way of finding inspiration and comfort during the times we’re living through. Her award-winning writing portrays the immigrant experience, Haitian-American identity and loss. In conversation with Maria Hinojosa, Danticat dives into the history of resistance to the police violence that was all around her as a young adult in New York City, the loss of her own uncle who died at the hands of immigration authorities, and how she's making sense of the current moment.

The episode originally aired in 2020.

In 1919, an intrepid Texas state representative, José Tomás Canales, decided to lead an investigation into the abuse of power by the Texas Rangers. For several years, residents of South Texas had been reporting that members of the law enforcement agency were going rogue: beating, torturing, and even killing people, in the name of protecting Anglo settlers. The subsequent investigation into these abuses would illustrate the difficulties of reforming and creating oversight over policing on the border—and would leave behind a narrative about justified violence against the Mexican-American community, that lingers to this day.

The episode originally aired in 2020.

Latino USA has cycled through quite a few theme songs in its 30 years. There was the original theme, with acoustic guitar and soft woodwinds, followed by a brassier, more Latin Jazz influenced sound. There were even a few years when Latino USA didn’t have a theme song at all, instead featuring unique scoring for each of its stories.

In 2017, Latino USA teamed up with musical artist Xenia Rubinos to create a new song—and five years later, it’s the same one you hear on our show today. In this episode, Xenia opens up about her creative process and how her own growth inspired a special 30th anniversary remix.

For years, Anita Flores carried shame: She was a second-generation half-Peruvian who barely spoke Spanish. She pretended she didn’t care; she subtly avoided her paternal family in Lima. Then, her father was diagnosed with dementia.

As her dad’s memory started to falter, Anita would see him light up when she made the effort to speak in his first language. She tells the story of reassessing her relationship with her father, with her extended family, and with the language that kept them apart—and had the potential to bring them together.

What happens when people living in poverty get a stable income from the government? More than 100 guaranteed income pilot programs have launched across the U.S. and most are found in California. How is a regular income — with no restrictions on how to spend the money — making a difference for participants? In this episode, we spend a month with Martha and Micaela, two participants of a pilot program launched by the city of Los Angeles — one of the biggest guaranteed income programs in the country where half of the beneficiaries are Latinx — and we learn about the history of Universal Basic Income.

For over 25 years, Uruguayan band No Te Va Gustar has been filling concert venues across Latin America. With their mix of pop, rock, reggae, ska, and other styles, the band has evolved over the years from its original three-member composition to its current nine members. Their album, "Otras Canciones," commemorates their 25th anniversary by featuring some of their most popular songs, performed in front of a live audience and featuring collaborations with legendary guests like Julieta Venegas, Draco Rosa, Jorge Drexler, and Flor De Toloache. For this edition of our segment, "How I Made It," we hear from three members of No Te Va Gustar: Diego Bartaburu, Martín Gil, and Francisco Nasser.

The episode originally aired in 2019.

Latino USA goes inside the biggest free health clinic in the country, which serves only people without insurance. There are nearly 28 million uninsured people in the United States, and for some of them, free clinics are their safety net. For undocumented people, healthcare options are very limited. For this story, we spend three days behind the scenes at CommunityHealth in Chicago, where more than half of the patients speak Spanish. We shadowed doctors and patients to observe the daily dramas that unfold there and listen in on intimate conversations—all to try to capture a snapshot of how life as an undocumented person can affect an individual's physical and mental health.

NOTE: This is a bilingual episode, where some of the audio is untranslated. A transcript of the story with full English translation is available online at www.latinousa.org .

The episode originally aired in 2019.

This week Latino USA shares an episode of the In The Thick podcast.

Maria Hinojosa and Julio Ricardo Varela reflect on the one-year anniversary of the school massacre in Uvalde, Texas, and the lasting impacts on the community. We go deeper in our roundtable to look at how families of victims—especially mothers, both past and present, bring about change. Maria leads the discussion with Keith Beauchamp, award-winning filmmaker and producer on the film “Till,” and Monica Muñoz Martinez, historian and associate professor at the University of Texas at Austin.

You can subscribe to the In The Thick podcast here .

One year after the mass shooting at Robb Elementary School in Uvalde, Texas, Latino USA and Futuro Investigates explore how families in the community are dealing with grief, how they’re navigating their journey to healing, and calling for accountability.

