WNYC's Soundcheck

Macie Stewart is a multi-instrumentalist, singer, and composer who’s been a key player in the Chicago music scene, and a go-to collaborator for her string arrangements for pop stars like SZA, or playing with leading improvisers like Makaya McCraven or touring with Japanese Breakfast. Her current project is an album called When Distance Is Blue , full of atmospheric and cinematic works, soundscapes really, that feature prepared piano, field recordings, strings and more. These soundscapes make music out of the places in-between, inviting a careful listen to one's surroundings, and allowing space for the silence and boredom. Macie Stewart, along with violinist gabby fluke-mogul, play some of these works, in-studio.

Set list: 1. I Forget How to Remember My Dreams/Tsukiji 2. Mouthful of Glass 3. Murmuration/Memorization

Because she is the daughter of Ravi Shankar, perhaps the most famous Indian classical musician of the past century, Anoushka Shankar is associated with that style of music. But though she plays the sitar, and does indeed play Indian ragas in the style of her illustrious dad, she has also drawn on jazz, flamenco, various world and electronic music traditions, and more. Her new record, We Return To Love , is the conclusion of a trilogy of EPs. The masterful sitarist, film composer, and impassioned activist Anoushka Shankar presents the third chapter in her current trilogy of mini-albums, which explores her fascination with Goa Trance. She and her band perform live at National Sawdust, as part of the Grammy Museum's series, "A New York Evening With".

Set list: Stolen Moments, New Dawn, Hiraeth, We Burn So Brightly, Amrita, Daybreak

The fiddler Mark O’Connor is probably best known for his million-selling Appalachian Waltz project – a kind of chamber/folk album with famed cellist Yo Yo Ma and bassist Edgar Meyer. Mark has also written string quartets, concertos, and orchestral pieces – and they all come from the same place as his solo fiddle sets – everything is rooted in the sounds of American music, especially bluegrass. Maggie O’Connor is also a fiddler, and singer, who moves easily between those two worlds, and together, this husband-and-wife team have been touring with a program called Beethoven and Bluegrass . There’s no Beethoven today for this session, but hear some O’Connor classics, old and new, in-studio.

Set list: 1. Limerock 2. We Just Happened To Fly 3. Appalachia Waltz

Since 1981, Welsh musician Mike Peters has been the voice of the hit-making British band The Alarm. After the band split up in 1991, Peters wrote and released solo work, before reconstituting The Alarm in 2000, (Wikipedia .) Since being diagnosed with a rare form of leukemia in 2005 (he is also co-founder of the Love Hope Strength Foundation), Mike Peter’s career has been largely determined by the cycle of remission and relapse. But to listen to The Alarm’s 2023 album Forwards , and you’ll hear a man whose songwriting is as anthemic as ever, and, yes, determinedly forward looking. Mike Peters played some of these new songs, as well as one of the band’s old hits, on acoustic baritone guitar, in-studio. (From the archives, 2023.)

Set list: "Forwards", "Next", "The Stand"

Watch "Forwards":

Watch "Next":

Watch "The Stand":

King Hannah is an indie-rock duo from Liverpool consisting of singer and songwriter Hannah Merrick and guitarist Craig Whittle. Their latest album, Big Swimmer , seems to be the result of Merrick’s observations after touring around the United States, where it wasn’t the big cities or expansive vistas that inspired her songs, but the little moments and conversations and observations – details that inspire songs that can be drily funny, unsettling, or both. She also toggles between a kind of pitched speech and outright singing over moody electrified rockenroll - sometimes fuzz-drenched, sometimes jangly. King Hannah plays in-studio.

Set list: 1. New York Let's Do Nothing 2. Crème Brûlée 3. Big Swimmer

Bab L’ Bluz is a French-Moroccan band playing a distinctive band of rock, one that’s built on the sounds of North and West African music, and on the Blues. The band was born from the dream of propelling Guembri (the Gnawa's guitar) on the international music scene of contemporary music, and has expanded to include electric mandole and electric ribab. They’ve released two albums on Peter Gabriel’s Real World record label, the most recent of which is called Swaken – kind of a “Losing yourself to find yourself” trance state, (Bandcamp's Swaken liner notes .) Bab L’ BLuz plays their “Hot Psychedelic Gnawa Blues!”, in-studio.

Set list: 1."Ila Mata" 2."Imazighen" 3."IWAIWA FUNK"

Aotearoa singer/songwriter Marlon Williams’(Kāi Tahu, Ngāi Tai) is a singer and songwriter from Lyttleton, New Zealand. He’s spent this past decade creating a personal blend of country, indie, and folk music; and he’s been an actor, and makes an appearance in the film A Star Is Born . But his new album is something different – maybe not musically, but Marlon Williams is from a Maori family and has chosen to sing in the Maori language on his new record, called Te Whare Tīwekaweka . He’s also the subject of a new documentary film, which follows Williams through international tours to quiet home life, all while working on the album. Marlon Williams chats about his journey with his ancestral tongue, his collaborators, and the process of writing his first te reo Māori album; he plays solo, in-studio.

Set list: 1. Aua Atu Rā 2. Kāhore He Manu E 3. Pānaki

Immersion consists of the husband and wife team of Colin Newman, who you may know from the veteran English rock band Wire, and Malka Spigel from the band Minimal Compact. And Nanocluster is the name of a series of collaborations between the Immersion and various guests (Laetitia Sadier, German post-rock duo Tarwater, electronic musicians Ulrich Schnauss and Scanner, and others.) Vol. 3 of Nanocluster features the NY-based ambient country band called SUSS. The veteran musicians of SUSS - Pat Irwin (the B-52s, Raybeats, 8 Eyed Spy), Bob Holmes (numun, Rubber Rodeo), and Jonathan Gregg (the Combine, the Linemen) - combine pedal steel, mandolin, national steel guitar, and other textures with electronics to create their wide open sonic landscapes, (Swim ). Immersion and SUSS play music from their open-minded and atmospheric explorations, in-studio.

Set list: 1. Khamsin 2. In The Far Away 3. State of Motion

The British cellist, producer, and composer Peter Gregson has collaborated with some of the biggest names in contemporary music, including Max Richter, Gabriel Prokofiev and Jóhann Jóhannsson. His own work includes soundtracks for film and TV, electroacoustic works, and a series of string quartets. Daringly, he has also “recomposed” J.S. Bach’s six cello suites for himself, a cello ensemble, and electronics. His latest album, Peter Gregson, is collection of contemporary songs without words for cello and a modular synthesizer that he built out himself. Peter Gregson plays some of these songs in-studio.

Set List: 1. Prism 2. Constellation 3. Vision

The Indian-born tabla player and composer, teacher, and advocate Zakir Hussain, son of Ustad Alla Rahka , who passed away in December of 2024, wasn’t just a virtuoso improviser - he was one of the world’s exceptional percussionists, working in many genres, and was the world’s preeminent tabla master. Zakir Hussain enjoyed the different challenges that each new collaborator would “ throw at him”. Just a few weeks before he passed away, Ustad Zakir Hussain joined Pandit Rahul Sharma, the son of illustrious santoor master Pandit Shivkumar Sharma, who established the pedigree of the santoor within Indian Classical Music to play in-studio. This Soundcheck Podcast session was recorded in October of 2024.

The Nigerian singer, songwriter and bandleader and Seun Kuti keeps alive the Afrobeat tradition founded by his legendary father, Fela Kuti, back in the 1970s. In fact, when Fela died in 1997, it was Seun, his youngest son, who took over the band, now called Egypt 80. Like his late father, Seun Kuti takes on topics like government corruption and corporate greed in his songs, setting his lyrics and his blazing sax solos to an insistent dance beat. Seun Kuti and Egypt 80 play tunes from their most recent album, Heavier Yet (Lays The Crownless Head), in-studio.

Set list: 1. Stand Well Well 2. Love and Revolution 3. Emi Aluta

New York-based Ruckus is an early music ensemble that plays with the energy of a rock band. Most early music groups feature instruments like the harpsichord and the viola da gamba, and Ruckus does too, but you’ll also hear synthesizer, guitar, bassoon, bass, and near Eastern frame drums. And on their new album, The Edinburgh Rollick , they focus on traditional Scottish folk songs and dances. Ruckus featuring Keir GoGwilt plays in-studio.

Set list: 1. The Gigg Set (Cairngoram Mountain, The Gigg, Lady Charlotte) 2. Robie Dona Górach 3.The Forrests Set (Lord Elcho, Dunkeld House, Forrest’s)

CocoRosie -the band founded by the sisters Sierra and Bianca Casady – blends elements of pop, freak folk and electronic music into a distinctly personal, idiosyncratic sound. The sisters use their voices, electronics, and found sounds – usually the sounds of toys – to make songs that can be whimsical, provocative, haunted, beautiful - sometimes all at once. CocoRosie plays new songs from their latest album, Little Death Wishes , in-studio.

Set list: 1. Wait for Me 2. Cut Stitch Scar 3. Paper Boat 4. Give It to the Wind

Little Death Wishes by CocoRosie

In 2010, we first fell under the spell of an extraordinary duo: Ballaké Sissoko, master of the West African harp or kora, and Vincent Segal, the French cellist. After a couple of albums together they added another duo, accordion virtuoso Vincent Peirani and sax player Emile Parisien, and that quartet has released an album called Les Egarés – those who stray – an apt name for a band that refuses to color within the lines. There is a unity and fluidity in the way the players listen without competing, return musical answers to questioning phrases, and maintain fluidity and a sense of play. The quartet, “a poetic asylum for the two duos” (Bandcamp ) – where chamber music, French chanson, West African folk, and jazz all mix freely - is performing here in the U.S. on tour for the fist time, and they play in-studio.

Set list: 1. Esperanza 2. Orient Express 3. Banja

Harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson’s brand new album is called Take Me To The Water . In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson’s record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio.

Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

New York composer and guitarist Rafiq Bhatia is part of the art rock band Son Lux, the experimental trio best-known for scoring the film Everything Everywhere All At Once . His new EP – his first new solo project in 5 years - features pianist and improviser Chris Pattishall and is called Each Dream, A Melting Door . In their electro-acoustic songs, Rafiq alters the audio output from his guitar in real time with effects software, while Chris responds at the keyboard - although sometimes Chris will lead the exploration. ("It’s basically a set of works for a piano that sounds like a piano and a guitar that sounds like anything and everything else", -John Schaefer.) The longtime friends and collaborators play some of their filmic, sculpted, and evolving soundscapes, in-studio.

Set list: 1. Occlusion 2. Ijen 3. Supplicant

Jan Blomqvist is part of the legendary electronic music scene in Berlin – but he’s also a singer and producer, so his take on techno and house music is more song-oriented than many of his fellow DJs. One thing that sets Blomqvist apart is that he makes music in the studio with an eye towards live performance, earning him a description of “concert techno”. His latest album, MUTE , is about a generation that has grown up with apparently unlimited connectivity but still feels disconnected (which is also the name of his record label.) Sometimes the songs grow from and explore silence, (not just the space before the beat drops), while others create hope in dark and uncertain times. There’s even a song that tells the love story between a human and an AI, like in the film HER or the recent novel Annie Bot. Jan Blomqvist lays down pulsing energy and haunting vocals, in-studio.

Set list: 1. Destination Lost 2. Underwater 3. Algorithm

German producer & multi-instrumentalist Aukai, aka Markus Sieber, grew up in the former East Germany, but his travels have taken him through Latin America, and he is now based in Colorado. "Aukai" is a Hawaiian term for a seafaring traveler, and on 2018 record, Branches of Sun , he has captured a certain nomadic wanderlust which might connect a listener to a certain peace of being in nature, high in the mountains.

With an ensemble that centers on the South American ronroco, a kind of mandolin-like lute, (“the bigger brother of the charango”), harp, violin, percussion and electronics, Aukai and Ensemble perform some of his electro-acoustic creations, in the studio. (From the Archives, 2018.)

Watch the complete live session:

With her clever guitar playing and powerful stories, Oklahoma-based Cherokee singer and songwriter Ken Pomeroy draws on brutal honesty and the songwriting skills she has honed since she was 11 years old. She’s already found herself on the big screen and small when her song “Wall of Death” made its way onto the Twisters soundtrack, while Hulu’s Reservation Dogs featured her soul-mining gem, “Cicadas.” Pomeroy touches on her Native American heritage (mentioning coyotes – a troubling omen) and somewhat painful, personal past, as she plays songs from her album Cruel Joke (due in May 2025), in-studio.

Set list: 1. Stranger 2. Days Getting Darker 3. Flannel Cowboy

Syrian clarinetist and composer Kinan Azmeh has been based here in New York for many years. His music is an organic mix of East and West, of classical composition, jazzy improvisation, and Near Eastern music traditions. He’s played with the Silk Road Ensemble and lots of other groups large and small, but the one we see him with most often is his Arab-Jazz Quartet known as CityBand – all one word. It’s a band where Azmeh’s stirring and expressive clarinet meets Kyle Sanna’s rustic guitar, soaring at times over the dynamic and volatile backdrop of John Hadfield’s percussion and Josh Myers’ bass. Along with some talk about his homeland of Syria, apricot trees, and (of course), soccer, Kinan Azmeh and CityBand play some of the music from their latest album, called Live In Berlin , in-studio.

Set List: 1. Daraa 2. Jisreen 3. Wedding

The War And Treaty is built around the husband and wife team of Michael and Tanya Trotter, who’ve spent the past decade honing their own, often jubilant blend of country and soul. Their new album is called Plus One , and features touches of jazz, bluegrass, blues, even a nod or two to hip hop. There are some songs involving whiskey, a few nods to Ray Charles, and a powerful Muscle Shoals sound. The War And Treaty play some of their new music, in-studio.

Set list: 1. Carried Away 2. Mr. Fun 3. Leads Me Home

Third Coast Percussion is a Grammy-winning classical quartet based in Chicago. They’re all composers themselves, but they’ve also worked with a wide variety of other composers, including Philip Glass and the late great tabla player Zakir Hussain. Their new EP, Murmurs In Time , features Zakir’s work of that name, and he was supposed to join Third Coast Percussion here today, but as you may know, he passed away in December. This Soundcheck studio premiere of the work features a disciple of Hussain’s, Salar Nader. We’ll also hear an excerpt from another work written for Third Coast Percussion, by Tigran Hamasyan, the Armenian jazz pianist and composer. Oh – and it’s in 23/8, for anyone counting along. (-John Schaefer)

Set list: 1. Tigran Hamasyan – Sonata for Percussion, 3rd Mvmt. – “23 for TCP” 2. Zakir Hussain: Murmurs In Time – second mvmt.

The singer Sachal Vasandani has become known for his distinctive takes on jazz standards, and for his wide ranging covers, from Bob Dylan to Billie Eilish. But Sachal is also a songwriter himself, and his new album, Best Life Now , is largely a collection of original songs musing on stories of sensuality, heartbreak, and other love struggles. Sachal Vasandani and his band play some of those songs, imbued with warmth and soulful groove, in-studio.

Set list: 1. Best Life Now 2. Don't Give up On Me 3. Call Me

Best Life Now by Sachal Vasandani

Spanish singer and songwriter Victoria Canal mixes pop styles, from bangers to weighty tunes with thoughtful, often probing, occasionally flirty lyrics, which revolve around her own complicated identity. She won two of Britain’s prestigious Ivor Novello Awards, famously sang with Coldplay at last year’s Glastonbury Festival, and had released a pair of EPs that marked her as a distinctive songwriter.Her latest LP, Slowly It Dawns , sparkles with wisdom hard-learned and offers up vulnerability - all with a sense of light-hearted play. Victoria Canal plays some of these songs, in-studio.

Set list: 1. Vauxhall 2. Black Swan 3. 15%

The rapper and songwriter Brother Ali has been releasing his distinctive brand of hip hop since the turn of the century – music that combines pointed social commentary, nerdy music references, and the veteran producer Ant’s maximalist, often playful beats. Brother Ali’s brand new LP is called Satisfied Soul , and on it, there is wisdom, self-reflection and unflinching critique, rooted in hope and defiance. Brother Ali and Ant perform live, in-studio.

Set list: 1. D.R.U.M. 2. Name Of the One 3. Handwriting

Satisified Soul by Brother Ali

The band Horsegirl is three best friends from Chicago who began playing together while still in high school. But their 2022 debut album, Versions of Modern Performance , showed a band that already had a distinctive sound that showed that DIY didn’t necessarily mean simple. With two of the three musicians now attending NYU, the band has moved here to New York. Taking a break from Antigone and Oedipus, they're here to play some songs from their new album, called Phonetics On And On . Horsegirl plays in-studio.

Set list: 1. Where'd You Go 2. Switch Over 3. 2468

Phonetics On and On by Horsegirl

Sam Amidon is a folk fiddler, multi-instrumentalist, and singer from New England who now lives in Old England. He's become known for his inventive and often surprising arrangements of folk songs from both sides of the Atlantic. But he’s also someone who refuses to stay in his lane. So you could call his new album, Salt River , a collection of folk songs - if your definition of folk song is broad enough. Sam Amidon and multi-instrumentalist Chris Vatalaro expand folk tunes – shape note anthems, murder ballads, traditional songs - and play in-studio.

Set list: 1. Three Five 2. Golden Willow Tree 3. I'm On My Journey Home

Amayo is the Nigerian-born, Atlanta-based singer and songwriter who was the longtime front-person for the band Antibalas. Now out on his own, Amayo continues to create his own distinctive take on the Afrobeat sound pioneered in the 1970s by the legendary Fela Kuti. But Amayo’s songwriting and his live performances are also deeply affected by his longtime Kung Fu practice - he is a senior master (Sifu) of the Jow Ga Kung Fu School of martial arts. AMAYO’s new solo album is called Lion Awakes, and he and his big band play some of the high-energy tunes, in-studio.

Set list: 1. Lion Awakes 2. Black Magic Sister

The South African-born, UK-based cellist Abel Selaocoe doesn’t really cross musical boundaries – he ignores them entirely. He’ll play Bach cello suites, but he also writes music that draws on the throat singing and instinctive vocalizations of his South African heritage, as well as works with electronics, cello preparations, and site-specific sound installations. And sometimes, he’ll create a performance that seems to be all of them at once. He has a new album coming called Hymns of Bantu , due on February 21. Abel Selaocoe plays some of those pieces, solo, in-studio.

Abel Selaocoe appears courtesy of Warner Classics

Set list: 1.Ka Bohaleng 2. Les Voix Humaines/Tsohle Tsohle 3. Dinaka

The English band Wunderhorse now have two albums under that name, although the first of them, 2022’s Cub , was essentially a solo album by vocalist and songwriter Jacob Slater. Their latest, called Midas , came out this past fall to rave reviews and is very much a portrait of a band who can capture a visceral feeling in their recorded music that is "very imperfect, very live, very raw; no frills". Slater and the band take you where “Something is coming but you don’t know what it is and you can’t stop it,” (Black Arts PR). Wunderhorse plays in-studio.

Set list: 1. Midas 2. Rain 3. Teal

Richard Reed Parry is perhaps best known as the really tall, really redheaded guy playing half a dozen instruments in the Grammy-winning band Arcade Fire. But he’s also a founder of the instrumental group Bell Orchestre, and a composer of contemporary classical music. In 2018, he visited the studio with a new project called Quiet River of Dust , and it was at least partly inspired by the psychedelic folk/rock scene in Britain in the late 1960's. He and Quiet River of Dust perform some of the musical meditations, in-studio. (From the Archives.)

Set list: 1. Finally Home 2. Song of Wood 3. I Was in the World (Was the World In Me?)

