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The FILMdetail Interview Podcast
Saadi Yacef on The Battle of Algiers
2017/05/23
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The classic 1966 war film THE BATTLE OF ALGIERS got a re-release in UK cinemas back in 2007 and it was then I spoke to Saadi Yacef, who produced and starred in the film. He was one of the leaders of Algeria’s National Liberation Front during his country’s war of independence. Whilst imprisoned by the French, he wrote his memoir of the actual Battle of Algiers, which was published in 1962. After the war Saadi helped produce Gillo Pontecorvo‘s film and he even stars in it as a character based on his own experiences. With its strikingly realistic depiction of modern warfare and terrorism the film has gone on to become highly influential. So much so that the The Pentagon screened it in 2003 as a useful illustration of the problems faced in Iraq. Saadi went on to become a Senator in Algeria’s People’s National Assembly.
File Download (17:49 min / 16 MB)
Caroll Spinney on I Am Big Bird
2015/06/02
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The character of Big Bird on Sesame Street has enchanted generations of viewers on the children’s show Sesame Street. A new documentary explores the life and career of Caroll Spinney, the man inside the iconic yellow costume. We spoke to him recently about his childhood, a chance meeting with Jim Henson that changed his life and what it was like travelling the world in a big suit of yellow feathers. The DVD is out in the UK on June 1st and for more information visit iambigbird.com
File Download (12:17 min / 17 MB)
Alex Gibney on We Steal Secrets The Story of Wikileaks
2013/07/09
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We Steal Secrets: The Story of Wikileaks is the new documentary from director Alex Gibney (Taxi to the Darkside, Mea Maxima Culpa: Silence in the House of God) and explores the organization started in 2006 by Julian Assange.
Charting the various people involved in the leaking of secret information, including hackers, journalists and activists who during 2009-2010 leaked information about the the Icelandic financial collapse, Swiss banks evading tax and toxic-waste dumping.
It then focuses on the case of Bradley Manning, the army private who leaked an enormous amount of classified information about the Afghan and Iraq wars, as well as over 250,000 diplomatic cables.
Since the film premiered at Sundance in January, Bradley Manning has pleaded guilty, some Wikileaks supporters have taken issue with the film and Assange remains holed up in diplomatic limbo at the Ecuadorian embassy in London.
Added to this, another leak of seismic proportions rocked the US government in early June when a new whistle-blower named Edward Snowden released details of PRISM, a top secret spying program of unprecedented scope and size.
As I write this both Snowden is in diplomatic limbo at Moscow airport, but although some of the events and issues raised in the film are ongoing, there was much to chew on when I spoke with Gibney at the end of June.
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Kleber Mendonca Filho on Neighbouring Sounds
2013/06/17
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Neighbouring Sounds is the first full length feature from Brazilian director Kleber Mendonca Filho and explores life in a middle-class neighbourhood in Recife, Brazil.
With its fine acting, steady pace and distinctive visual style, it is one of the most impressive films to emerge from Brazil in years.
It is out on DVD and Blu-ray from June 24th
File Download (0:00 min / 14 MB)
Caroline Bridges and Sameer Patel on BAFTA at Latitude
2012/01/24
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Two short films recently premiered at BAFTA in London as part of a project to support emerging talent.
Me and My Latitude is a collaboration between BAFTA and Festival Republic, organisers of Latitude, the yearly arts and music festival.
Last year two filmmakers were chosen to each make a short film about an artist preparing to perform at Latitude 2011, with the aim of reflecting the diversity and inventiveness of the UK arts scene.
Caroline Bridges has made Knife Edge, which shows dance theatre company Lost Dog in action at the festival, whilst Sameer Patel has directed She Want Soul, a portrait of poet and writer Sabrina Mahfouz.
Both films screened last night at BAFTA’s Run Run Shaw Theatre in London and will also feature in the line-up for Latitude’s Film & Music Arena in 2012, which is partly programmed in partnership with BAFTA.
I spoke with Catherine and Sameer about their experiences making the films just after the screening.