“Uvalde Rising,” tells the story of how victims’ parents and survivors are fighting for gun reform and calling for more mental health resources.

Some of the reporting for this episode is based on the PBS Frontline documentary film “After Uvalde: Guns, Grief & Texas Politics."

For mother and son chefs Zarela Martinez and Aarón Sanchez, educating others about the cuisines that make up Mexico is a family tradition. Zarela and Aarón have each opened restaurants, written cookbooks, appeared on TV shows, and won awards. In 2020, this duo decided to combine their talents for a podcast, where they discuss the recipes and ingredients that make up their favorite Mexican dishes.

In this episode of Latino USA , Aarón and Zarela discuss their careers, how they made it in New York City, and how they’ve navigated Zarela’s Parkinson's diagnosis as a family.

José Ralat is the Taco Editor at Texas Monthly Magazine and consequently the only taco editor in the United States. In his book, “American Tacos: A History and Guide,” Ralat dives into the evolution of tacos in the United States and its history in the borderlands. According to Ralat, tacos were introduced into the U.S. in the late 1800s. Since then, tacos have evolved into fusions —like Korean and Cajun tacos— as cultures blended with one another and chefs across the country experimented with different flavors. In this episode, Ralat gives us a brief history of the American taco and why eventually, all foods will make its way into a tortilla.

This episode originally aired in 2020.

Over 300,000 students in the U.S. migrate every year to work in agriculture, from spring to fall. At a high school in South Texas, when these students return, they gather at the Migrant Student Club to discuss their experiences and get support from a migrant student counselor. At a special gathering of the club we met Reyes, who started picking asparagus in Michigan to help support his family when he was 9 years old. And over the course of his last semester of school, we follow him as he works to graduate, financially support his family, and deal with an unexpected twist: the pandemic.

This episode originally aired in 2020.

Mariana Enríquez is one of the best-known writers of a growing literary trend in Latin America that uses the horror genre to denounce the violent realities of the region—past and present. Mariana was born in Buenos Aires in 1973, just a few years before a military junta took over the democratic government in Argentina, and grew up in a country under a brutal dictatorship. She retreated to books and writing to process that historical trauma.

In this episode, Mariana shares how her connection with horror started, how she uses the genre to speak of her reality, and she reads from her latest novel Our Share of Night .

We continue to celebrate our 30th anniversary, bringing you the voices of some of the most influential Latinos and Latinas in the last three decades. In this episode, we catch up with music legend Linda Ronstadt, known as the “First Lady of Rock.” We talk to her about her memories growing up in Tucson, Arizona, and her decision to return to the traditional Mexican music of her childhood. Linda brings us into her life after retiring from music, and her memoir “Feels Like Home: A Song for the Sonoran Borderlands,” which reckons with her family history.

We start today’s episode at El Edén—the center in San Pedro Sula, Honduras, where child migrants are processed after being deported from Mexico and elsewhere. Then, before diving into the reasons why Hondurans leave for Mexico and the United States, Maria Hinojosa and Latino USA producer Marlon Bishop talk about some of the history of Honduras.

This story was produced in association with Round Earth Media . German Andino, in Honduras, co-reported this story with Marlon.

This Peabody award-winning episode originally aired in 2014.

On May 5th, 1993, the first episode of Latino USA aired on more than 50 public radio stations across the U.S. Thirty years later, we look back at the creation of Latino USA , the struggle to showcase Latino voices in public media, and the show’s transformations throughout a changing political landscape in the country. In this oral history of our show, three former Latino USA staff join Maria Hinojosa and go behind the scenes to reflect on what it took to keep Latino USA going over three decades.

Press play, and join us as we celebrate 30 Years of Latino USA! #LatinoUSA30 #LUSA30

The rock en español group, Maná, is one of the most successful Spanish-language rock bands of this generation. They've sold over 40 million records worldwide, and this year their "Rayando El Sol" tour broke records previously held by the Eagles and Kanye West, when they played seven sold-out shows at the Forum in Los Angeles. But the band didn’t start out playing stadiums—it all began when one member started an English-speaking band three decades ago in Guadalajara, Mexico. Latino USA sits down with drummer Alex Gonzalez, who tells us how they got their start and became Maná.

This episode originally aired in December 2019.

