WNYC's Soundcheck

The New York band Crumb creates playful and brooding swirls of sounds, somewhere at a crossroads of psychedelia, pop, jazz, and rock. Their latest album AMAMA (Grandmother) [self-released via their own label Crumb Records], experiments with textures and synthscapes: glitchy pitch-shifted vocals, cell phone recordings, nautical blips, sax mouthpiece solos, blasted drum samples, and piano strings dampened with Silly Putty. With lyrics whose meaning may emerge later, Crumb’s haunting music winds up being far from gentle or ‘chill’ and explores fraught encounters and transience, while striving to be carefree and searching for connection. Crumb plays a live set, in-studio. - Caryn Havlik

Set list: 1. The Bug 2. Side by Side 3. Genie

American classical pianist and educator Christopher O’Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he’s also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O’Riley’s latest album is of J.S. Bach’s Well Tempered Clavier , done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio.

Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Mehrnam Rastegari is a New York-based master of the traditional Persian spike fiddle, the kamancheh. She is also a composer, writing film scores and ensemble works that draw on both Eastern and Western musical traditions. She moved here from Iran in 2022 and formed the Mehrnam Rastegari Traditional Persian Band, a group of New York locals which features traditional Iranian instruments kamancheh, qanoun, daf, and vocals. Rastegari leads that band in music she’s written, along with traditional Persian, Arabic, and Kurdish music. The Mehrnam Rastegari Traditional Persian Band plays in-studio. - Caryn Havlik

Set list: 1. Velveleh 2. Khosha Howraman 3. Show charay

Guitarist, composer, and teacher Benjamin Verdery seems to know everybody who’s ever picked up the instrument. Ben is a classical guitarist himself, but his musical friends include Andy Summers of the Police, the fingerpicking virtuoso Leo Kottke, flamenco legend Paco Pena, guitarist Bryce Dessner of the indie rock band The National – the list goes on and on. Lots of contemporary composers have written works for him, and Ben himself has written a wide range of works. He’s filled a 40 year career with a wild assortment of collaborations and collaborators. Recently, Ben emailed to say he was retiring next year, so it seemed high time that we invite him back here before he jets off to Hawaii. Benjamin Verdery plays some of his own pieces from his collection called Some Towns and Cities , and yes, at least one of those towns is in Hawaii.

Set list: 1. Capitola, CA 2. Keanae, HI 3. Milwaukee, WI

Christopher Rountree is probably best known as the conductor of the LA-based new music ensemble known as Wild Up. Over the last 14 years he and that band have played with Bjork, done live film scores to movie screenings, and embarked on a multiyear recording project of the long forgotten and now rediscovered music of Julius Eastman. But Christopher Rountree is also a composer, and his latest work is called 3 BPM. It seems like it might be his reply to the rise of AI in music, because he describes the piece as “a musical framework for being together.” In an open score that could be part map, and part game, the ensemble performs the entirety of 3 BPM in-studio.

Watch "3BPM":

The ensemble for this New York in-studio includes:

Christopher Rountree, voice / synth
Catherine Brookman, voice / synth
Nadia Sirota, viola
Adam Tendler, piano
Phong Tran, electronics
Taylor Levine, electric guitar
Rachel Beetz, flute

3 BPM by Christopher Rountree with Wild Up | HOCKET | Nadia Sirota

Brooklyn native Bette Smith reconnects with her Memphis and Mississippi roots on her latest, "Goodthing", full of songs that show off her voice -rich and raspy- and her band’s vintage soul and blues-rock sound. But the album also speaks to Smith’s spiritual side, embracing the gospel music she heard in church and around the house every weekend – like Mahalia Jackson and Reverend James Cleveland. Bette Smith and her band play up that southern rock/soul sound, inspire determination, and offer a prayer, in-studio.

Set list: 1. Whup 'Em Good 2. Darkest Hour 3. Eternal Blessings

The band called LA LOM is a trio of LA natives who play an instrumental blend of twangy guitar melodies over Latin rhythms like the cumbia and bolero, drawing on the sounds of their city. The band got their start as a hotel band playing soul covers, and morphed into warm, vibe-heavy rock that blends Mexican, Cuban, and Peruvian traditions alongside classic jazz, rockabilly, and soul. LA LOM – Los Angeles League of Musicians - who are Zac Sokolow (Guitar), Jake Faulkner (Bass), and Nicholas Baker (Drums/Percussion), play music that may touch on Cumbia, Chicha, and Americana, from their full-length self-titled album, in-studio. - Caryn Havlik

Set list: 1. Danza de LA LOM 2. San Fernando Rose 3. Angels Point

Angélica Garcia has been on a journey – a musical journey – from “gothic storytelling, and swampy, blues-inflected rock” (Schaefer, 2016) to dance-floor Latin pop bangers with moody electronics, sung mostly in Spanish on her latest release, Gemelo . It’s a record that “untangles the Mexican and Salvadoran roots of the Californian-born artist, dismantles the cycles which help and harm, and calls upon the spirits of her ancestors for its power”, (Line of Best Fit ). From throbbing, industrial rock that sounds like a sci-fi magic ritual to clublike textures couching empowerment anthems, Angélica Garcia performs her latest tunes, in-studio.