The Latitude Festival takes place from July 12th – 15th and the Orange British Film Academy Awards is on February 12th
> BAFTA: http://www.bafta.org
> Latitude Festival: http://www.latitudefestival.co.uk
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Billy Bob Bob Thornton on Bad Santa
2011/12/24
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Back in 2004 I spoke with Billy Bob Thornton about his role in Terry Zwigoff’s comedy Bad Santa.
The film was produced by the Coen brothers and Thornton played the title character and Tony Cox as his partner in crime.
It was a year after the US release and the film has since gone on to become something of a cult favourite as an alternative Christmas film.
For some reason it never aired on radio but you can now listen to it here.
File Download (0:00 min / 6 MB)
Andrew Rossi on Page One: Inside the New York Times
2011/09/21
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Page One: Inside the New York Times is a new documentary about the challenges facing the famous US newspaper in the digital age.
Director Andrew Rossi was granted access to parts of the paper during an eventful year, which included the Wikileaks affair, US troops pulling out of Iraq (sort of), the decline of US print journalism and the rise of social media platforms including Twitter.
As certain US papers go out of business, the film also focuses on two contrasting media reporters, David Carr and Bryan Stelter, as they report on the realities of the Internet era and the struggles their paper faces.
Andrew Rossi previously directed the HBO documentary Le Cirque: A Table In Heaven (2007) and was was also associate producer on Control Room (2004).
I spoke with him recently in London about the film and the related issues surrounding it.
Official website: http://pageoneinsidethenewyorktimes.com/
File Download (0:00 min / 23 MB)
September 11th Interviews: Ben Sliney, Will Jimeno and Philippe Petit
2011/09/10
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Since the events of September 11th 2001, several films have come out about the events of that day.
I’ve had the opportunity over the last few years to interview people directly connected with tragedy and films related to it.
The first major Hollywood film to deal specifically with 9/11 was United 93 (2006), which dramatised the events surrounding United Airlines Flight 93 after it was hijacked during the attacks.
In 2006, I spoke with Ben Sliney, the FAA National operations manager responsible for grounding all air traffic that day, who director Paul Greengrass hired in an advisory role before casting him as himself in the movie.
Later that summer I spoke with Will Jimeno, the Port Authority Police officer who survived the World Trade Center attack and was buried under the rubble for a total of 13 hours, along with fellow Port Authority officer John McLoughlin.
Their story was the basis for Oliver Stone’s World Trade Center (2006), which starred Nicolas Cage as McLoughlin and Michael Pena as Jimeno, and we spoke about the day, his long rehabilitation process and the movie.
Two years later James Marsh directed the documentary Man on Wire (2008) about Frenchman Philippe Petit, who conducted an illegal wire walk between the Twin Towers in August 1974.
I spoke with Philippe about his extraordinary act and the subsequent film, which went on to win the Oscar for Best Documentary.
Music Credits: ‘Dedication’ by John Powell from United 93; ‘Jimeno Sees Jesus’ and ‘Alison at the Spotlight’ from World Trade Center by Craig Armstrong; ‘Fish Beach’ by Michael Nyman from Drowning by Numbers; ‘Gymnopedie No. 1’ by Anne Queffélec and composed by Erik Satie
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Duncan Kenworthy on The Eagle
2011/07/22
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The Eagle is a historical drama directed by Kevin MacDonald and adapted from Rosemary Sutcliff’s 1954 historical novel The Eagle of the Ninth.
Set in Britain during 140 AD, it tells the story of a young Roman officer (Channing Tatum) and his slave (Jamie Bell), who venture to the North of England in order to find the eagle standard of an ill-fated legion who disappeared several years before.
Duncan Kenworthy has produced several British films, including Four Weddings and a Funeral (1994), Lawn Dogs (1997), Notting Hill (1999) and Love Actually (2003) and he has wanted to make this film for a number of years.
I recently spoke with him about its development, the historical accuracy of the piece, choosing Kevin MacDonald as director and the current state of the British film industry after the closure of the UK Film Council.