Years ago, Gloria Martinez’s son went out to look for a job and never came back. Gloria would spend months searching for him, and she wasn’t alone—many others, mostly young men from rural and poor urban areas, also mysteriously disappeared. In 2008, the “false-positives” scandal broke—and revealed that the Colombian military had been systematically killing innocent civilians as part of a body-count policy they adopted in the conflict against the FARC, a leftist guerilla group. But over a decade after the scandal was exposed, relatives of the victims continue to seek justice.

This episode originally aired in December 2019.

At the Summit of the Americas in Los Angeles last year, President Joe Biden outlined his plan to reduce the number of migrants seeking asylum at the Southern border. His administration, Biden said, would help “American farmers bring in seasonal agricultural workers from Northern Central American countries under the H-2A visa program.”

What does that mean for a program that’s already plagued with wage theft and abuse?

In the last installment of our two-part investigative series “Head Down,” we shift the focus to look at the systems put in place by the U.S. government and why they’re constantly failing foreign agricultural workers in the H-2A visa program. As a result, we uncover millions of dollars in stolen wages that, instead of being returned to the workers, end up in the coffers of a U.S. government agency.

This week Latino USA brings you an episode of The Pulso Podcast .

Texas 1951. Farmworker Pete Hernandez walks into a bar with a rifle and shoots another man. He is taken to court for murder, but when the state refuses to allow any Latinos on the jury, a rebellious team of Hispanic lawyers signs up for a wild ride that will take them all the way to the Supreme Court, and change the definition of what it means to be Hispanic in the U.S.

This episode was Produced & Written by Charlie Garcia, it was edited by Liz Alarcon. Original music by Julian Blackmore. Audio Engineering & Mixing by Julian Blackmore and Charlie Garcia. Special thanks to LULAC historian David Contreras.

You can subscribe to The Pulso Podcast here .

In 2018, Diego and Mario joined the U.S. government-sponsored H-2A visa program, leaving their families in their home country of Mexico to harvest blueberries at a farm in North Carolina for six months. They had no idea they were about to become victims of human trafficking and that their lives would be derailed forever. In the first episode of two-part special “Head Down,” we go deep into how a visa program that brings more than 300,000 foreign agricultural workers to the U.S. every year is plagued with abuse and wage theft. All of this while the U.S. government plans to expand it.

The summer of 2020 was filled with uncertainty as more than 20 million people in the U.S. were left unemployed — including Kate Bustamante’s parents. Bustamante is a 20-year-old student at Santa Ana College in Santa Ana, California. She’s always worked part-time and attended school as long as she can remember. But this summer was different. Overnight, Bustamante dropped out of classes and became her family’s breadwinner. In this personal piece Bustamante, through diary recordings and personal reflections, takes us into her world and what she went through over the summer.

The episode originally aired in November 2020.

Gloria Maria Milagrosa Fajardo Garcia was a shy, quiet young woman who joined a band named the Miami Latin Boys. Although she had no plans of international fame, and intended to continue her studies, life had different plans for her. The Miami Latin Boys became The Miami Sound Machine, Emilio and Gloria married, and the newlywed, Gloria Estefan began to take over the spotlight. The rest, is music history. In this portrait of: Gloria Estefan, Latino USA sits down with the icon to discuss her life, her relationships, how she overcame trauma, and how she manages to be excited about everything she does, after so many years.

This episode originally aired in November 2020.

This week on Latino USA we’re bringing you an episode from the newly released podcast series Party Crews: The Untold Story .

For many Latinx kids in the ‘00s, the party crew scene was a safe space to express themselves as they came of age in the grit and glitter of Los Angeles. A space to make friends, forget about your problems, and dance the night away. But the scene wasn’t always physically safe. There were shootings and police raids. Many adults saw the scene as gang-adjacent and the media-fueled negative stereotypes of kids who were out of control. One of the teens who got caught in that easy narrative was Emmery Muñoz, after she was murdered in 2006.

Host Janice Llamoca goes on a Y2K-filled journey back in time to her own party crew days to find out what this scene meant for teens like her and Emmery, and why – to this day – Emmery’s case remains unsolved. From IHeart, VICE, and LAist Studios as part of the My Cultura Podcast Network.

You can subscribe to Party Crews: The Untold Story here .

When pioneering trans activist Lorena Borjas first arrived in the U.S. in late May of 1981, she found both community and an epidemic. Through her experiences on Roosevelt Avenue in Queens, NY, Lorena developed a personal approach to connect trans Latinas and trans sex workers to critical medical and legal resources. Decades later, it would be another massive health crisis—COVID-19—that would take the life of this beloved community leader, putting into stark relief her vast legacy. Now, her closest friends paint an intergenerational portrait of Lorena, as a trailblazer, a mentor, and a mother.

