musicaltalk's Podcast

It's the end of 2024 and to wave it a fond farewell, Thos has again insolently presumed you might fancy a celebratory bumper-sized quiz episode. If he's accidentally correct, then this is the one for you - a suitably festive mix of musicals trivia deliciously flavoured with songs galore. Go on, ignore the turkey for a few minutes and pit your wits against everyone's least favourite quizmaster!

Colm and Thos conclude the MusicalTalk in-depth review of the 2024 EdFringe by looking at three of the most diverse and different shows that you could have seen in Scotland this summer - Mary Mary Quite Contrary, a spoof musical about 1960s and 70s moral campaigner, Mary Whitehouse; Behind the Curtain, a hugely charming youth musical giving us a contemporary take on a 42nd Street-style story; and the hugely accomplished Wallis, the musicalisation of the Edward and Mrs Simpson story (perhaps better known as "Windsor and Walli's affair" to Follies fans!). There's something for everyone in this insightful episode!

Join Nick and Hannah as they dive into the movie adaptation of Wicked ! They share their thoughts on how it stacks up against the beloved stage production and debate the decision to release it in two parts.

Then, they take a sharp turn into Neverland with a glittering review of Peter Pan by Tuckshop. This fabulous drag pantomime is playing every Monday night at London’s Phoenix Theatre.

#WickedMovie #MusicalTheatre #WestEnd #DragPanto #PeterPan #PhoenixTheatre #Tuckshop #TheatreTalk #BroadwayToHollywood #MusicalPodcast

Four songs, three shows, two full EdFringe musicals on YouTube, one discussion but not quite yet a partridge in a pear tree. Instead, Colm and Thos discuss a disturbing trend at the 2024 EdFringe relating to straw men and amoral behaviour, before turning their attention to three rather impressive new musicals - Crispr! The Gene Editing Musical, A Jaffa Cake the Musical and the Wellbrick Centre on Roswell Drive in an episode so delicious, you'll wonder why you don't eat it with a fork!

Songs! Reviews! Insights! Exclamation Marks! All these things can be yours in this week's episode of MusicalTalk as we continue our in-depth look at some of the best musical theatre offerings from the 2024 Edinburgh Festival Fringe. In this punctuation-filled episode, Thos chats to Colm about some of the shows that caught their eyes (and ears) this year - including Reject Me Already, A Show About Tomorrow and the surprisingly moving (and funny) Fringe! The Musical!!

Hoorah! It's time for MusicalTalk's annual in-depth delve into the wonderful world of EdFringe musical theatre, and this week Thos and Mike look at three hilarious, touching and intriguing musicals that you could have seen at this summer's Edinburgh Festival Fringe. Under the microscope this week are: The Emu War, the Wellbrick Centre on Roswell Drive and the return of the 2023 MusicalTalk Pick of the Fringe, the ever brilliant Potty the Plant. With splendid songs from each of these cracking shows, this bumper episode will put a smile on your face and take you back the summer of 2024 at the world's largest arts festival.

In this insightful episode of MusicalTalk , Nick and Hannah gaze into the crystal ball of musical theatre to explore where the industry is heading. From emerging trends in storytelling and musical styles to the impact of rising ticket prices, they dissect the forces shaping the future of the stage. Will immersive experiences take centre stage? How might digital technology reshape audience engagement? And what do changes in pricing mean for accessibility? Join Nick and Hannah as they analyze these shifts and more, giving listeners a thought-provoking look at the next chapter for musical theatre lovers everywhere.

Stop the World! It's time for another edition of MusicalTalk! And as Come From Away continues its successful national tour of both the United Kingdom and the Republic of Ireland, Josh and Thos sit down to discuss the recent London production, which clocked up over a thousand joyous performances and sent scores of people home with a smile on their faces. What makes this show so successful - and are they the things that also make it so unusual? Find out in this delightful and detailed episode.

In this special episode, host Nick Hutson revisits an exclusive interview from the archives with the late Gavin Creel , recorded during his time starring as Bert in the West End production of Mary Poppins at the Prince Edward Theatre. With Gavin’s recent and unexpected passing at the age of 48—an event that stunned the theatre industry—this interview offers a poignant look back at his incredible career. Gavin shares insights into playing Bert, his experiences in London, and his passion for musical theatre. Join Nick as we celebrate the life and legacy of this beloved Broadway and West End star.