File Download (0:00 min / 17 MB)
Liz Garbus on Bobby Fischer Against The World
2011/07/05
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Bobby Fischer Against The World is a new documentary about the rise and fall of the legendary American chess player and his 1972 match with Boris Spassky.
The film explores Fischer’s rapid rise to national fame and the political significance of his clash with Spassky, which attracted global media coverage as a wider Cold War confrontation between America and Russia.
It then delves into the later years of his life as he effectively retired at the peak of his career and became a wandering enigma, exiled from his own country, making controversial statements after 9/11, before eventually retreating to Iceland where he died in 2008.
Directed by Liz Garbus, it premiered at Sundance earlier this year and mixes rare archive footage and photos with interviews from those close to Fischer as well as figures such as Gary Kasparov and Henry Kissinger.
I recently spoke to Liz in London at the offices at Dogwoof, who are releasing the film in the UK on July 15th
Find out more about the film at www.bobbyfischermovie.co.uk
File Download (0:00 min / 23 MB)
Anthony Richmond on Nicolas Roeg
2011/04/04
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Cinematographer Anthony Richmond worked alongside director Nicolas Roeg on Don’t Look Now (1973) and The Man Who Fell To Earth (1976).
Don’t Look Now is an adaptation of the short story by Daphne du Maurier, and stars Julie Christie and Donald Sutherland as a married couple who travel to Venice only to haunted by the death of their recent daughter.
It recently topped Time Out’s list of the 100 best British films and remains a remarkably atmospheric drama with its brilliant editing, memorable visuals and great use of wintry Italian locations.
The Man Who Fell To Earth is a cult adaptation of the Walter Tevis novel about a mysterious man (David Bowie) who seemingly arrives from another planet and builds a vast business empire before becoming a recluse.
An unusual and rewarding film, it has aged like a fine wine with its inventive approach to time and enduring exploration of the forces that shape modern society.
Both films are getting re-releases on Blu-ray and I recently spoke to Anthony about his work on these seminal films of the 1970s.
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Charles Ferguson on Inside Job
2011/02/15
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This week sees the UK release of Inside Job, a documentary which examines the global financial crisis.
Directed by Charles Ferguson it explores the deeply troubling relationship between financial and political elites.
Opening with a startling prologue about how Iceland’s economy was ruined, it sets up in microcosm the the wider story of how, over a period of 30 years, successive governments have allowed large financial institutions to inflate an economic system until it eventually burst in the autumn of 2008.
One of the most important films of the past year, it was the most critically acclaimed film at the Cannes film festival last May and has been nominated for the Best Documentary Oscar.
I spoke with director Charles Ferguson and producer Audrey Marrs at the London Film Festival last October and we discussed the film and the issues it raises.
Inside Job opens in selected UK cinemas from Friday 18th February
File Download (0:00 min / 13 MB)
Alejandro Gonzalez Inarritu on Biutiful
2011/01/18
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In the latest drama from Alejandro González Iñárritu, an underworld fixer in Barcelona struggles to deal with his family’s future and his own mortality.
Uxbal (Javier Bardem) oversees an illegal underground operation involving immigrant workers, drugs and construction, whilst also trying to be a good man to his ex-wife (Maricel Álvarez) and his two children (Hanaa Bouchaib and Guillermo Estrella).
Notable for an outstanding lead performance from Bardem, the latest feature from Iñárritu powerfully explores the dark edges of a modern city and the lives of those who live in it.
It marks a break from Iñárritu’s triptych of films with screenwriter Guillermo Arriaga and I recently spoke with the director in London about his latest work.
N.B. The title of the film refers to the orthographical spelling in Spanish of the English word beautiful as it would sound to native Spanish speakers.
File Download (0:00 min / 13 MB)
Ed Zwick on Love and Other Drugs
2010/12/22
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Love and Other Drugs is a new comedy-drama set in the late 1990s about a charming pharmaceutical rep (Jake Gyllenhaal) who falls an artist (Anne Hathaway) suffering from Parkinson’s disease.