South African guitar virtuoso Derek Gripper plays music originally meant for the 21 stringed lute-harp, the kora, on his 6-string Segovia-styled guitar and does it so well that the world’s leading guitarists and kora players keep wondering how one even does that. His original music is informed by kora master Toumani Diabaté, Malian singer-songwriter Salif Keita, Estonian minimalist composer Arvo Part, Brazilian guitarist Egberto Gismonti and German Baroque innovator, J.S. Bach. Watch out, because he’s about to collaborate with the Iraqi-American oud player and composer Rahim Alhaj. (Ed. note: just wait until the 11 or 13-strings of the oud and those maqams make it to the 6-string guitar in Gripper's hands!) For now, Gripper plays another unbelievable arrangement of a Malian kora song, as well as an original song informed by the cascading style of kora music, plus the Prelude of the second cello suite by J.S. Bach, in-studio. - Caryn Havlik Supplemental Reading: The Beauty of Everyday Things , In Search of Lost Time Set list: 1. Alla L'a Ke 2. Moss on the Mountain 3. J.S. Bach: Prelude BWV 1008 (Second Cello Suite)

BALLAKÉ SISSOKO AND DEREK GRIPPER by Ballaké Sissoko and Derek Gripper

Everyday Things: Bach's Second Cello Suite BWV 1008 by Derek Gripper

Hip hop and classical music come together in the hybrid chamber music of W4RP Trio. The new record, featuring the spoken word artist DJ LiKWUiD, is called Sermon of the MatriarK and it is a celebration of powerful female characters in the African diaspora. But it’s also a celebration of the ways in which artists can move freely across genre lines – and possibly, upending even your most basic assumptions about what a band is. The W4RP Trio actually has four members, who play their new songs, along with the rapper and award-winning artivist LiKWUiD, in-studio.

Set list: 1. Up 2. Here's One 3. Gimme Dat, excerpt

Violinist, composer, and bandleader Jenny Scheinman is a familiar figure to jazz fans, having played for years with Bill Frisell, Allison Miller, and many others. But jazz is just one part of her music. In her own albums and in her work with musicians from Lou Reed to Lucinda Williams to Jason Moran, Scheinman incorporates a wide range of American music, including rock, folk, country, gospel, and even surf into a colorful, personal, and accessible style. Her latest album is called All Species Parade , and it brings Jenny Scheinman and her impressive band back to our studio.

Set list: 1. House of Flowers 2. Ornette Goes Home 3. All Species Parade

All Species Parade by Jenny Scheinman

Sax player, MC, and bandleader Lakecia Benjamin grew up playing salsa and merengue in Washington Heights. She counts jazz greats Terri Lyne Carrington, Gary Bartz, and Clark Terry among her mentors; and her list of collaborators includes Missy Elliott, Stevie Wonder, Lil Wayne, Dianne Reeves, Georgia Anne Muldrow, Brandee Younger, and Jazzmeia Horn. Benjamin is primarily known as a jazz musician, although as you might imagine she takes a pretty wide-angled view of jazz. Her latest record, the Grammy-nominated Phoenix Reimagined , is a live reworking of her 2023 album Phoenix , which earned three Grammy nominations. Sax player Lakecia Benjamin and her band play some of her latest tunes, in-studio.

1. Trane 2. Let Go 3. Mercy

Phoenix Reimagined (Live) by Lakecia Benjamin

Trumpeter, bandleader and composer Igmar Thomas has served as music director for Lauryn Hill, the rapper Nas, and the sax player Kamasi Washington, among many others. But for many years he has also been the leader of the Revive Big Band, a group that demonstrates just how closely related jazz and hip hop are. That band has finally released its debut album, called Like A Tree It Grows , and its starry roster includes guests like rapper Talib Kweli, soul singer Bilal, and the late jazz legend Dr. Lonnie Smith. Rooted in Black American music and combining jazz, hip hop, funk, soul, blues, and gospel, this multi-generational ensemble plays in-studio.

1. The Coming 2. R & P 3. To Kinda Lounge Around

Like A Tree It Grows by Igmar Thomas’ Revive Big Band

Jarana Beat is a world music group based here in New York, whose cross cultural celebratory sound is inspired by Mexican folk and Afro-Indigenous music. Using traditional instruments and dance percussion in addition to their voices, Jarana Beat gained wider attention by playing with the star Mexican singer Lila Downs, but they’ve also released a series of their own albums over the past decade or so, bringing elements of jazz and Latin pop to their deeply rooted sounds. For this in-studio performance of their original songs, the members of the flexible ensemble in-studio are: Sinuhe Padilla- Leona / Voice; Ivan Contreras – Jarana / Voice; Felipe Fournier - Quijada de Burro & Pandero Jarocho, Voice; Lautaro Burgos - Bombo Legüero; Tania Mesa – Violin/ Voice; and Martin Rodriguez - tarima, dance percussion.

Set list: 1. Jarabe Neoyorquino 2. Dolor de Aqui 3. Echapalante

The team behind the Soundcheck podcast series offers their favorite live performances from the WNYC studios this year: including Mexico City-based cellist, producer, and singer Mabe Fratti and her trio; Brazilian composer Amaro Freitas playing the piano's insides; and the soulful mambo of Cuba big band Orquesta Akokán. Plus, Norwegian punk cabaret sextet Kaizers Orchestra, Georgia singer and musician Lizz Wright, and Brooklyn-based Zelenaya with their Eastern European folk songs set to heavy metal (cough...nepotism on that last band...cough.)

Also, fiery roots music for everyone by American singer-songwriter Fantastic Negrito, multi-instrumentalist Shabaka's flute-based meditative spiritual jazz, and the saucy multi-instrumentalist Joan Wasser of Joan As Police Woman at the piano.

Playlist:

ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. The song appears on the album, Ompa til du dør INFO: https://kaizers.no

ARTIST: Orquesta Akokán WORK: Con Licensia [5:12] RECORDING: Live on Soundcheck, July 2024 SOURCE: This performance not commercially available. INFO: https://www.orquestaakokan.com/

ARTIST: Fantastic Negrito WORK: Son of a Broken Man [5:02] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. INFO: https://www.fantasticnegrito.com/

ARTIST: Lizz Wright WORK: Sparrow [6:31] RECORDING: Live on Soundcheck, April 2024 SOURCE: This performance not commercially available. INFO: https://www.lizzwright.net

ARTIST: Joan as Police Woman WORK: Lemons, Limes, and Orchids [5:55] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available. INFO: https://www.joanaspolicewoman.com/

ARTIST: Shabaka WORK: I’ll Do Whatever You Want [4:46] RECORDING: Live on Soundcheck, May 2024 SOURCE: This performance not commercially available. INFO: https://www.shabakahutchings.com/#/

ARTIST: Mabe Fratti WORK: Kravitz [2:54] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available. INFO: https://tinangelrecords.bandcamp.com/album/sentir-que-no-sabes

ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. The song appears on the album, Ompa til du dør INFO: https://kaizers.no/

ARTIST: Zelenaya WORK: Okro Mch’edelo [4:58] RECORDING: Live on Soundcheck, June 2024 SOURCE: This performance is not commercially available INFO: https://zelenaya.bandcamp.com/album/folk-songs

ARTIST: Amaro Freitas WORK: Danca do Martelos [1:48] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance is not commercially available. INFO:https://amarofreitas.com

Hear favorite live performances from the WNYC studios this year including Georgia singer, musician, and record label founder Lizz Wright; the soulful mambo of Cuban big band Orquesta Akokán; and the roots music for everyone performer - American singer-songwriter Fantastic Negrito. Also, Brooklyn-based Zelenaya with their Eastern European folk songs set to heavy metal; and the multi-reed instrumentalist Shabaka (Hutchings), with his trio of harp and percussion, and his arsenal of wood flutes.

Best of Soundcheck 2024, Part 1

Playlist:

ARTIST: Lizz Wright WORK: Sparrow [1:01] RECORDING: Live on Soundcheck, April 2024 SOURCE: This performance not commercially available. INFO: https://www.lizzwright.net

ARTIST: Orquesta Akokán WORK: Con Licensia [5:12] RECORDING: Live on Soundcheck, July 2024 SOURCE: This performance not commercially available. INFO: https://www.orquestaakokan.com/

ARTIST: Lizz WrightWORK: Sparrow [6:31]RECORDING: Live on Soundcheck, April 2024 SOURCE: This performance not commercially available. INFO: https://www.lizzwright.net

ARTIST: Fantastic Negrito WORK: Son of a Broken Man [5:02] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. INFO: https://www.fantasticnegrito.com/

ARTIST: Zelenaya WORK: Okro Mch’edelo [4:58] RECORDING: Live on Soundcheck, June 2024 SOURCE: This performance is not commercially available INFO: https://zelenaya.bandcamp.com/album/folk-songs

ARTIST: Shabaka WORK: I’ll Do Whatever You Want [4:46] RECORDING: Live on Soundcheck, May 2024 SOURCE: This performance not commercially available. INFO: https://www.shabakahutchings.com/#/

Hear favorite live performances from the WNYC studios this year including Mexico City-based cellist, producer, and singer Mabe Fratti; Norwegian punk cabaret sextet Kaizers Orchestra; and an intimate piano and a microphone version of the title track, "Lemons, Limes, and Orchids", from the latest record of the same name by Joan As Police Woman. Plus, Sinkane, aka Ahmed Gallab, the bandleader and songwriter who weaves the sounds of Afrobeat, disco, funk, and soul into his music for community and for shaking it; and the Brazilian pianist and composer Amaro Freitas plays the insides and outsides of our piano.

Playlist

ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. The song appears on the album, Ompa til du dør INFO: https://kaizers.no/

ARTIST: Sinkane WORK: How Sweet Is Your Love [5:30] RECORDING: Live on Soundcheck, January 2024 SOURCE: This performance not commercially available. INFO: https://www.sinkane.com/

ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. The song appears on the album, Ompa til du dør INFO: https://kaizers.no/

ARTIST: Mabe Fratti WORK: Kravitz [2:54] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available. INFO: https://tinangelrecords.bandcamp.com/album/sentir-que-no-sabes

ARTIST: Amaro Freitas WORK: Danca do Martelos [9:48] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance is not commercially available. INFO: https://amarofreitas.com/

ARTIST: Joan as Police Woman WORK: Lemons, Limes, and Orchids [5:55] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available. INFO: https://www.joanaspolicewoman.com/

New York-based drummer and educator Matt Wilson has performed with and/or played on many recordings by other musicians - Joe Lovano, John Scofield, Charlie Haden, Lee Konitz, among others - and leads ensembles of his own, but at this time of year, the thing he might be best known for is his Christmas Tree-O. And yes, he went there – putting a pun right in the band’s name. The trio, featuring multi-reed player Jeff Lederer and bassist Paul Sikivie, takes holiday tunes as a whimsical jumping off point for a variety of jazz styles, from swing to free improv. They have a new album called Tree Jazz – The Shape Of Christmas To Come , and they’re here to play their gleeful, irreverent, and sometimes nerdy takes on music of the season, in-studio.

