Animation Podcast

My focus for this show was to grab five artists at Disney who recently went through the Talent Development Program at Disney and talk about how they got there and what it’s like to work at the studio. My guests include Story Artist Jeremy Spears, Visual Development Artist Lorelay Bove, Rough Inbetweener/Jack of all Trades Joe Pitt, 2D Animator Sarah Airriess, and CG Animator (and Animation Mentor alumni) Kira Lehtomaki.

Eric Goldberg is one of the most admired animators working today. After years of developing his craft in the commercial business in London, he exploded on the feature animation scene with the Genie in Aladdin. After that, he co-directed Pocahontas and later directed two classic sequences from Fantasia 2000 - Rhapsody in Blue and Carnival of the Animals. Eric was also responsible for animating Phil in Hercules and he is currently animating on the upcoming film The Princess and the Frog.

Ken Duncan owns Duncan Studio in Pasadena, CA. Before that he animated Meg in Hercules, Jane in Tarzan, Capt. Amelia and Scroop in Treasure Planet, and he served as a sequence supervisor on Dreamworks’ Sharktale. In this final part of the interview, Ken shares more of his experiences on Hercules and Tarzan as well as futher insights in to his approaches to performance and how he approaches running his own animation studio.

Part two of the interview continues with James Baxter, supervising animator of Belle, Rafiki, Quasimodo, Spirit, and director of the animation for Enchanted. The conversation goes in to deeper detail regarding the technical aspects and processes James applies to his animation and acting - a must-listen for any animators looking to improve their workflow and craft. This is part two of a three part interview.

James Baxter is considered one of the most talented animators working today. At Disney and Dreamworks some of the characters he has animated include Belle, Rafiki, Quasimodo, Moses, and Spirit. He has also served as a supervising animator on Shrek 2 and Madagascar. James' latest work was creating the animation for Enchanted at his studio, James Baxter Animation. This is the first part of this interview.

Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part two of a two part interview.

Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part one of a two part interview.

For over 50 years, Ray Harryhausen single-handedly animated the most captivating stop-motion creatures in movies such as Mighty Joe Young, The Beast From 20,000 Fathoms, The 7th Voyage of Sinbad, Earth vs. The Flying Saucers, Jason and the Argonauts, and of course, Clash of the Titans. He’s an animation legend and inspiration to countless animators and filmmakers the world over. This is a one part interview.

In the fourth and final part of his interview, Burny Mattinson leads us through Disney's second golden age of animation. He talks about his work on various films inlcuding Aladdin, The Lion King, Pocahontas, and Mulan, and he shares some great advice on story idea generation and pitching. Burny has worked at Walt Disney Animation Studios for close to 55 years as an animator, story artist, director, and producer.

Burny Mattinson has worked at Disney Animation for well over 50 years on such titles as Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey’s Christmas Carol, The Great Mouse Detective, Beauty and the Beast, The Lion King, Mulan. In part two, Burny describes his transition from his short lived career as a full-fledged animator to a story artist and then to director. He also tells about the transition the studio made from Walt to the twilight of the careers of the Nine Old Men to the development of newer talent that has led the studio through the last 25 years.

Interview with Burny Mattinson, 50-year veteran of Walt Disney animation studios. A few films he has worked on include Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey's Christmas Carol, The Great Mouse Detective, Tarzan, and Mulan. In part one, Burny recounts how he came to work at the Walt Disney Studios in the 50s, and eventually worked under many of The Nine Old Men animators there.