Directed by Ed Zwick, it is loosely based on the book Hard Sell: The Evolution of a Viagra Salesman by Jamie Reidy and co-stars Oliver Platt, Hank Azaria and Josh Gad.
Zwick’s previous films have included Glory (1989), Legends of the Fall (1994), The Siege (1998), The Last Samurai (2003), Blood Diamond (2006), and Defiance (2008).
Along with his producing partner Marshall Herskovitz, he also created the TV shows Thirtysomething and My So-Called Life.
I recently spoke with Ed in London about his latest film which opnes in the UK on December 29th.
File Download (0:00 min / 8 MB)
Violante Placido on The American
2010/11/22
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The American is a new suspense thriller about a mysterious American named Jack (George Clooney) who arrives in a small Italian town after problems with a job in Sweden.
Whilst waiting for orders, he befriends a local priest (Paolo Bonacelli) and falls for for a local prostitute named Clara (Violante Placido), whilst taking on a new assignment to construct a new rifle for a professional assassin (Thekla Reuten).
Directed by Anton Corbijn, the film is a stylish, existential drama that harks back to the films of Jean-Pierre Melville, Michelangelo Antonioni and Sergio Leone.
I recently spoke with Violante Placido about her role the film and what it was like working with Corbijn and Clooney in the Abruzzo region of Italy.
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Garth Jennings and Nick Goldsmith on The Hammer and Tongs Collection
2010/11/19
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The directing and producing duo Hammer and Tongs (aka Garth Jennings and Nick Goldsmith) have a new DVD out which features their various music videos for artists such as Blur, R.E.M., Beck, Fatboy Slim, Pulp and Vampire Weekend.
The collection also features various audio commentaries from band members featured in the collection, including Jarvis Cocker, Graham Coxon, Norman Cook and Ezra Koenig.
Garth and Nick first started making videos in the early 1990s for dance act SL2 and gradually began to make promos for acts such as Pulp (Help the Aged), Eels (Cancer for the Cure), Fatboy Slim (Right Here, Right Now), Supergrass (Pumping on Your Stereo), Blur (Coffee & TV), R.E.M. (Imitation of Life), Beck (Lost Cause: Version 2) and Vampire Weekend (Cousins).
There are also various short films on the DVD that showcase their work from 1998 until 2009, including behind-the-scenes footage from the various videos and their two feature films so far, The Hitchhiker’s Guide to the Galaxy (2005) and Son of Rambow (2008).
I spoke with Garth and Nick recently at their offices in North London about their career so far.
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Jay Duplass on Cyrus
2010/09/09
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Cyrus is the latest film from Jay and Mark Duplass, a is a comedy-drama about a lonely divorcee (John C. Reilly) who finally meets the woman of his dreams (Marisa Tomei), only to discover that she has an over-protective son (Jonah Hill).
After breaking through on the US festival scene with low-budget films such as The Puffy Chair (2005) and Baghead (2008), the Duplass Brothers quickly became associated with the term ‘mumblecore’.
It was a loose phrase used to describe a certain kind of US indie movie, often focusing on introspective twenty-somethings and shot on tiny budgets using documentary-style techniques.
Directors such as Andrew Bujalski, Lynn Shelton, Aaron Katz and Joe Swanberg all had the label applied to their films, which stood out from the increasingly expensive indie scene of the early and mid-2000s.
Since then, the genre has arguably been absorbed into the mainstream with Greenberg – the Ben Stiller comedy featuring mumblecore regular Greta Gerwig – and now Cyrus, which sees the Duplass Brothers take their style of filmmaking to the division of a major studio (Fox Searchlight).
I recently spoke with Jay Duplass in London about the new film, what the term mumblecore means to him now and the transition from ultra-low budget indies to the studio system.
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Harvey Pekar on American Splendor
2010/07/16
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Harvey Pekar, the underground author of the acclaimed comic book American Splendor, passed away earlier this week in Cleveland, Ohio.
Although he worked for almost 40 years as a file clerk in a hospital, he turned the everyday struggles of his life in to a distinctive series of books, which started in 1976 and were illustrated by artists such as Robert Crumb, Gary Dumm, Greg Budgett and Mark Zingarelli.