Josh and Thos are back with another look at two more shows that were part of the amazing 2024 summer of musicals in London: this time, both shows are linked by railway connections but with completely different styles and tone - Hadestown and Starlight Express. How far do these shows rework their original source material of Orpheus and Eurydice and.....Cinderella? And how excited is Josh in seeing both these wonderful shows? Time to let off steam!

It's been a summer of blockbuster musical theatre shows in London, and this week Josh and Thos take a close look at just two of the amazing productions on offer. In this episode, it's time to concentrate on two shows named after significant female characters - with Cole Porter's Kiss Me Kate and Jerry Herman's Hello Dolly under the microscope. Can the emancipated Lilly Vanessi escape comparisons with the ultimately subjugated Kate, and what is Dolly Levi's actual journey (apart from a trolleybus to Yonkers)? And is that the ghost of Mary Poppins we can see floating overhead? It's Wunderbar!

In this bumper episode of MusicalTalk , Nick and Hannah dive into the magic of Matilda the Musical , reflecting on its ongoing success at the Cambridge Theatre and exploring why it continues to captivate audiences of all ages. They also discuss Why Am I So Single – the brand-new musical from the creators of Six , Toby Marlow and Lucy Moss. Meanwhile, Nick and Robert discuss Barnum , the timeless circus-inspired musical, which recently had a run at the Watermill Theatre. Tune in for lively debates, musical insights, and a celebration of theatre old and new!

The Boys Are Back In Town! With Rodgers and Hart's effervescent 1938 musical, The Boys from Syracuse packing 'em in at the Upstairs at the Gatehouse Theatre in Highgate, Thos and Benjamin Levy continue their wonderful conversation about the role of the Musical Director and how to orchestrate a classic-era show. But with Benjamin's view that "Lorenz Hart is an utter genius", this episode is filled to the brim with an in-depth look at the score and full analysis of what makes the Hart lyrics and the musicality of Rodgers work so beautifully together to make a show where every song is a polished diamond!

With Rodgers and Hart's sparkling 1938 Golden Age musical, The Boys From Syracuse, returning to London at the Upstairs at the Gatehouse Theatre in Highgate, Thos sits down for a wonderful conversation with the production's Musical Director and Orchestrator, the very talented Benjamin Levy. Learn why it's important for the MD to "push hope through it" when musically directing a song, and why it's better to reorchestrate rather than reduce existing arrangements. And with in-depth analysis of the score throughout, you won't want to miss this delightful and insightful episode! It's no cold potato!

Hoorah! Harooh! The golden era of musical theatre returns to London with a revival of 1938's Rodgers and Hart's classic musical comedy, The Boys From Syracuse, opening at Upstairs at the Gatehouse, in Highgate in September 2024. In a three part in-depth look at the show and its solid gold score by one of the greatest songwriting teams of the twentieth century, Thos sits down with the director and the musical director to enjoy insights into how to stage a classic musical in the 21st Century, and to talk about the sparkling songs. This week Thos talks to the lovely Mark Giesser, the director of this production, about the attraction and challenges of the piece and why the songs are so perfect. All it takes is a whole lotta Hart!

In this special episode of MusicalTalk, host Nick Hutson takes you behind the scenes with the National Youth Music Theatre (NYMT), a prestigious organisation that has been nurturing the talents of young performers for over four decades. Founded in 1976, the NYMT has a storied history of launching the careers of some of the UK's brightest stars in musical theatre.

Nick sits down with current cast members of the NYMT on the exciting day of their world premiere performance of "Catastrophe Bay" at the Southwark Playhouse Elephant. We dive into the creative process and what it means to be part of such an iconic institution. We also hear from NYMT alumnus Josh Barnett, who reflects on his time with the company and how it shaped his career.