This award-winning episode originally aired in May 2021.

In 2018, Pulitzer Prize-winning playwright Quiara Alegria Hudes decided to take a break from the theater world. Tired of a white, male-dominated landscape, Quiara turned inward, leaning on her memories and stories of the women in her family. The result was Quiara’s first memoir: “My Broken Language.” In 2022, Quiara returned to the stage with the play adaptation of her memoir. On this episode of Latino USA , we talk to Quiara about her memoir, her play, and how grief and joy intertwine in the stories she is bringing to the stage.

Antonia Cereijido interviews former prosecutor of the International Criminal Court Luis Moreno Ocampo about his real life experience, which inspired the Oscar- nominated film Argentina, 1985. They discuss the relevance of the film today given that democracy is under attack in many parts of the world and the role of movies in helping to process painful and unspoken histories, which for both Moreno Ocampo and Cereijido are deeply personal.

Christopher Soto is a Salvadoran-American poet, activist and prison abolitionist. He is based in Los Angeles, but has remained tied to his parent’s home country.

Throughout his life, Christopher has taken many trips to El Salvador, but during his most recent visit to the Central American country in the summer of 2022, things were very different: the country’s president Nayib Bukele had declared a state of exception to address rising homicide rates attributed to criminal gangs. More than 65,000 people have been arrested since then, many of them arbitrarily.

On this episode of Latino USA , Christopher Soto takes us to El Salvador during a state of exception and we hear about the deep connections between the United States and El Salvador’s carceral culture, as well as the importance of poetry within the prison abolitionist movement.

Villano Antillano and Ana Macho are two Puerto Rican trans and non-binary musicians making waves in the music industry. In their latest projects, Villano Antillano’s debut album “Sustancia X” and Ana Macho’s “Realismo Magico,” both artists use elements of magical realism and science fiction to dream of queer and trans empowerment. In this intimate conversation, we hear the two artists bring some humor into the difficult realities of navigating a transphobic industry, and we dive deep into the sonic worlds of their latest albums.

This week Latino USA shares an episode of the USA v. García Luna podcast, from Futuro Investigates and Lemonada Media.

Genaro García Luna’s trial is over, but Maria and Peniley’s investigative work is not. In this episode, they learn that a U.S. senator has requested the DEA and the FBI information on García Luna, including the names of the U.S. officials who vetted him. We listen to some of our series’ protagonists react to the guilty verdict, and Peniley digs into what’s next for García Luna. Finally, our hosts reflect on why the war on drugs was always unwinnable, and they get into some chisme , going behind the scenes of this series.

To hear more of USA v. García Luna , head to futuroinvestigates.org .

For this week’s Latino USA , we’re bringing you an episode from the newly released podcast series from WNYC Studios and Futuro Studios, La Brega, The Puerto Rican Experience in Eight Songs .

By the end of the 1990s, merengue ruled supreme on the radio and TV in Puerto Rico, but the road to get there was long and complicated, coinciding with the growing Dominican population to the island and culminating in perhaps what was the pinnacle of its popularity and takeover in Puerto Rican music, at home and abroad: Elvis Crespo’s “Suavemente. ” Journalist Ezequiel Rodríguez Andino shares the story of merengue’s ubiquity and how the shift from salsa to merengue brought to the surface serious class and racial tension that still remains today.

You can subscribe to La Brega here.

For Ayodele Casel tap dancing is magic. As a young high school student, she dreamed of one day dancing like Ginger Rogers as she recreated Ginger’s moves in her bedroom But it wasn’t until Ayodele Casel was a sophomore at the NYU Tisch School of the Arts that she took her first tap dancing class. That was her entry point into the art form which would eventually lead to a more than 20-year career as a professional tap dancer. As a Black and Puerto Rican woman, Ayodele Casel didn’t see herself reflected in the mainstream image of tap dancers because the form has been largely whitewashed through systematic racism. For that reason, she works tirelessly to remind her audiences that tap is deeply rooted in Black art and culture.

In this episode of “How I Made It,” Ayodele takes us through her tap journey and reclaims tap dancing as a Black art form.

This episode originally aired in November of 2021.