Set list: 1. Juanita 2. Gemini 3. Paloma

Cinder Well is the musical project of singer and songwriter Amelia Baker, who is from California but who fell under the spell of Irish folk music and eventually moved to County Clare on Ireland’s west coast. Cinder Well’s music often has a haunted, nocturnal quality – her 2020 album No Summer was widely referred to as “doom folk” - where the drone, darkness, and space may overlap with that in the metal world. Her latest record, Cadence , is full of evocative, often elusive imagery and her quietly intense vocals.

Set list: 1. Two Heads, Grey Mare 2. Overgrown 3. From Behind the Curtain

The artist STEFA* is a classically-trained vocalist who combines punk, experimental rage-pop, loops, and somatic jazz as they channel their ancestors. Based in Queens and born to Colombian immigrant parents, STEFA*’s latest is an album called Born With An Extra Rib , which was released alongside a ritual performance film that they created as Artist-In-Residence at The Kitchen. STEFA* shares their spirit and song, along with their talented band, in-studio. STEFA* plays at Industry City at 6PM on Aug. 8.

Set list: 1. 3COSAS! 2. Costillas 3. How Do I Cope?

Born With An Extra Rib by STEFA*

Although he’s based in Iceland, singer/songwriter John Grant is American, and his experience growing up gay in a conservative religious family in Colorado has colored his music since he began releasing solo records in 2010. A former member of the Denver-based alternative rock band The Czars, he’s recorded with the Texan folk rock group Midlake, collaborated with countless others, and is also a festival curator, noted polyglot, author, and translator. Grant’s own songs range from bangers to ballads, usually shot through with sharp streaks of mordant wit. That’s the case with his latest record The Art of the Lie which also features lots of electronics and some processing of the voice. John tells stories and performs unplugged versions of his tunes, in-studio.

Set list: 1. Grey Tickles Black Pressure 2. Touch and Go 3. Zeitgeist

The duo of Marc Ribot, the New York guitarist, and Leyla McCalla, the New Orleans cellist and banjo player, may seem unlikely at first. Ribot is known for his work with Tom Waits, Elvis Costello, his own avant-noise trio Ceramic Dog, and much more; McCalla writes songs that draw on the African-American string band tradition, Cajun music, and her own Haitian heritage. But Ribot was also a student of the Haitian classical guitarist/composer Frantz Casseus, and the two musicians share a strong genre-agnostic streak. Together they play a set at the 25th Annual New York Guitar Festival, recorded in June of 2024 at Kaufman Music Center and co-presented by the World Music Institute.

Set list: Kamen Sa Ou Fe (trad Haitian); Petro (Frantz Casseus); City Called Heaven (trad American); Lavi Vye Neg (Gesner Henry); Sun Without The Heat (Leyla McCalla); Non Fon Bwa (Casseus); Peze Café (trad Haitian); Tree (Leyla McCalla)

Marc Ribot has released over two dozen records on his own, ranging from Cuban dance music to free jazz, Haitian classical guitar to political avant-folk. His playing – elegant, edgy, and sometimes, somehow, both at once – has made him the go-to guitarist for artists like Robert Plant & Alison Krauss, Tom Waits, Laurie Anderson, McCoy Tyner, and so many others. He has been a regular part of the New York Guitar Festival over the years.

Leyla McCalla was the cellist in the Grammy-winning string band Carolina Chocolate Drops, before moving on to writing her own songs. She is a member of Our Native Daughters, a quartet of Black women who all play the banjo (and other instruments), and has recorded four albums on which she also plays guitar. Her new record, Sun Without The Heat , came out in April.

Akusmi is the name of the recent project by the French-born London-based producer, composer, and multi-instrumentalist Pascal Bideau. His work blends the churning rhythms of minimalism with the sounds of jazz and, occasionally, the gamelan music of Indonesia. Mostly he plays sax and piano, but in a pinch he’ll play bass guitar, flute, synthesizer or percussion too. Some Akusmi songs can be ethereal and atmospheric, but more often they’re pulsating and almost danceable. In live performance, Akusmi becomes a band, in this case a trio with violinist/composer Christopher Tignor and trombonist Rick Parker. They play in-studio.