Back in December 2003 I spoke with Harvey in London when the film adaptation of American Splendor was released in UK cinemas.
Directed by Robert Pulcini and Shari Springer Berman, it starred Paul Giamatti as Pekar, Hope Davis as his wife Joyce and featured an inventive mix of fiction, animation and documentary footage.
Critically acclaimed, it won a string of awards, including prizes at festivals such as Sundance and Cannes, as well as an Academy Award nomination for Best Adapted Screenplay.
We discussed various aspects of his life and career, including how started the comic book, the film adaptation, his feud in the late 1980s with David Letterman and the influences on his work.
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Pierre Rissient on Breathless
2010/07/02
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Breathless (A Bout De Souffle) is being re-released in UK cinemas to celebrate the 50th anniversary of its original release.
One of the key films of the French New Wave, it is the story of Michel Poiccard (Jean-Paul Belmondo), a small-time criminal on the run, and Patricia Franchini (Jean Seberg), an American who sells the International Herald Tribune along the boulevards of Paris.
With its loose narrative, location shooting, improvised dialogue, jump cuts, deliberately mismatched shots and literary references, it remains a landmark film.
It gave French and European cinema a much needed shot of inspiration when it first came out in 1960 with audiences and critics responding to its energy and artistic verve.
Pierre Rissient was the assistant director on Breathless and for the past fifty years has been a key figure in the film world: a critic, publicist and consultant to film festivals, he has helped champion directors as diverse as Joseph Losey, Jules Dassin, Anthony Mann, Hou Hsiao Hsien, Zhang Yimou, Clint Eastwood, Quentin Tarantino, Werner Herzog, Jane Campion and Abbas Kiarostami.
I recently spoke to Pierre about the re-release of Breathless and got his thoughts on the film fifty years after its original release.
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Craig McCall on Cameraman The Life and Work of Jack Cardiff
2010/06/06
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Cameraman: The Life and Work of Jack Cardiff is a new documentary from director Craig McCall that explores the career of one of Britain’s most famous cinematographers.
With a career that spanned the development of cinema, taking in silent film and the advent of Technicolor he worked with luminaries such as Michael Powell, John Huston, Alfred Hitchcock, Marilyn Monroe, John Wayne, Humphrey Bogart and Audrey Hepburn.
On films such as A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948) and The African Queen (1951) he established himself as a world class cinematographer and in 2001 he became the first cinematographer to receive an honorary, Lifetime Achievement Oscar® for:
“Exceptional contributions to the state of motion picture arts and sciences; and for outstanding services to the Academy.”
Director Craig McCall has been working on this documentary for several years, interviewing Jack himself (who passed away last year( and various admirers including Martin Scorsese, Thelma Schoonmaker, Kathleen Byron, Kim Hunter, Moira Shearer, John Mills, Lauren Bacall, Charlton Heston and Kirk Douglas.
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Riz Ahmed and Nigel Lindsay on Four Lions
2010/05/17
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Four Lions marks the feature film debut of Chris Morris as a director and it is the story of four suicide bombers in a Northern town struggling to plan an attack on the London marathon.
Omar (Riz Ahmed) is disillusioned with how Muslims are treated around the world and determined to lead some kind of attack on the West. His protege is Waj (Kayvan Novak) who is enthralled by the thought of doing something exciting. Meanwhile Barry (Nigel Lindsay) is a white Islamic convert who has issues with Omar, whilst Faisal (Adeel Akhtar) tries to experiment by strapping bombs to crows.
After pioneering work in radio (On the Hour, Blue Jam) and TV (The Day Today, Brass Eye) Morris has always had a sharp, satirical eye for how controversial subjects have been presented to the wider public.
In some ways this is a sister film to Armando Ianucci’s In the Loop – whereas that focused on the dark political comedy that lay behind the war on terror, this explores the farcical nature of terrorism on the front line.