Set list: 1. Up on the Rooftop 2. Good King Wenceslas 3. Shine Your Light

The band yMusic formed as a contemporary classical chamber music ensemble, but you’re more likely to have heard them playing with people like Paul Simon, Bruce Hornsby, Emily King, and John Legend. They’re also the sextet of choice for classical composers like Caroline Shaw and Missy Mazzoli. For 16 years they’ve been gleefully obscuring the line between classical and popular music, and their latest collaboration with choreographer Kyle Abraham, the new multimedia piece called “Dear Lord Make Me Beautiful” saw the group writing and performing their own music. They play some of these originals, in-studio.

Set list: 1.Running 2. Mystique 3. Zebras

Samora Pinderhughes is a singer, composer, filmmaker, and producer who has worked regularly with the rapper Common and scored several award-winning documentaries. His own works includes The Healing Project, a 10-year exploration of the prison system and the racism and violence that feeds it, which led to his official solo debut album Grief in 2022; and a new record, 8 years in the making, about love, grief, depression and forgiveness, called Venus Smiles Not In The House Of Tears . Pinderhughes was the first-ever Art for Justice + Soros Justice Fellow, is getting his Ph.D. at Harvard University, and is shaping new worlds through his art, his honesty, and his vulnerability. Samora Pinderhughes is at our piano with a small ensemble, to play tender and reflective songs from his latest, in-studio.

Set list: 1. Forgive Yourself / Gatsby 2. WCID 3. Drown

Venus Smiles Not in the House of Tears by Samora Pinderhughes

Nour Harkati is a Tunisian musician and songwriter, now based here in New York City. His new album, Moulena , has just come out and it represents Harkati’s musical journey from North Africa to the US, featuring rhythms and instruments from traditional North African music blended with elements of Western pop and rock. The ancient Guembri used in trance music, combines with the gritty and modern sounds of guitar, electronics and drums, as Harkati and his band play in-studio.

Set list: 1. Rahmen 2. Sidi 3. DWE

Guitarist Jeff Parker is probably best known for his work in the Chicago-based post rock band Tortoise, but he’s had a prolific career as a soloist and a sideman. In the past few years he’s been leading his ETA IVtet, an all-star group of musicians (saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose) - on the L.A. experimental music scene. Together, they create transcendent, long-form journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music (Bandcamp liner notes ). The Jeff Parker ETA IVtet plays in-studio.

Set list: 1. Improvisation 2. Improvisation on Freakadelic

Pom Pom Squad is the band led by singer and guitarist Mia Berrin; their debut album, Death of a Cheerleader, offered a gimlet-eyed, often ironic view of pop culture through a queer lens. Now Pom Pom Squad has released its sophomore LP called Mirror Starts Moving Without Me , full of punk attitude and blazing guitars, but also moments of intense vulnerability and reflection. The band plays in-studio.

Set list: 1. Downhill 2. Messages 3. Everybody's Moving On

Grammy and Mercury Nominated and Brit award-winning songwriter Laura Marling has mapped out new musical territories, including chamber pop and electronics. Her latest record, Patterns in Repeat was written following the birth of her daughter in 2023 and contains lovely songs crafted with propulsive riffs in motion, augmented by string arrangements. The album itself is an intimate affair, recorded at home, often with Marling’s daughter in the room, and the songs look at how generations interact with each other, passing on old memories and making new ones. There are protective vows to a child, as well as reflections on “a transition between one way of being to another”. Laura Marling plays some of these new songs, solo, in-studio.

Set list: 1. Patterns 2. Caroline 3. No One's Gonna Love You Like I Can

Mulitple Grammy winning singer, songwriter and producer Rodney Crowell was one of the founders of the style that’s come to be known as alternative country. His career has been marked by notable collaborations, like the one with Emmylou Harris that brought Rodney to our ground floor performance venue The Green Space back in 2013 . Now Rodney is back, with a new album called Close Ties , and it features collaborators like Sheryl Crow, and Rosanne Cash and John Paul White. The new album draws on folk, blues, rock’n’roll, and, yes, alt country, but mostly it draws on Crowell’s own deep well of stories and characters, whether fictional or not.

Jontavious Willis is a blues singer and guitarist from west Georgia, hence the title of his recent album, West Georgia Blues . He’s not even 30, but Willis has an old soul – he loves the blues musicians from the 1920s, 30s, and 40s, and when he writes his own songs they come from deep roots -and might easily be mistaken for music that could be nearly a century old. He has a soul singer’s croon, and an effortless sense of swing to his guitar playing; oh – and the wicked tunings and his slide playing! He has what legendary bluesman Taj Mahal thinks is “a great new voice of the 21st Century in the acoustic blues”. Jontavious Willis plays some of his recent songs, in-studio.

Set list: 1. Keep Your Worries On The Dance Floor 2. Ghost Woman 3. Time Brings About a Change

The singer, guitarist and songwriter José Junior recently released his debut album, called Spanish Leather, a mix of indie rock, Latin pop, and psychedelia, with the songs pretty evenly split between English and Spanish. The album is about overcoming the curveballs that life throws in the way - heartbreak, unemployment, and a near death experience - and coming out the other side. “Rebirth is real, you just need to believe”. José Junior and his band fuzz it up, in-studio.

Set list: 1. Death of a Party Boy 2. Chico Malo 3. Projections

In the 1930s the style known as "jazz manouche" took over France and soon spread around the world, led by musicians like the legendary guitarist Django Reinhardt and the violinist Stephane Grappelli. That hot swinging style, a combination of American jazz elements and more traditional Romani music, has endured for almost a century. Over the past four decades that has been in part because of Dorado Schmitt, the French musician who plays both the violin and the guitar. In what is now a family affair, Schmitt leads the band on violin, joined by his sons Amati and Samson Schmitt on guitar, cousins on upright bass, and rhythm guitar, and Ludovic Beier on accordion, all of whom trade fiery solos, in-studio.

Set list: 1. Miro Django 2. Piazza Italia 3. El Dorado 4. The Light of God

The Australian-born, California-based singer/songwriter and producer RY X seems to have multiple careers: writing intimate, diaphanous folk/pop songs that offer connection and vulnerability; collaborating as a producer, singer, or DJ with some of the biggest names in electronic dance and pop, like Drake, Diplo, and the band Odesza; and performing with orchestras, including the LA Phil, and the London Philharmonic. RY X spent the pandemic time looking inward and listening to nature. He walks on the quiet wild side, with regular collaborator Gene Evaro Jr., playing recent songs, in-studio.

Set list: 1. Only 2. You 3. Howling

Philadelphia-based garage band Low Cut Connie is led by pianist, and songwriter Adam Weiner, who has been sexing up piano-based party rockenroll for quite some time. Along the way, critics anointed them with either or both the words “scuzz(ball)” and “sleaze”, later amplified by a Nashville local paper, who called them “Sultans of Sleaze” in a cover story. Their latest full-length, Art Dealers, celebrates hard at the intersection of sleazy and soulful, and “is all kink and no shame,” says Weiner in the press release. It sees the singer and pianist looking back at his early days in New York, -and to the gritty New York of Lou Reed and Patti Smith- with reckless abandon. Low Cut Connie lets loose with some of their wild, passionate rockenroll, in-studio.

Set list: 1. Sleaze Me On 2. Are You Gonna Run? 3. Whips and Chains

Danielia Cotton is a singer, guitarist, cancer survivor and marathon runner. The sounds of classic country and soul are at the heart of Cotton’s music, although her last couple of releases have seen her incorporating everything from indie rock to blues to rap as well. Her latest EP is Charley’s Pride: A Tribute to Black Country Music , and it brings Danielia Cotton and her band to play new songs in-studio.

Set list: 1. Good Day 2. Bring Out The Country in Me 3. Follow Me

English singer, songwriter, and producer Nick Lowe came out of the so-called pub rock scene in the UK in the 70s, and made his mark as a producer (Elvis Costello, Graham Parker, The Pretenders, The Damned), had a "short-lived career as a pop star, and a lengthy term as a musicians’ musician", (Bandcamp .) But in his current ‘second act’ as a silver-haired, tender-hearted but sharp-tongued singer-songwriter, he’s released a new set of songs full of more "cool tunes" and rockabilly-inspired guitar playing on a record called, Indoor Safari. Nick Lowe plays a solo set, in-studio.

Set list: 1. Love Starvation 2. Different Kind of Blue 3. Cruel to Be Kind

Brazilian pianist and composer Amaro Freitas is from the city of Recife, on the northeastern edge of Brazil, a city rooted in African culture. But his latest album, Y’Y, looks in a different direction. The title, spelled Y’Y , is an indigenous Amazonian word for river, and the album is celebration of nature in its musical journey down the Amazon - the water, the rainforest, the Indigenous people of the region, and the exotic wildlife. There’s also perhaps a warning that our connection to nature is more important than we may think. Freitas found that the usual piano sounds weren’t always enough, and enhances his sonic palette by preparing the piano and playing the insides for his visionary and futuristic decolonized Brazilian jazz. For example, in his piece, “Uiara,” an Indigenous name for the pink river dolphins of the Amazon, Freitas uses an electric magnet to bow some strings inside the instrument, and uses adhesive tape to give other strings a more earthy sound. Elsewhere, there are plucked strings and an echo-laden rattle as his polyrhythms shake the body of the piano - “it’s as though my left hand is Africa and my right hand is Europe,” he recently told The New York Times .