In this delightful episode of MusicalTalk, Hannah takes us on a magical ride through her recent experience of the UK tour of Chitty Chitty Bang Bang in Torquay... but how does it compare to the original production at The London Palladium? Nick, who saw the show in its West End heyday 22 years ago, joins the conversation with his nostalgic reflections. Together, they explore the differences and whether the modern take still has that "Truly Scrumptious" appeal.

Welcome listeners! It's so nice to hace you back where you belong!

In this episode, Nick and Hannah dive into their first-ever experience of the classic musical, Hello Dolly, sharing their fresh and vibrant takes. But that's not all—Nick had the exclusive opportunity to attend an open rehearsal of the buzzworthy new musical, WHY AM I SO SINGLE?, brought to life by Lucy Moss and Toby Marlow, the brilliant minds behind the smash hit, Six.

Get ready for an exciting journey as we bring you insightful interviews with the cast and writers, along with a sneak peek at some of the unforgettable songs from this promising new show.

Nick and Hannah dive into the world of musical theatre, each sharing their unique experiences with two iconic shows. Hannah recounts her thrilling first-time experience of seeing the cult classic "Little Shop of Horrors" on stage during its UK tour.

Meanwhile, Nick takes a trip down memory lane as he revisits "Starlight Express" now playing at the Troubadour Theatre, experiencing the roller-skating extravaganza for the first time in over 30 years.

It's the last episode of our three part look at the role of melodrama in musical theatre, and today Josh joins Thos to talk about the show that explicitly takes the tropes and characters of melodrama and turns them topsy-turvy - Gilbert and Sullivan's Ruddigore, and specifically a recent production at London's home of Victorian musicals, Wilton's Music Hall. Your eyes will be fully open...

With the recent acclaimed revival of Sweeney Todd and the String of Pearls (subtitled "The Victorian Melodrama") in London's atmospheric Wilton's Music Hall, join Colm and Thos as they continue their exploration of the history of melodrama and how it informs modern musical theatre in a multitude of ways. In this episode they dissect the original Sweeney Todd stage sensation to see how it works and then identify the many musical cannibals who have feasted on its body over the years - from Gilbert and Sullivan to Sondheim. Todd, that's good!

Did melodrama die with Queen Victoria - or has it sneakily survived into 21st century culture? Join Thos and Colm as they look at the unexpectedly wide scope of melodrama in musical theatre both historically and today: concentrating on the recent revival of Sweeney Todd and the String of Pearls at the Wiltons Music Hall in London, we take you on a three part journey exploring the he fascinating world of this far-from-dead genre - and tell you the tale of the other 3Bs of music - Balfe, Benedict and Bishop.

Moulin Rouge! The Musical - Hits and Misses

Join Nick and Hannah as they delve into the vibrant and glittering world of Moulin Rouge! The Musical . In this episode, our hosts discuss the highs and lows of this stage adaptation, starting with its lavish visual elements and captivating tangos that leave audiences spellbound. However, not everything that glitters is gold—Nick and Hannah critique the show's reliance on a plethora of pop songs, many of which feel outdated and detract from the overall experience.

Hannah brings an intriguing comparison to the table, highlighting how the plot of Moulin Rouge! 's first act mirrors that of the film Burlesque , now also making waves on stage. Is this parallel a coincidence or a creative nod? Tune in to hear their thoughts and lively discussion.

#MoulinRougeMusical #MusicalTheatre #Podcast #StageReview #MusicalTalk

Thos sits down to talk with award-winning bookwriter, lyricist, composer and playwright, Jenny Stafford, about her poignant one woman musical, Color Inside the Lines, which won Best Solo Show at the Denver Fringe and impressed at the Edinburgh Festival Fringe in 2021 and 2022. With songs from the score and in-depth conversation about the creative process and the role of sincerity in narratives, you'll be delighted by Jenny's insights about what may be the only musical ever based around the work of a Scantron multiple-choice marking machine.

In this week's episode, you can enjoy songs from Jingle Street, the five star hit musical from the 2023 EdFringe, and hear insights and observations from its writer, lyricist, producer, director, choreographer, assistant director and one of the lead actors on what it takes to create and develop a show for the Fringe and beyond, particularly as a new theatrical company. And as a special bonus, there's a chance to hear an exclusive recording - a rather brilliant cut song from this wonderful musical show. You'll love it - we "pinky swear" it!