I recently spoke with Riz Ahmed and Nigel Lindsay about the film, what it was like working with Morris and why it seems to have touched a nerve at the UK box office.
File Download (0:00 min / 10 MB)
Matt Harlock and Paul Thomas on American The Bill Hicks Story
2010/05/16
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American: The Bill Hicks Story is a new documentary about the late comedian whose observations on politics, culture and society still resonate years after his untimely death in 1994.
Although he met with considerable acclaim on the comedy circuit, with an especially passionate following in the UK, Hicks’ stinging observations on issues such as US foreign policy, consumerism, religion, and abortion meant that he never really achieved the mainstream breakthrough of some of his contemporaries.
However, with the release of his work on albums such as Rant in E-Minor and Arizona Bay, he achieved a lasting posthumous success and a significant legacy as a truth-teller, which reached full circle when a second President Bush started another war in Iraq.
I recently spoke with Matt Harlock and Paul Thomas about Hicks, his impact as a comedian, how they tracked down a lot of the previously unseen footage and his appeal in the UK.
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Joe Pilato on Day of the Dead
2010/04/07
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George A. Romero’s Day Of The Dead has recently been released on Blu-ray in a special two-disc 25th Anniversary edition and I recently spoke to one of its stars Joe Pilato about the film and the enduring legacy of the horror series.
The third instalment in Romero’s ongoing zombie saga sees the living dead take over the world and only small pockets of human resistance survive. One group of survivors, a motley crew of scientists and soldiers, are holed up in a 14-mile long underground missile silo where tensions begin to erupt as the zombie hoards surround them.
The bleakest and goriest of Romero’s zombie films to date, Day Of The Dead has often been overshadowed by its more illustrious predecessors, but in recent years it has found greater appreciation, with Tom Savini’s ground breaking make-up effects and the social commentary on Reagan’s America becoming more apparent.
This Blu-ray edition features a restored presentation of the film, a new hi-def soundtrack, four alternate sleeves, a double-sided poster, a 24-page collector’s booklet ‘For Every Dawn There Is A Day’, plus a very special collector’s comic – ‘Day Of The Dead: Desertion’ – featuring a brand new ‘Bub’ storyline.
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Jenny Agutter on The Railway Children
2010/04/01
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The Railway Children was adapted from E. Nesbit’s novel into a film in 1970 and quickly established itself as perennial favourite amongst family audiences.
It is the tale of a family who are forced to move from London to a house in Yorkshire after the father is imprisoned on a mysterious charge.
There the three children, Roberta (Jenny Agutter), Peter (Gary Warren) and Phyllis (Sally Thomsett) are quickly entranced by the nearby railway and become friendly with the locals, such as the station porter (Bernard Cribbins) and the Old Gentleman (William Mervyn) who takes the 9:15 train.
Written and directed by Lionel Jeffries, it was a critical success on its initial release – receiving three BAFTA nominations – and has since become a much loved film through regular broadcasts on television.
It is getting re-released at UK cinemas this week in newly remastered digital print and I spoke with Jenny Agutter about her role in the film and its enduring appeal.
File Download (0:00 min / 9 MB)
Jean Stephane Sauvaire on Johnny Mad Dog
2010/03/16
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Johnny Mad Dog is a riveting and brutal examination of child soldiers in Africa which ranks amongst the best war films in recent memory.
Although nominally set in an unnamed African country, it was shot in Liberia – still recovering from a long civil war – and makes use of former child soldiers and documentary-style techniques to create a hellish recreation of a contemporary issue.
Based on the 2002 novel Johnny Chien Méchant by the US-based Congolese author Emmanuel Dongala, it brings to life the sickening reality of a difficult and disturbing issue.
I recently spoke with director Jean-Stéphane Sauvaire about the film and we discussed how he came across the material, the challenges of shooting with real life child soldiers and the reception of the film around the world.
File Download (0:00 min / 13 MB)
FILMdetail Podcasts: interviews
http://www.filmdetail.com/podcast?cat=interviews
Ambrose Heron brings you the latest news, reviews and interviews from the world of film.
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