“Trying to rescue things that came before coloniality," he notes, is a theme that has been woven into Freitas's work for years, (National Sawdust ). While his connection to the earth and the ancestors is an undercurrent on the record Y'Y , there is also a strong connection to and showcasing of the global Black avant-jazz community, as he recorded with woodwind and flute virtuoso Shabaka Hutchings (London), harpist Brandee Younger (New York), bassist Aniel Someillan (of Cuban descent), along with guitarist Jeff Parker and drummer Hamid Drake (Chicago). For this live set in the studio, Amaro has prepared our piano and performs some of these works live. - Caryn Havlik

Set list: 1. Uiara/Viva Naná 2. Angico 3. Dança dos Martelos

The story of Fantastic Negrito is one of those stranger-than-fiction tales – born Xavier Dphrepaulezz and raised in a strict Muslim home, he had an aborted career as an R&B star under the name Xavier, a near-fatal car accident, a seven year break from music, and then came roaring back with what he called “Black roots music for Everyone.” As Fantastic Negrito, he won the first NPR Tiny Desk Concert and then three Grammys for his stomping, blues-rockin’ albums. But the story has taken another unexpected twist, and that has led to Fantastic Negrito’s new album, Son Of A Broken Man .

During the quarantine part of the pandemic, Fantastic Negrito dug into his family’s past on one of the ancestry sites. He’d found that he was the son of a “yarn-spinning” father who claimed roots in East Africa, but whose lineage actually went back several generations to a tobacco plantation in Virginia. Between the large number of siblings and the “punk rock story” of mixed marriage in his family, he uncovered a lot of inconsistencies with the stories of the past, and a whole lot of loving. Fantastic Negrito “hides behind the flashy jacket” and turns his trauma into art, playing some of his blues-stomp-and-roll music for everyone, in-studio. - Caryn Havlik

Set list: 1. Devil In My Pocket 2. Crooked Road 3. I Hope Somebody's Loving You 4. Son of a Broken Man

Hermanos Gutierrez is a band formed of the brothers Alejandro and Estevan Gutiérrez, based in Switzerland, who make instrumental music that looks to mid-century Mexican popular song, draws on the sounds of 60s surf guitar and the nocturnal landscapes of ambient music. Their 2022 album, El Bueno Y El Malo (The Good & The Bad) was definitely a nod to the Ennio Morricone soundtracks for those old spaghetti westerns, like The Good The Bad & The Ugly . Their 2024 release Sonido C ​ ó ​smico looks to the desert for their spacious and spiritual fingerpicking, with one of the tracks specifically taking its inspiration from the Wim Wenders film, Paris, Texas. They play songs from their latest, Sonido C ​ ó ​smico, in a special event, recorded at the GRAMMY Museum’s “A New York Evening With" at National Sawdust this past fall. - Caryn Havlik

Set list: 1. Sonido Cósmico 2. Low Sun, 3. Until We Meet Again 4. Cumbia Lunar

The Cristal Baschet is a very rare and delicate otherworldly-sounding glass organ comprised of 56 chromatically-tuned glass rods. Only a handful of musicians on this planet play the instrument professionally; one of them is Loup Barrow, a French musician and composer. Barrow has been a committed instrumentalist since first taking violin lessons at age 5; he’s also focused on drums, Moroccan percussion, steel pan, and the glass harp. He features the Cristal Baschet, with piano and orchestra, on a striking album called Immineo, which might bring to mind Arvo Pärt or the 11th-century German composer, mystic, and abbess Hildegard Von Bingen. Recently, Loup Barrow spent a few hours here in our studio assembling this sound sculpture to play it, in-studio. - Caryn Havlik

Set list: 1. Northern Lights 2. Passio

Scottish composer Erland Cooper writes ambient classical works that celebrate nature and create a strong sense of place. These days there are lots of musicians doing that sort of thing, but Cooper has gone all-in. His piece Carve The Runes Then Be Content With Silence was composed and recorded in 2021, and then the only copy of the master tape was buried in the Scottish soil, to be recomposed, Cooper says, by the earth itself. There followed a kind of treasure hunt with Cooper leaving clues every solstice or equinox until a year and a half later the tape was discovered - and there’s a lot more to the story. Erland Cooper and his ensemble play excerpts from Carve The Runes Then Be Content With Silence , in-studio.

Set list: 1. With Silence Mvt 3, part 2 2. Music For Growing Flowers (radio edit) 3. Shalder

The trio Heavy MakeUp uses voice, synths, drum machines, and brass to improvise songs on the spot. Together, the band is singer and songwriter Edie Brickell and brass & electronic musicians CJ Camerieri and Trever Hagen, who have created music as side-people, songwriters, and producers. They bring all of those skills to bear and play, creating songs as a collective, somehow "beautifully constructing metaphorical stories with concrete sections", in the moment, (Camerieri, in a Relix interview ). They freely and enthusiastically make up new songs, and play music from their album Here It Comes, in-studio. - Caryn Havlik

Set list: 1. Here It Comes 2. So Emotional 3. 160 Varick 4. Song for John 5. Stay and Play

The Norwegian sextet Kaizers Orchestra combines rock, opera, Balkan music, and a kind of punk cabaret with character studies and heavy drinking to great effect. Many of their albums, and videos, are chapters in a Faust-like story, and though they sing in their local western dialect of Norwegian, somehow the sense of an unsettling narrative comes through. In 2013, they played at the Met Museum in what was billed as their first – and last- American performance. But this theatrical, indefinable band, are touring their live show in the US and they brought their car parts, concert trash barrels, pump organ, and hip flasks to play live in The Greene Space.

Set list: 1. Aldri Vodka, Violeta 2. Bøn Fra Helvete 3. En For Orgelet, En For Meg

My Brightest Diamond is the project led by singer, multi-instrumentalist, songwriter and composer Shara Nova (formerly Worden), who has continued to weave her own way through pop, experimental and classical worlds. Her latest, Fight The Real Terror, strips things down to just Shara and her guitar, and is full of the raw emotion that erupted from her upon learning about Sinéad O'Connor's passing in 2023. Shara Nova plays some of these new My Brightest Diamond songs, in-studio, and wields an autoharp besides.

Set list: 1. Fight the Real Terror 2. Safe House 3. Have You Ever Seen An Angel

Geordie Greep was the lead singer and guitarist for the celebrated British rock band black midi. With that band on indefinite hiatus, Greep is now focused on his own songs, which range freely across the musical landscape, encompassing jazz-rock and blues, but also country and Brazilian music. Hold on tight, for there are "stop-starts, blasts and bangs, and whispered soliloquies as [the listener] is never quite sure when, or whether, [one is] supposed to be shocked; or laugh", (Rough Trade Records ). Geordie Greep and his band play new music from his debut solo album called The New Sound , in-studio.

Set list: 1. Holy, Holy 2. Terra 3. The New Sound

Lollise is a musician, fashion designer, and visual artist from Botswana in southern Africa, now based here in New York. After many years of recording and touring with Underground System and the FELA! band, Lollise steps forward with her own bold Afro-futurist pop, rich with layers of kinetic, danceable percussion and gentle waves of ambient noise. Drawing on Setswana folk song, the sounds of nature, and infectious dance beats, she plays some of the hybrid songs from her debut LP, I Hit The Water , in-studio.

Set list: 1. Semang Mang 2. eDube 3. Mme Mma Ndi

The Heavy Heavy is a band out of Brighton, England – but they sound like a band that’s been time-shifted straight out of 1975. Led by lifelong musicians Will Turner and Georgie Fuller, they breathe an incandescent new energy into sounds from decades ago, "transcending eras with a hypnotic ease" (Bandcamp .) Their sound might be a sweet and starry-eyed collision of psychedelia and blues, acid rock and sunshine pop all at once. The Heavy Heavy play in-studio.

Set list: 1. One of a Kind 2. Lovestruck 3. Happiness

One Of A Kind by The Heavy Heavy

Moira Smiley refers to herself as a song collector; she's also a singer, multi-instrumentalist (banjo, accordion, piano, and hand & body percussion), and songwriter. Smiley has sung in arenas, cathedrals, kitchens, back porches, sound stages, and on glaciers with the likes of Ladysmith Black Mambazo, Tune-Yards, Tim O’Brien, Eric Whitacre, Los Angeles Master Chorale, New World Symphony and Solas. But she’s spent a good portion of her career collecting, arranging and performing traditional songs from Appalachia, The Balkans, The Republic of Georgia, Wales, and more. Her latest album is called The Rhizome Project , and features a string quartet along with many guests. Moira Smiley and a string quartet [Sara Caswell (violin), Dana Lyn (violin), Josh Henderson (viola), Jody Redhage-Ferber (cello)] perform in-studio.

Set list: 1. Go Dig My Grave 2. Mourning Dove 3. Oh, Watch the Stars

The Rhizome Project by Moira Smiley

The singer, songwriter, and multi instrumentalist Joan Wasser is "not a cop" and has been recording for the past twenty years under the name Joan As Police Woman – a saucy reference to the 1970s cop show that starred Angie Dickinson. She’s also collaborated with a huge range of musicians, from the worlds of rock, funk, folk, and experimental music. Her new album, called Lemons, Limes and Orchids , has a mostly nocturnal, understated quality while it celebrates joy and love in the face of extremely difficult times. Joan plays some stripped down versions of some of the songs, including the extraordinary title track, in-studio.

Set list: 1. Full-Time Heist 2. Lemons, Limes and Orchids 3. Remember the Voice

Yemen Blues is a band led by Israeli singer and songwriter Ravid Kahalani. For more than a decade now, the group has incorporated the sounds of Moroccan trance, Arab and Bedouin folk, and Western funk and rock into a high energy, groove-filled dance party. But behind that sound is a social conscience, and the band’s latest album is pointedly called Only Love Remains . Yemen Blues plays in-studio.