In the late 1800s, Teresa Urrea was a superstar. She was a ‘curandera,’ or healer, a revolutionary, and a feminist. At only 19 years old she was exiled from Mexico by dictator Porfirio Diaz, who called her the most dangerous girl in the country, and moved to El Paso, Texas. She also had a miraculous power: she could heal people through touch. Her vision of love and equality for all people regardless of gender, race, and class inspired rebellions against the dictatorship of Porfirio Diaz, earning her the title the Mexican Joan of Arc. In this episode, we follow Teresa Urrea’s life, and honor the legacy of a revolutionary woman decades ahead of her time.

This episode originally aired in November 2021.

For this week’s Latino USA , we’re bringing you an episode from the newly released podcast series from WNYC Studios and Futuro Studios, La Brega, The Puerto Rican Experience in Eight Songs .

Created by Nuyorican street kids in the mid-80s, freestyle music became the sound and story of second-generation Boricuas. Hip-hop and pop, Latin Caribbean rhythms and instruments, all came together in freestyle. The sound was ubiquitous in New York and later in Orlando, FL. Young Puerto Rican women became the face of the genre. They sang about love, heartbreak, and their sexual desires. In Lisa Lisa & Cult Jam’s “I Wonder If I Take You Home ” —a huge hit in the genre— a young woman sings about that on her own terms and without shame, opening up mother-daughter conversations that weren’t happening.

You can subscribe to La Brega here.

The food of Mexico is diverse, complex, and beloved across the world. Don’t just take it from us—in 2010, traditional Mexican cuisine was added to UNESCO’s list of Intangible Cultural Heritage.

Mexican chef and cookbook author Margarita Carrillo Arronte was a big advocate of this move. Throughout her career, she’s been committed to exploring Mexican cuisine and showcasing it on the world stage. Her latest release, “The Mexican Vegetarian Cookbook,” dives into Mexico’s legacy of plant-based cooking.

On this episode of Latino USA, Margarita joins the show to talk about the rich history of Mexican food.

Uruguayan singer-songwriter Jorge Drexler knows what it's like to live different lives within one. An ENT doctor until his early 30s, he then decided to leave medicine behind, as well as his life in Uruguay, to pursue a music career in Spain. He became the first Uruguayan to win an Oscar with his song “Al otro lado del río.” In this episode of Latino USA, the multiple award-winning musician walks us through key moments in his career, including the creative process behind his latest album “Tinta y tiempo”—and drops a few gems about his personal life on the way.

This week Latino USA shares the first episode from the Valle de Sueños podcast.

We launch Valle de Sueños on Our Lady of Guadalupe feast day to honor those who have journeyed and kept their resiliency, faith, and love despite the treacherous path to citizenship. Our Lady represents strength, hope, and access to a kind, loving world, which represents the dreams of those who sacrifice their lives as migrants.

In episode 1, our host Laura Peña introduces the binational community of Matamoros, Mexico, and Brownsville, Texas from her perspective as a borderland native. After providing contextual background of the complex humanitarian situation at the beginning of the new Biden Administration, she begins telling the story starting on Day 1 of the humanitarian operation to close the Matamoros refugee encampment. Would the first group of migrants be allowed into the U.S.? The listener is left in suspense.

You can subscribe to Valle de Sueños here .

More than 25 years ago, two teachers in New Mexico were fired for refusing to stop teaching Chicano History in their classrooms; today, that history repeats itself in Denver, Colorado. What are students missing out on when they don’t learn about their history in school?

In this episode of Latino USA, we present a conversation between teachers Tim Hernández and Nadine Córdova. They talk about their shared struggles, the relevance of Chicano History in the classroom, and the lessons they’ve learned from this experience. Plus, we hear from two of Nadine's and Tim's former students.

Esta semana en Latino USA , te compartimos un episodio del nuevo podcast “La Brega: La experiencia boricua en 8 canciones”, producida por WNYC Studios y Futuro Studios.

Inicialmente, "El gran varón" fue prohibida por algunas estaciones de radio, pero a pesar de esto, se convirtió en un éxito; muchos la consideran una de las salsas más conocidas de todos los tiempos. Omar Alfanno explica que la canción fue realmente inspirada por un rumor sobre un amigo de la vida real. Sólo años más tarde se dio cuenta de que sus letras contenían una profecía escalofriante.