It's songs galore and laughs aplenty as Thos talks to the talented people behind Chordstruck Theatre about their hit shows, On Your Bike (Winner of the Best Musical at the Edinburgh Festival Fringe in 2021) and Jingle Street (Five Stars from MusicalTalk, EdFringe 2023). It's a lovely, insightful and fun filled conversation about the collective creative process of making not just one, but two, musicals! As Felix, one of the characters in On Your Bike, might say "Winner Winner Chicken* Dinner" (*falafel also available)

Join Thos as he talks with Shaye Poulton Richards, the talent behind the EdFringe success, Lies All The Way Down - a New Chamber Musical, a show that uses polyphonic sounds beyond the usual soundscape provided by a quartet to create the intense atmosphere needed for a pyschological thriller exploring the friend we make and the lies we tell. And hear songs and music from the show that help illustrate Shaye's creative process and her favoured combination of modern folk and contemporary classical sounds.

Wicked has been playing in the West End for over 15 years so Nick thought it was about time that Hannah sees the show - so they did.

With the film coming out next year it seems the right time to discuss the show, its legacy and - more importantly - what it's like seeing it nowadays with very little knowledge of it! Does it live up to the hype? Is it still wonderful or is it still just popular?

In 2020 Coronavirus threatened to kill opera! By 2022, only one man could save it - using his one person production of La Serva Padrona - where baroque meets 1970s funk in a new English version of Pergolesi's 1733 comic masterpiece. Thos joins the extremely talented musical academic and performer, David William Hughes, to discuss the third of his historic music trilogy - a joyous and delightful version of La Serva Padrona - served up from "an emergency opera kit" saved over from the Cold War era! It's a funkadelic relic!

What is musical theatre? It's a big questions and Thos is asking it. Can a show be a musical without words? Can a show be a musical without music? Is there any point in actually trying to define what makes a musical anyway? And as an illustration of how wide musical theatre can really be, Thos talks to the talented people behind five-star EdFringe show, The Wreck of the Queen Thomasina, which is a verse play with songs and definately plays with the form in a delicious way. Vivat Regina!

In this episode, Thos talks to the multi-talented actor, writer and composer, Asher Muldoon, about his wonderful five star show, Mine - A Solo Ghost Story Musical - a multi-layered masterpiece of musical story telling. How do you make a ghost story also function as a comedy? How do you read an audience to amend your performance? And how do both Sondheim and Dear Evan Hanson repackage songs in different ways? All this and some delightful and evocative music will make Mine forever yours!

With the joyous news of the return of Potty the Plant to the EdFringe in 2024, join Thos as he talks to the three people behind this quirky, subversive and hiliarous musical to discuss all things Potty. Find out about its journey from short film to five-star theatre musical cult and what made it the MusicalTalk's Pick of the Edinburgh Fringe in 2023. With songs and laughter, and a special "sneak peak" of the creative team's latest musical this episode, this is the "potty-cast" for you.

Join hosts Nick Hutson and Hannah Budd on a captivating journey through London's theatrical landscape as they dive into the vibrant worlds of Opening Night at the Gielgud Theatre and Priscilla: The Party at the Outernet Venue. In this episode of MusicalTalk, Nick shares his first impressions of Priscilla, delving into the glitz, glamour, and unexpected surprises of this iconic musical.

Opening Night, a new musical starring Sheridan Smith, featuring music and lyrics by Rufus Wainwright with a book and direction by Ivan Van Hove, takes center stage in their discussion, as they examine its adaptation from the film by John Cassavetes. Should a musical about a play that makes no sense also make no sense?

As they contrast the two productions, Nick and Hannah explore the polarities between the shows, from the classic elegance of Opening Night to the flamboyant extravagance of Priscilla. Nick's fresh perspective on Priscilla sparks an engaging discussion on the unique appeal of the production and its enduring popularity.

Amidst the exploration of themes and performances, the hosts ponder the question: Does promenade theatre lend itself to musicals? Drawing from their experiences and observations, they analyze the immersive nature of Priscilla and its impact on audience engagement.