Set list: 1. Ma'Ahla Asalam. 2. Greatest Man /Prayers 3. Allenby 4. Lfouq Lfouq

Born in Guatemala but active in Mexico City’s bustling music scene, cellist, electronic music producer, and singer Mabe Fratti has been making music for several years that could lean toward the experimental and the avant-garde on the one hand, and what seems to be a flair for pop melodies on the other. She writes songs that encompass chamber music, electronic music, soundscapes, and hard rock, -perhaps with jazz overtones- without ever settling into any one of them. Fratti and her collaborators have such talent for risk-taking, for playfulness with sound and its manipulation, and for endless riffs - whether cello (amplified and with pedals) or vocal processors, and artfully using feedback, field recordings, and loops. Her latest album is called Sentir que no Sabes , or Feel like you don’t know. Mabe Fratti and her trio play some of these songs in-studio. - Caryn Havlik

Set list: 1. Quieras o No 2. Kravitz 3. Oidos

The Midwest band Cloud Cult is more than a band – it’s a creative collective who continually celebrates life and love, and catharsis through music and multimedia performances (CloudCult.com .) They’re also known for their ecofriendly ways of making and touring their music. Recently in 2022, their orchestral-folk-rock sound was expanded as they were playing and recording with the Minnesota Orchestra. Over the years, the band has embraced joy as an act of resilience, and their latest, Alchemy Creek was written, recorded and produced by front man Craig Minowa in the solitude of a tiny cabin on wheels and named for the nearby creek in the middle of the Wisconsin woods. The band plays some of these new songs, in-studio. - Caryn Havlik

Set list: 1. The Universe Woke Up As You 2. One Human Being 3. Different Kind Of Day

Nashville-based artist Conner Youngblood is a singer, multi-instrumentalist and producer; his new record, called Cascades, Cascading, Cascadingly , is full of richly textured songs – in multiple languages (Spanish, Japanese, and Danish, in addition to his native English.) The music employs a wide array of effects without ever losing that organic, intimate feel; think of "sad Phil Spector meets shoegaze," (Schaefer). Conner plays some of these spacious, dreamy, and quietly curious maximalist bedroom-pop songs, in-studio.

Set list: 1. From an Ocean, to a Lake 2. Solo yo y Tú 3. Blue Gatorade

Vocalist and composer Meredith Monk is a multi-disciplinary artist, whose work involves music, dance, film, theatre, and now: biology meets anthropology. In her recent large-scale work, Cellular Songs , musical forms evoke biological processes as layering, replication, division, and mutation in a “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times). Through this work, Monk takes the microscopic unit of the cell, then projects and expands it as a proposal for “an alternative possibility of human behavior, where the values are cooperation, interdependence and kindness,” (much like how a cell functions, minus the kindness part.) Using their voices-as-instruments, Meredith Monk & Vocal Ensemble perform some of these Cellular Songs , along with violin, piano and keyboard, in-studio. [From the Archives, 2018.] -Caryn Havlik

Meredith Monk & Vocal Ensemble perform "Indra's Net" at the Park Avenue Armory, Sept. 23-Oct. 6

Watch the session via YouTube:

The New York band Crumb creates playful and brooding swirls of sounds, somewhere at a crossroads of psychedelia, pop, jazz, and rock. Their latest album AMAMA (Grandmother) [self-released via their own label Crumb Records], experiments with textures and synthscapes: glitchy pitch-shifted vocals, cell phone recordings, nautical blips, sax mouthpiece solos, blasted drum samples, and piano strings dampened with Silly Putty. With lyrics whose meaning may emerge later, Crumb’s haunting music winds up being far from gentle or ‘chill’ and explores fraught encounters and transience, while striving to be carefree and searching for connection. Crumb plays a live set, in-studio. - Caryn Havlik

Set list: 1. The Bug 2. Side by Side 3. Genie

American classical pianist and educator Christopher O’Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he’s also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O’Riley’s latest album is of J.S. Bach’s Well Tempered Clavier , done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio.

Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Mehrnam Rastegari is a New York-based master of the traditional Persian spike fiddle, the kamancheh. She is also a composer, writing film scores and ensemble works that draw on both Eastern and Western musical traditions. She moved here from Iran in 2022 and formed the Mehrnam Rastegari Traditional Persian Band, a group of New York locals which features traditional Iranian instruments kamancheh, qanoun, daf, and vocals. Rastegari leads that band in music she’s written, along with traditional Persian, Arabic, and Kurdish music. The Mehrnam Rastegari Traditional Persian Band plays in-studio. - Caryn Havlik

Set list: 1. Velveleh 2. Khosha Howraman 3. Show charay

Guitarist, composer, and teacher Benjamin Verdery seems to know everybody who’s ever picked up the instrument. Ben is a classical guitarist himself, but his musical friends include Andy Summers of the Police, the fingerpicking virtuoso Leo Kottke, flamenco legend Paco Pena, guitarist Bryce Dessner of the indie rock band The National – the list goes on and on. Lots of contemporary composers have written works for him, and Ben himself has written a wide range of works. He’s filled a 40 year career with a wild assortment of collaborations and collaborators. Recently, Ben emailed to say he was retiring next year, so it seemed high time that we invite him back here before he jets off to Hawaii. Benjamin Verdery plays some of his own pieces from his collection called Some Towns and Cities , and yes, at least one of those towns is in Hawaii.

Set list: 1. Capitola, CA 2. Keanae, HI 3. Milwaukee, WI

Christopher Rountree is probably best known as the conductor of the LA-based new music ensemble known as Wild Up. Over the last 14 years he and that band have played with Bjork, done live film scores to movie screenings, and embarked on a multiyear recording project of the long forgotten and now rediscovered music of Julius Eastman. But Christopher Rountree is also a composer, and his latest work is called 3 BPM. It seems like it might be his reply to the rise of AI in music, because he describes the piece as “a musical framework for being together.” In an open score that could be part map, and part game, the ensemble performs the entirety of 3 BPM in-studio.

Watch "3BPM":

The ensemble for this New York in-studio includes:

Christopher Rountree, voice / synthCatherine Brookman, voice / synth Nadia Sirota, viola Adam Tendler, pianoPhong Tran, electronicsTaylor Levine, electric guitarRachel Beetz, flute

3 BPM by Christopher Rountree with Wild Up | HOCKET | Nadia Sirota

Brooklyn native Bette Smith reconnects with her Memphis and Mississippi roots on her latest, "Goodthing", full of songs that show off her voice -rich and raspy- and her band’s vintage soul and blues-rock sound. But the album also speaks to Smith’s spiritual side, embracing the gospel music she heard in church and around the house every weekend – like Mahalia Jackson and Reverend James Cleveland. Bette Smith and her band play up that southern rock/soul sound, inspire determination, and offer a prayer, in-studio.

Set list: 1. Whup 'Em Good 2. Darkest Hour 3. Eternal Blessings

The band called LA LOM is a trio of LA natives who play an instrumental blend of twangy guitar melodies over Latin rhythms like the cumbia and bolero, drawing on the sounds of their city. The band got their start as a hotel band playing soul covers, and morphed into warm, vibe-heavy rock that blends Mexican, Cuban, and Peruvian traditions alongside classic jazz, rockabilly, and soul. LA LOM – Los Angeles League of Musicians - who are Zac Sokolow (Guitar), Jake Faulkner (Bass), and Nicholas Baker (Drums/Percussion), play music that may touch on Cumbia, Chicha, and Americana, from their full-length self-titled album, in-studio. - Caryn Havlik

Set list: 1. Danza de LA LOM 2. San Fernando Rose 3. Angels Point

Angélica Garcia has been on a journey – a musical journey – from “gothic storytelling, and swampy, blues-inflected rock” (Schaefer, 2016) to dance-floor Latin pop bangers with moody electronics, sung mostly in Spanish on her latest release, Gemelo . It’s a record that “untangles the Mexican and Salvadoran roots of the Californian-born artist, dismantles the cycles which help and harm, and calls upon the spirits of her ancestors for its power”, (Line of Best Fit ). From throbbing, industrial rock that sounds like a sci-fi magic ritual to clublike textures couching empowerment anthems, Angélica Garcia performs her latest tunes, in-studio.

Set list: 1. Juanita 2. Gemini 3. Paloma

Cinder Well is the musical project of singer and songwriter Amelia Baker, who is from California but who fell under the spell of Irish folk music and eventually moved to County Clare on Ireland’s west coast. Cinder Well’s music often has a haunted, nocturnal quality – her 2020 album No Summer was widely referred to as “doom folk” - where the drone, darkness, and space may overlap with that in the metal world. Her latest record, Cadence , is full of evocative, often elusive imagery and her quietly intense vocals.

Set list: 1. Two Heads, Grey Mare 2. Overgrown 3. From Behind the Curtain

The artist STEFA* is a classically-trained vocalist who combines punk, experimental rage-pop, loops, and somatic jazz as they channel their ancestors. Based in Queens and born to Colombian immigrant parents, STEFA*’s latest is an album called Born With An Extra Rib , which was released alongside a ritual performance film that they created as Artist-In-Residence at The Kitchen. STEFA* shares their spirit and song, along with their talented band, in-studio. STEFA* plays at Industry City at 6PM on Aug. 8.

Set list: 1. 3COSAS! 2. Costillas 3. How Do I Cope?

Born With An Extra Rib by STEFA*

Although he’s based in Iceland, singer/songwriter John Grant is American, and his experience growing up gay in a conservative religious family in Colorado has colored his music since he began releasing solo records in 2010. A former member of the Denver-based alternative rock band The Czars, he’s recorded with the Texan folk rock group Midlake, collaborated with countless others, and is also a festival curator, noted polyglot, author, and translator. Grant’s own songs range from bangers to ballads, usually shot through with sharp streaks of mordant wit. That’s the case with his latest record The Art of the Lie which also features lots of electronics and some processing of the voice. John tells stories and performs unplugged versions of his tunes, in-studio.