En este episodio, la presentadora Alana Casanova-Burgess analiza la letra de “El gran varón” y cómo esta canción que critica a un padre por rechazar a su hijo cuir ha lastimado y a la vez ayudado a la comunidad LGBTQ+ y sus familias.

Te puedes suscríbir a La Brega aquí.

For this week’s Latino USA , we’re bringing you an episode from the newly released podcast series from WNYC Studios and Futuro Studios, La Brega, The Puerto Rican Experience in Eight Songs .

Gabby Rivera was 7 when Willie Colón released “El Gran Varón” in 1989. She remembers her father playing in the Bronx. The cinematic arc of the song would stick with her: Simón, depicted as a trans queer person, is shunned by their father and dies alone of what’s assumed to be AIDS. “El Gran Varón” was first banned by some radio stations but became an international hit anyway. Many call it one of the most well-known Latin songs of all time. Its songwriter explains that it was inspired by a rumor about a real-life friend. Only years later did he realize his lyrics contained an eerie prophecy.

You can subscribe to La Brega here.

In 2018, Latino USA teamed up with the Unterberg Poetry Center at the 92nd Street Y to put on an event honoring the 25th anniversary of Esmeralda Santiago's coming-of-age classic "When I Was Puerto Rican." In conversation with producer Antonia Cereijido, Santiago talks about what it's like to live through a hurricane, the #metoo movement, and learning to not care about what other people think of you.

In 1998, three television writers tasked with creating the next hit children's show came up with the idea of a young girl who would go on adventures and ask questions directly to the audience. With the help of consultants, they created a seven-year-old Latina girl named Dora Márquez and the show, "Dora the Explorer." Almost 20 years later, Dora is reimagined as a teenager in a new live-action film called “Dora and the Lost City of Gold.” While some of the elements in Dora’s world are still fictional, the live-action film grounds Dora in reality. In this segment, Latino USA dives into the legacy of "Dora the Explorer" then and now.

Trans activist, actress and author, Cecilia Gentili, knows the power of stories. Whether she is working at her company Trans Equity Consulting, writing an op-ed for the New York Times, or portraying a character on television, Cecilia believes that sharing her story is a way to advocate for the change she hopes to see. On this episode of Latino USA , Cecilia shares about her new memoir, “Faltas,” which is written as a series of letters to people in her hometown in Argentina. Cecilia talks about how joy and grief intertwine through the narrative, and how sharing her childhood stories is her revolutionary cry to support trans youth.

Mexican singer-songwriter Natalia Lafourcade embraces contrasts in her music. Look no further than her latest album, “De Todas las Flores,” where Natalia found herself both processing death and celebrating life.

Prior to this, Natalia released a number of critically acclaimed albums that drew from Latin American musical history. Her journey led her to Carnegie Hall in New York City, where she premiered her latest music in a special live performance late last year.

Just days before this show, Natalia sat down with Latino USA to talk about her new album, her career, and the value of slowing down to tend to one’s inner garden.

Last November, Maria Hinojosa visited Howard University in Washington, DC to celebrate its inaugural Democracy Summit. The Summit was organized by the Center for Journalism and Democracy, which was founded by Pulitzer Prize-winning journalist Nikole Hannah-Jones.

Maria sat down with journalist Jodi Rave Spotter Bear and historian Kathy Roberts Forde for a panel discussion about the history of journalistic blindspots and how the mainstream media often fails to see the dangers of white nationalism. It was one of many panel discussions that took place that day.

We bring you an edited version of the conversation, moderated by Professor Dr. Jason Johnson.

Pulitzer Prize-winning journalist Nikole Hannah-Jones rose to instant recognition when she published the 1619 Project in 2019. Since then she’s received countless praise, awards, and recognition, but the project also engulfed her into a media firestorm with many on the far-right going after her and her work, with some states even banning the teaching of the 1619 Project.

In this conversation with Maria Hinojosa, Nikole Hannah-Jones reflects on how she’s pushed ahead despite controversy, and talks about trying to fit in at predominately white institutions and the importance of intersectionality. We also take a trip to her 1619 Freedom School in her hometown of Waterloo, Iowa.

For Puerto Rican singer-songwriter Ileana Cabra — known by her stage name, iLe — music has always been a way to reflect and comment on the world around her.

iLe began her musical career singing with her brothers in their renowned rap group Calle 13. But in 2016, iLe decided to go solo. She would go on to release three studio albums, using those platforms to explore many musical genres with deep roots in Latin America and the Caribbean: from boleros and salsa, to pop and reggaeton. As a songwriter, iLe puts her lyricism at the forefront, delving into themes of patriarchy and colonialism in her music.