Join host Nick Hutson as he delves into the soul-stirring world of gospel music in musical theatre, in a captivating conversation with renowned YouTuber and gospel enthusiast Jaron M. LeGrair. In this episode of MusicalTalk, they explore the powerful impact of gospel music on various Broadway shows, from the unexpected twists in "Little Shop of Horrors" to the divine energy of "Hercules."

Together, they traverse the rich tapestry of musicals like "Showboat," "Ragtime," and "Once on This Island," uncovering how gospel infuses these narratives with depth and resonance. From the high-octane rhythms of "Starlight Express" to the socially conscious themes of "Hairspray" they unravel the threads of gospel's presence, highlighting its role in storytelling and character development.

Tune in to this episode of MusicalTalk for a harmonious journey through the spiritual and theatrical realms, as Nick Hutson and Jaron M. LeGrair celebrate the transformative power of gospel music in musicals.

So, here we are with our long awaited conversation about Sondheim's last new musical (probably), appropriately called "Here We Are" and the big question is - is it a success? Thos chats to MusicalTalk's resident Sondheim expert, Colm, who saw the show twice in New York at its off-Broadway venue, the Shed, and who certainly thinks so. But is absurdist theatre now so obscure that it seems pretentious instead of satirical? Is this show the equivalent of Schubert's Unfinished Symphony? And is Sondheim merely pastiching himself in his swansong? Well, it is what it is - but find out if the show really does make for a perfect day in this wonderful episode.

It's time to walk in the joint to see what those big spenders, Tom and Thos, have to say about the evergreen musical, Sweet Charity, and in particular the 1969 big screen version directed and choreographed by Bob Fosse - all part of their in-depth delve into his amazing career. Is the Rich Man's Frug the most Fosse-esque dance sequence ever committed to celluloid? What is the Rhythm of Life scene all about, really? And wasn't the late Chita Rivera an astoundingly good actor? And then Tom and Thos finally crack how to give the Sweet Charity story a suitable ending - so you can live optimistically ever after!

What good is sitting alone in your room when you could do it in the company of Tom and Thos? This week, they continue their in-depth look at the career of the legendary Bob Fosse, movie musical director and choreographer, by looking at his amazing 1972 film, Cabaret. Why is it so different to the original stage production? Who is the film really about? And is Sally Bowles actually a monster? Will you find out the answers? Maybe this time!

Join Tom and Thos as they take an in-depth look at the career of the legendary movie musical director and choreographer, Bob Fosse, through the lens of his three musical films - Sweet Charity, Cabaret and All That Jazz. How far did he take the ideas behind his choreography and then use them to inform his directorial decisions - and does it work? In this week's episode, it's all about the stunning but oh-so-dark 1979 musical film, All That Jazz. It's show time!

As we wave the year goodbye, it’s time for our traditional MusicalTalk festive quiz. So leave your turkey in the fridge, turn off the irritating round of Christmas songs and leave a “go away” sign for any carol singers, and then enjoy this merry mix of quirky questions and superb songs compiled for your diversionary pleasure by that ridiculous old idiot Thos. By the time you’ve finished, you’ll need a doctor (and this may be a clue!)

Thos talks to the talented writer and performer, Lucy Stevents, about her latest show – Gertrude Lawrence: A Lovely Way to Spend an Evening - which uses primary sources and songs to tell the story of one of the twentieth century’s most successful musical theatre stars. Find out why Cole Porter, the Gershwins, Kurt Weill, Noel Coward and Rogers and Hammerstein were queuing to write musicals for her, and why Julie Andrews played her in the aptly name musical film, Star!

The 2023 EdFringe has just closed but Thos, Colm & Josh were there to catch as many musicals as they could! With songs, sounds and extracts of interviews with writers, composers, lyricists, performers, directors, choreographers and so many more creatives who brought musicals old and new to the largest arts festival in the world, here’s a digest of the best of the Fringe for lovers of musical theatre.

Thos chats to John Paul Liddle about his amazing new musical take on the famous Shakespearian Scottish Play, called Vote Macbeth! which reimagines the story as a contemporary political thriller. Fifteen years in the making, hear how this interactive show invites you to decide who should rule – the strong but murderous Macbeth or his arch rival, the flamboyant Fleancé. And there’s a chance to hear about Crochan Disney, the new welsh language podcast about all things Disney.