Set list: 1. Grey Tickles Black Pressure 2. Touch and Go 3. Zeitgeist

The duo of Marc Ribot, the New York guitarist, and Leyla McCalla, the New Orleans cellist and banjo player, may seem unlikely at first. Ribot is known for his work with Tom Waits, Elvis Costello, his own avant-noise trio Ceramic Dog, and much more; McCalla writes songs that draw on the African-American string band tradition, Cajun music, and her own Haitian heritage. But Ribot was also a student of the Haitian classical guitarist/composer Frantz Casseus, and the two musicians share a strong genre-agnostic streak. Together they play a set at the 25th Annual New York Guitar Festival, recorded in June of 2024 at Kaufman Music Center and co-presented by the World Music Institute.

Set list: Kamen Sa Ou Fe (trad Haitian); Petro (Frantz Casseus); City Called Heaven (trad American); Lavi Vye Neg (Gesner Henry); Sun Without The Heat (Leyla McCalla); Non Fon Bwa (Casseus); Peze Café (trad Haitian); Tree (Leyla McCalla)

Marc Ribot has released over two dozen records on his own, ranging from Cuban dance music to free jazz, Haitian classical guitar to political avant-folk. His playing – elegant, edgy, and sometimes, somehow, both at once – has made him the go-to guitarist for artists like Robert Plant & Alison Krauss, Tom Waits, Laurie Anderson, McCoy Tyner, and so many others. He has been a regular part of the New York Guitar Festival over the years.

Leyla McCalla was the cellist in the Grammy-winning string band Carolina Chocolate Drops, before moving on to writing her own songs. She is a member of Our Native Daughters, a quartet of Black women who all play the banjo (and other instruments), and has recorded four albums on which she also plays guitar. Her new record, Sun Without The Heat , came out in April.

Akusmi is the name of the recent project by the French-born London-based producer, composer, and multi-instrumentalist Pascal Bideau. His work blends the churning rhythms of minimalism with the sounds of jazz and, occasionally, the gamelan music of Indonesia. Mostly he plays sax and piano, but in a pinch he’ll play bass guitar, flute, synthesizer or percussion too. Some Akusmi songs can be ethereal and atmospheric, but more often they’re pulsating and almost danceable. In live performance, Akusmi becomes a band, in this case a trio with violinist/composer Christopher Tignor and trombonist Rick Parker. They play in-studio.

Set list: 1. Divine Moments of Truth 2. Oblique 3. Concrescence

The vintage sounds and energy of Cuban dance music of the mid-20th century live on in the music of Orquesta Akokán, a group of Cuban and American musicians who made a big splash with their debut record just six years ago. The band’s name, Akokán, is from Africa; it’s a Yoruba word meaning “from the heart.” And this group’s collective heart beats to the rhythms of Havana (and Miami, and Brooklyn), which means salsa, rumba, and soul in addition to mambo. Orquesta Akokán has a brand new album called Caracoles , and it brings the band back to our studio to play some of these new songs.

Set list: 1. Con Licencia 2. Pan con Tibiri 3. Caracoles 4. Suave Suave

Sample collaborative music by Pulitzer Prize-winning vocalist/composer Caroline Shaw and the versatile quartet Sō Percussion from their latest release, Rectangles and Circumstance, as played in-studio.

Composer/vocalist/violinist Caroline Shaw , who has produced for Kanye West and Nas, won a Pulitzer Prize in 2013 for her Partita for 8 Voices , which was written for and performed with the vocal ensemble Roomful of Teeth; she also teaches at NYU. Brooklyn-based Sō Percussion (Eric Cha-Beach, Adam Sliwinski, Josh Quillen, Jason Treuting) is a force of music and noise-making comprised of composer/percussionists/instrument builders/finders who beat, shake, bow, immerse, and rip all kinds of things – home goods and instruments - both acoustic and electric; they also compose.

Listen to some of these songs with contributions by Caroline Shaw, and with her band Ringdown, together with Sō Percussion, as played live, in-studio.

Cuban singer, percussionist, and bandleader Ivan Llanes is now based here in New York, and on his debut LP, called La Vida Misma, you hear a reflection of Ivan’s musical interests, which begin with Cuban salsa and go on to include R&B, Brazilian music and more. He's fluent in Latin, Caribbean, and jazz traditions and is a prolific composer and sideman. Ivan’s band is similarly expansive, an 8-piece ensemble who perform new music from Ivan's debut record, in the round, in-studio.

See Ivan Llanes and his band in Times Square on July 11 at 5PM

Set list: 1. La Mejor Mujer 2. Cubahia 3. Respira y Siente

Boston-based Marissa Nadler writes intimate, sweeping dreamy and eerie songs, that shimmer with gothic melancholy. On her 2018 record, For My Crimes , she enlisted accomplished musicians: harpist Mary Lattimore, drummer Patty Schemel (Hole), experimental multi-instrumentalist Janel Leppin, and Eva Gardner plays additional bass. Guest vocals came from Angel Olsen, Kristin Kontrol (Dum Dum Girls), and Sharon Van Etten, plus saxophonist Dana Colley (Morphine) was also a collaborator. These bittersweet and sharp slow burning tunes have a piercing intensity, driven home by Nadler’s gripping voice. Marissa Nadler performs some of these songs in their stripped-down form, in-studio (from the Archives, 2018.) -Caryn Havlik

Set list: 1. For My Crimes 2. Said Goodbye to That Car 3. I Can’t Listen to Gene Clark Anymore

The band called English Teacher is from the northern English city of Leeds, although as their debut LP This Could Be Texas suggests, one place is very much like another when it comes to how people treat each other, and themselves. One might expect a band with a name like English Teacher to be smart, and their songs are chock-full of literary and cultural references, as well as unexpected shifts in sound and mood. They play bright and crispy post-punk songs that combine a talky, angularity with indie-prog, rock, and folk electronica, in-studio.

Set list: 1. Albatross 2.Nearly Daffodils 3. Albert Road

Composer, guitarist, and instrument builder Paolo Angeli is from the Italian island of Sardinia, and his instrument began as a chiterra sarda, a large, slightly deeper member of the guitar family. But over the years he has added multiple layers of strings: harp strings, sitar strings, motorized hammers, pickups, propellers, movable bridges, kalimba, and so much more – attached to the body of the guitar to help multiply the sonic possibilities. Then, there are the pedals! Paolo Angeli, as a one-man-orchestra with foot percussion, and traditional Sardinian vocals, performs new compositions from his latest, Nijar , in-studio.

Set list: 1. Monologo de la Luna 2. Nijar 3. Ramas de Suenos 4. Telon 5. A tour of the prepared Sardinian guitar

British singer, songwriter and guitarist Richard Thompson OBE was part of the groundbreaking folk rock band Fairport Convention in the 1960's, made records with his then-wife, Linda Thompson, and has many fan-favourite solo records as well. Rolling Stone lists him as one of the 100 greatest guitarists of all time and the LA Times called him the greatest living songwriter after Bob Dylan. The folk-shredder and troubadour Richard Thompson joins us to play some acoustic solo versions of songs from his 2018 album, called 13 Rivers . (From the Archives.)

Watch the full session here:

The NYC group Zelenaya mixes traditional folk music with heavy metal in ways that are both surprising and convincing. Haunting three part harmonies, doom-laden guitars, pummeling drums – somehow it all comes together in Zelenaya’s debut album, called simply, Folk Songs . The band has both confused and carried away audiences at campground diasporic folk festivals and at death metal shows; serving up music for those who are into Ukrainian choirs, Mussorgsky, math rock and Tuareg guitar bands, Black Sabbath, and Bolt Thrower. In what is likely the first instance of a blast beat and a wall of amps in the Soundcheck Studio, Zelenaya sculpts Eastern European folk tunes into doom metal-laden arrangements, sung in Ukrainian and Georgian, in-studio. (-John Schaefer/Caryn Havlik)

Zelenaya plays a FREE show with Gamelan Yowana Sari, and Antinomie in Forest Park, Queens at the Seuffert Bandshell on June 23 at 4PM AND in Brooklyn on June 27 at Our Wicked Lady .

Set list: 1. Hora Za Horoyu (Ukrainian) (Mountain Beyond Mountains) 2. Okro Mch’edelo (Georgian) (Goldsmith) 3. Oy Letilo Kupailo (Ukrainian) (Oh, Kupalo Flew)

The Tuareg singer and guitarist Mdou Moctar is from Niger, and his music career began with his songs being shared across mobile phone trading networks in West Africa. Now, as an ambassador of the Agadez sound, he plays his songs on the world’s biggest music stages, including Coachella, and, coming soon, Bonnaroo and Glastonbury. Moctar and his band combine rock and psychedelia, often in the "Desert Blues" style of loping and sometimes accelerating threes. Mdou Moctar’s latest album is called Funeral for Justice , and features his most fiery guitar playing yet. He and his band are here, to stretch out and play this perhaps trancey music for staying lifted, in-studio.

They play at Bowery Ballroom on June 25 and at Warsaw in Brooklyn on June 26 .

1. Imouhar 2. Modern Slaves 3. Imajighen

The duo called Ringdown makes what they refer to as electronic cinematic pop from Portland, Oregon. But there are also elements of folk and classical music in their songs, which makes sense given who they are. Ringdown is Caroline Shaw, Pulitzer Prize-winning composer and musician, and Danni Lee Parpan, folk-rock singer and songwriter. Together, they have a handful of Grammys, and a "Best Drum Major" Award - and they have begun releasing songs about love, and heartbreak, and dancing. They present a preview of new music - using synths, violin, keyboard, voices, and processing - from their forthcoming EP, in-studio.

Ringdown headlines the closing night celebration of ChamberQUEER 2024: Constellation, in Brooklyn on Sunday, June 16.

Set list: 1. Reckoning 2. Thirst 3. Two-Step

The band called Tipa Tipo comes from Brooklyn via Peru. The trio plays an unexpectedly danceable mix of tropical Latin funk, cumbia, disco, and yacht rock. With their synthesizers, guitar, and tight vocal harmonies, they offer a kind of retro 70s sound, but with a modern, feminist sensibility and lyrics sung mostly in Spanish. Tipa Tipo play songs from their latest record, Cintas, in-studio, with all of the cowbells.