In this episode iLe walks us through the evolution of her music as a form of protest, and how she is daring herself to show a more personal side in her most recent album, “Nacarile.”

Nachos: They’re one of the most popular snack foods in the United States, and the name is instantly recognizable worldwide. Bright yellow nacho cheese is now a staple at countless sports events and movie nights, serving as a flavor of nostalgia to many.

But nachos’ immense popularity over the years has overshadowed their true history. The first nachos weren’t invented in ballparks or designed for concession stands. They were created 80 years ago in a small town in Mexico, along the south Texas border. And they weren’t made to be a big hit. Still, nachos would end up bigger than anyone could have ever imagined.

Rubén Blades is a singer, songwriter, actor, lawyer, and politician. He was born in Panama and became a New Yorker in 1974. After four decades in the public eye and some of the best-selling records in salsa history, his unique storytelling across music styles has kept him relevant to this day.

Latino USA sits down with the author of the popular song “Pedro Navaja” to discuss highlights of his monumental career.

This episode originally aired on October 2018.

In 1945, 20-year-old Anthony Acevedo was held in captivity with other American soldiers inside a Nazi concentration camp called Berga. There, the soldiers were used as slave laborers, building tunnels for underground fuel factories. It was during this time that the Mexican-American medic kept a secret diary and documented the horrors he witnessed inside the camp.

Acevedo held on to his war diary until 2010, when he donated it to the United States Holocaust Memorial Museum (USHMM) in Washington, D.C. That same year, he registered as a Holocaust survivor with the museum—the first and only Mexican-American to do so.

This episode originally aired in May 2018.

This week on Latino USA we feature this interview with Maria Hinojosa on the Brown Enough podcast. Cómete ese miedo —or eat your fear— is what Pulitzer Prize-winning journalist Maria Hinojosa's husband told her to do when imposter syndrome sneaks up on her. But across her decades-long career, she's learned to embrace the pressure. Today, she talks to Christopher Rivas about how her parents' experience in the US shaped how she thinks about this country. Plus, what she hopes for the next generation of Brown journalists. Her new young adult book Once I Was You: Finding My Voice and Passing the Mic is out now.

Subscribe to Brown Enough here .

In most of the country, when someone says they are going to Coachella it means they are going to a music festival. But for many who grew up in the Coachella Valley in California, their experience has nothing to do with music. Coachella is divided into two parts. On the west Side, there are beautiful homes with large front and backyards. On the east side, you find the mobile homes of the mostly immigrant Mexican and Mexican American communities. The differences between the two sides are stark but there is one difference that has a particularly harsh health impact: access to clean water.

This episode originally aired in 2017.

From CSI to Donna Summer, García Luna was fascinated by anything American. Several U.S. officials said that García Luna was the person they trusted the most in the Mexican government. They called him "The Mexican Hoover," after John Edgar Hoover, the FBI’s first director. But soon, García Luna was facing accusations of corruption. In this episode, Peniley and Maria tell us exactly how far back those suspicions go as well as his obsessions, his childhood dreams, and how it all led to him heading the Mexican equivalents of the DEA, FBI, NSA and prison systems put together.

To hear more of USA v. García Luna , head to futuroinvestigates.org .

When Rafael Reif steps down as president of the Massachusetts Institute of Technology at the end of December 2022, there will no longer be a Latino president at the helm of a top university in the United States. But for Reif, his tenure and the journey that brought him to it, is one that is defined by more than just his identity.

In this conversation with Maria Hinojosa, Reif reflects on the legacy he wants to leave as MIT president. He talks about how his upbringing in Venezuela shaped his outlook on education, and shares his message for Latino and Latina students pursuing higher education.

After a challenging experience as a computer science major, Samantha fell in love with making video games. But more than the technical aspects of video games, she is interested in storytelling. Now, Samantha works as a game writer and narrative designer to develop the ways a player experiences the story of the game. And she’s bringing her Mexican and Puerto Rican heritage to the video games she creates. Because, for the most part, the stories of people like Samantha have not been told in video games.

In this episode of Latino USA , Samantha shares her journey of finding her way into the video game industry and the joys of bringing her whole self to the games she creates.