Thos chats to Melanie Gall, biographer of Deanna Durbin, about her one woman show “Ingenue: Deanna Durbin, Judy Garland and the Golden Age of Hollywood” to learn how “Winnipeg’s Sweetheart”, Deanna Durbin, became the biggest star of musical films in the 1930s, surpassing even her occasional co-star, Judy Garland, but also how she deliberately disappeared completely from view – and from memory.

Thos chats to the directors, producer and star of the rather brilliant 2022 EdFringe production of Sondheim’s Company and in particular about how they approached this versatile and ever changing show. With an in-depth discussion about the different ways that the main role can be characterised and made to escape from their 1970s origins to be relevant to 21st Century attitudes, Bobby, we've been thinking of you!

As the BFI retrospective of the wide career of Gingers Rogers continues, here’s a chance to hear the second part of a conversation between Thos and Miles Eady as they discuss the series of ten Ginger and Fred musicals – in particular the Gershwin masterpiece, Shall We Dance (1937), and their last “reunion” film, the Barclays of Broadway (1949) – and exactly why Ginger was a creative force in her own right.

As the BFI launches a major retrospective of the career of Gingers Rogers, Thos talks to film writer, Miles Eady, to discuss this versatile and talented actress who became legendary in the 1930s for working with Busby Berkeley, Fred Astaire, George Gershwin, Dorothy Fields, Irving Berlin, Jerome Kern and many others in the most important musical films of the first musicals golden age, the 1930s.

It’s time to join Thos as he surveys one of the best musical comedies of the last two decades – Kander & Ebb’s wonderful Curtains. This week he chats to the people behind the fantastic production which could be seen at last summer’s Edinburgh Fringe to get a sense of not just the nuts and bolts of putting on a demanding spectacle of a show but also how they interpret the text in hand: In short, it’s a show that shows what show people know about this show with its show within a show. Simple!

In the first of a two part tribute, Thos remembers the wonderful “Renaissance Man of the Theatre”, the late Kit Hesketh-Harvey, who died earlier this month. In this episode we hear Kit in two episodes which highlight his talents on stage and off, in two fascinating – and very funny – interviews covering his work in Kit and the Widow, one of the UK’s most successful cabaret acts, and in his work directing and adapting La Belle Helene by Offenbach, covering everything from Andrew Lloyd Webber to Noel Coward along the way

Well, it’s a brand new year so that can only mean the return of our traditional MusicalTalk festive quiz. Is there any better way of ushering in a new year? Yes, of course there is – but when’ve finished doing that, you can then enjoy this merry mix of quirky questions and superb songs compiled for your diversionary pleasure by that ridiculous old idiot Thos. So put your feet up and let your hair down – and keep everything else where it is. You’ll be wiser and older by the time it’s done!

Kathy and Stella Solve a Murder: In this bumper episode, Thos enjoys a hilarious and insightful conversation with the multitalented Matthew Floyd Jones, the composer of the songs for MusicalTalk’s Pick of the Fringe 2022, Kathy and Stella Solve a Murder. Hear how Matthew’s extensive career as a writer, performer, composer and much more has informed the creation of this five star show – and why you won’t find any plinking and plonking on his watch!

Episode 2: Oklahoma in Depth - Tradition and Revision: Join Colm and Thos for the second part of their in-depth conversation about all things Oklahoma, and find out what they thought of the recent re-interpretation of this evergreen musical which was on at the Yong Vic. Are Curly and Jud simply two sides of the same character? Can ballets in musicals ever avoid obviousness or pretension? And it is a breath of fresh air or pure heresy? It's all er nuthin'!

With all London seemingly talking about the recent Young Vic production of Daniel Fish's reinterpretation of Oklahoma, join Thos and Colm for the first part of a in-depth discussion about the legendary 20th Century musical, Oklahoma. In this first episode, we look at the myth surrounding the show, it's legacy and the people behind it: Richard Rodgers and Oscar Hammerstein. Have they gone about as fer as they could go? Find out in this interesting episode.