Set list: 1 Poco Tiempo 2 Grifo 3 Ataque de Medianoche

Julia Holter’s could be in the realm of contemporary classical music, experimental pop, and ambient music. Often dreamy and elusive, her songs defy easy description. As likely to work with adventurous rockers as with contemporary classical musicians, Holter has an unusually keen ear for unexpected sounds. Take her song, “Evening Mood,” where hazy layers of vocals swirl over a rhythm section that seems more about the feeling of movement than the actual sound of it – and it turns out the basis of the song is a heavily processed heartbeat. Her latest record, built around the waterlike flow of the body's internal sound world, is called Something in the Room She Moves. Julia Holter and her band play new music, in-studio.

Set list: 1. Spinning 2. Marienbad 3. Talking to the Whisper

The alternative rock band Guster, formed over bongos and acoustic guitars at Tufts University in 1991, has built its reputation on their striking vocal harmonies, their close connection to their fans, and their sense of humor. So in the wake of Taylor Swift’s bank-busting Eras tour, Guster embarked on their own tour, which they called "We Also Have Eras" – a reminder of their enduring presence and road warrior work ethic on the music scene for over 30 years. Guster has a new record out, their first in 5 years, called Ooh La La , and it brings the band back to our studio for a live set, with bongos.

Set list: 1. Keep Going 2. Black Balloon 3. Satellite (with Max Fine, piano)

Grace Cummings, the Australian singer and songwriter from Melbourne, has a strikingly rich and commanding voice, the kind that can cut through a big production. Which is good because Cummings has become known for her love of big, dramatic productions and gothic atmospheres. Her new album, Ramona , made in L.A., goes for a cinematic, emotional sound, and it brings Grace Cummings and her band to play some of her songs, in slightly smaller arrangements, in-studio.

Set list: 1. Common Man 2. Ramona 3. Work Today (And Tomorrow)

Ramona by Grace Cummings

Graham Haynes, the Bahia, Brazil-based composer, cornetist, and bandleader, “expands and confounds what we understand as jazz and electronic music.” His work grows out of a keen sense of New York’s many histories of music and musical movement, (Graham Haynes’ Instagram.) Haynes has played with jazz luminaries like Vijay Iyer, the late Pharoah Sanders, and of course his own dad, the famed drummer Roy Haynes. But he has always been interested in other styles – electronic music, hip hop, traditional music from other parts of the world, and contemporary classical music. Haynes, along with New York-based multi-instrumentalist Lucie Vitkova, do some improvisations involving cornet, electronics, accordion, synthesizer and more, in-studio.

Set list: 1. Improvisation 1 2. Improvisation with hichiriki / cornet

New York’s The Jazz Passengers – despite the name – don’t just play jazz. Founded in 1987 by sax player Roy Nathanson and trombonist Curtis Fowlkes, the band has worked with spoken word artists, rock stars like Elvis Costello and Deborah Harry, and theatrical elements that have an almost modernist vaudeville flavor. Over the years the band would become a place where some of New York’s most creative musicians could spread their wings and have some fun.

Their new album, Big Large , is a journey back through the band’s long musical history – it is also the last album made with Curtis Fowlkes, who died last year. The Jazz Passengers is now a mix of the veterans and a new generation, and Roy Nathanson has led them all to our studio to play tunes by turns angular and searing, warm and masterful from the band’s repertoire.

Band members: Roy Nathanson, sax, voice; with Bill Ware, vibes; Brad Jones, bass; EJ Rodriguez, drums; Marc Ribot, guitar; Sam Bardfeld, violin; Lucy Hollier (Curtis' student, now playing his trombone); Isaiah Barr, sax; Gabe Nathanson, voice and trumpet.

Set list: 1. Tikkun 2. Kidnapped 3. Jolly Street

Big Large: In Memory of Curtis Fowlkes by The Jazz Passengers

Alice Merton burst out of the starting gate with her 2016 single "No Roots", a song that celebrated her nomadic upbringing in four different countries. Since then, the British-based German-Irish-Canadian singer-songwriter has released two albums of songs with somewhat introspective, perhaps brooding lyrics, set to uplifting and sunny melodies. When we last checked in with her in 2019, she’d just released her debut LP called Mint and was living in Germany. She has lately been touring on music from her new EP called Heron , and plays a stripped-down intimate set, in-studio, including her rearranged single, "No Roots".

Set list: 1. Don’t Leave Me Alone With My Thoughts 2. Run Away Girl 3. No Roots

Singer Kiran Ahluwalia was born in India, grew up in Canada, and is largely based here in New York. Her music reflects her transcontinental upbringing, as she mixes the sounds of traditional South Asian song forms with Western rock and jazz. A two-time JUNO (Canadian Grammy) winner, Ahluwalia’s work has featured collaborations with leading musicians from the Celtic and Fado worlds, as well as Malian super group, Tinariwen. Her six-piece band includes electric guitar, tabla, drum kit, accordion/organ and electric bass and is led by guitarist Rez Abbasi, a Pakistani-American who is also Ahluwalia’s husband. Her latest album, Comfort Food , features songs that protest Hindu fundamentalism in India and the nationalism that continues to stir conflicts between India and Pakistan and celebrates pancakes… Kiran Ahluwalia and her band perform some of these songs in-studio. - Caryn Havlik

Set list: 1. Dil 2. Tera Jugg 3. Pancake

Shabaka Hutchings, now Shabaka, has been a crucial and connected London-based musician for years, leading arena dance-jazz band Sons of Kemet, cosmic psych-dub-funk trio The Comet Is Coming, and the collaborative band Shabaka & the Ancestors. He began incorporating layered flutes on the last Sons of Kemet record Black to the Future , and kept on picking up more and other woodwinds, first on his 2022 ambient meditation, Afrikan Culture , and now on his new full-length, Perceive Its Beauty, Acknowledge Its Grace . On it, Shabaka plays flutes: the Slavic woodwind called svirel, Japanese shakuhachi, Andean quena, and even clarinet. Plus, rapper and flutist André 3000 contributes flute to “I’ll Do Whatever You Want”.

This time, in his visit to our studio, Shabaka, together with Charles Overton on harp and Austin Williamson on drums play some of the songs from Perceive Its Beauty, Acknowledge Its Grace . Plus, Shabaka talks us through the different flutes in his bow case, including a clay turtle ocarina and a century-old shakuhachi. Read more on Shabaka’s Shakuhachi journey via SoundAmerican . – Caryn Havlik

Set list: 1. Insecurities / As the Planets and the Stars Collapse 2. Living 3. I'll Do Whatever You Want

José James has often been called a “jazz singer for the hip hop generation,” having come to jazz through tracing hip hop samples and over the course of twelve records, he’s also incorporated R&B, soul, rock, funk, and Latin music into his songs. While he’s mostly sung his own music over the years, he has occasionally covered songs by some of his favorite artists: Bill Withers, Gil Scott-Heron, Erykah Badu and Billie Holiday.

James has just released a new album called 1978 , which sees him looking back, past hip hop, to the soul music of the 70s. But this is soul music with a message; songs like “For Trayvon” make that clear. But it’s also message-music with soul: José James closes the album with “38th & Chicago,” which has a jazzy bassline, an almost bossa nova guitar sound, and a Caribbean lilt in the percusson. José James and his band play some of these hot grooves in-studio. -John Schaefer

Set list: 1. Let's Get It 2. Planet Nine 3. Saturday Night (Need You Now)

American indie rock-chamber collective, San Fermin, has been making lush, wide-angled Baroque-pop songs for more than a decade. The band was founded by Brooklyn-based keyboardist Ellis Ludwig Leone, who has multiple creative outlets as a songwriter, classical composer, and founding partner (with bandmate Allen Tate) of a record label focused on collaborations. The latest batch of 'immediate pop' songs on the 2024 album, Arms, is about things falling apart, but the process of making it brought people together, (Brooklyn Magazine ). The band San Fermin plays some of these new songs, in-studio.

Set list: 1. Weird Environment 2. Didn't Want You To 3. Arms

France-based Cameroonian musician and composer Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of R & B, pop, and folk, while the sounds of West and Central Africa have continued to resonate. His Bandcamp calls it "Africanity at the crossroads of soul, folk, and electro". Past albums by Bassy have also referenced Delta blues, and his latest effort, Mádibá , dedicated to the theme of water, is full of modern electronic beats, delicate guitars, brass arrangements, and rich Bassa vocals. Blick Bassy is about to release an extended version of that 2023 LP; it’s called M​á​dibá Ni Mbondi and is due out on May 17. Catch him on tour in the U.S.A. this May . -Caryn Havlik

Set List: 1."Loba" 2."Hola Me" 3."Li Yanga"

Mádibá Ni Mbondi by Blick Bassy

Vocalist and songwriter Lizz Wright is usually referred to as a jazz or gospel singer, and she certainly does sing both of those styles. But she’s also comfortable with blues and R&B and the Great American Songbook. Her latest album is called Shadow , and it features striking versions of songs by Cole Porter, Sandy Denny, and others. The record also includes a number of Lizz Wright’s own songs, which draw inspiration from her Southern upbringing in Georgia, and wander freely among the many styles of American music. “Shadow” happens to be Wright's studio debut under her label, Blues & Greens Records, a new step in her artistic freedom, and without the genre constraints imposed by record labels. Lizz Wright and her band perform some of these acoustic songs, in-studio.

Set list: 1. Sparrow 2. Circling 3. Your Love

Reyna Tropical is led by guitarist, singer, songwriter and co-producer Fabi Reyna, who is the founder of She Shreds Media, dedicated to women and non-binary guitarists. Investigating landscapes of the tropical diaspora - from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero), the latest release, Malegr​í​a, is a collection of 20 tracks infused with the beat of all things tropical. The music is a blend of Latin rhythms with rock, dance music, and psychedelia and offers connection to the land and the ancestors as well as resilience, and a continuation—a celebration of spiritual survival pulsing with sunny dance beats. Reyna Tropical plays in-studio. - Caryn Havlik

Set list: 1. Suavecito 2. Catagena 3. Conexion Ancestral

Malegría by Reyna Tropical