Set list: 1. Divine Moments of Truth 2. Oblique 3. Concrescence

The vintage sounds and energy of Cuban dance music of the mid-20th century live on in the music of Orquesta Akokán, a group of Cuban and American musicians who made a big splash with their debut record just six years ago. The band’s name, Akokán, is from Africa; it’s a Yoruba word meaning “from the heart.” And this group’s collective heart beats to the rhythms of Havana (and Miami, and Brooklyn), which means salsa, rumba, and soul in addition to mambo. Orquesta Akokán has a brand new album called Caracoles , and it brings the band back to our studio to play some of these new songs.

Set list: 1. Con Licencia 2. Pan con Tibiri 3. Caracoles 4. Suave Suave

Sample collaborative music by Pulitzer Prize-winning vocalist/composer Caroline Shaw and the versatile quartet Sō Percussion from their latest release, Rectangles and Circumstance, as played in-studio.

Composer/vocalist/violinist Caroline Shaw , who has produced for Kanye West and Nas, won a Pulitzer Prize in 2013 for her Partita for 8 Voices , which was written for and performed with the vocal ensemble Roomful of Teeth; she also teaches at NYU. Brooklyn-based Sō Percussion (Eric Cha-Beach, Adam Sliwinski, Josh Quillen, Jason Treuting) is a force of music and noise-making comprised of composer/percussionists/instrument builders/finders who beat, shake, bow, immerse, and rip all kinds of things – home goods and instruments - both acoustic and electric; they also compose.

The members of Sō have worked with Shaw as a composer (Narrow Sea ), and collaboratively as a band as on the latest, Rectangles and Circumstance . They’ve described their groups songwriting as lyrics via adaptations of poetry, or by a band member - and music which can morph - whether added to and/or sliced up; it’s a process where everyone contributes equally. Sō describes percussion as an ethos – a willingness to make any and all sounds as requested, by whatever means necessary - whether that is a keyboard, a crotale dipped in water, or ripping a roll of duct tape in time. Despite everything being counted off in four, there are “beats of deceit”, where the music surfs on the edge of some meter, and it carries you, (-Caroline Shaw.) Listen to some of these songs with contributions by Caroline Shaw, and with her band Ringdown, together with Sō Percussion, as played live, in-studio. - Caryn Havlik

Set list: 1. Sing On 2. Slow Motion 3. The Parting Glass

Cuban singer, percussionist, and bandleader Ivan Llanes is now based here in New York, and on his debut LP, called La Vida Misma, you hear a reflection of Ivan’s musical interests, which begin with Cuban salsa and go on to include R&B, Brazilian music and more. He's fluent in Latin, Caribbean, and jazz traditions and is a prolific composer and sideman. Ivan’s band is similarly expansive, an 8-piece ensemble who perform new music from Ivan's debut record, in the round, in-studio.

See Ivan Llanes and his band in Times Square on July 11 at 5PM

Set list: 1. La Mejor Mujer 2. Cubahia 3. Respira y Siente

Boston-based Marissa Nadler writes intimate, sweeping dreamy and eerie songs, that shimmer with gothic melancholy. On her 2018 record, For My Crimes , she enlisted accomplished musicians: harpist Mary Lattimore, drummer Patty Schemel (Hole), experimental multi-instrumentalist Janel Leppin, and Eva Gardner plays additional bass. Guest vocals came from Angel Olsen, Kristin Kontrol (Dum Dum Girls), and Sharon Van Etten, plus saxophonist Dana Colley (Morphine) was also a collaborator. These bittersweet and sharp slow burning tunes have a piercing intensity, driven home by Nadler’s gripping voice. Marissa Nadler performs some of these songs in their stripped-down form, in-studio (from the Archives, 2018.) -Caryn Havlik

Set list: 1. For My Crimes 2. Said Goodbye to That Car 3. I Can’t Listen to Gene Clark Anymore

The band called English Teacher is from the northern English city of Leeds, although as their debut LP This Could Be Texas suggests, one place is very much like another when it comes to how people treat each other, and themselves. One might expect a band with a name like English Teacher to be smart, and their songs are chock-full of literary and cultural references, as well as unexpected shifts in sound and mood. They play bright and crispy post-punk songs that combine a talky, angularity with indie-prog, rock, and folk electronica, in-studio.

Set list: 1. Albatross 2.Nearly Daffodils 3. Albert Road

Composer, guitarist, and instrument builder Paolo Angeli is from the Italian island of Sardinia, and his instrument began as a chiterra sarda, a large, slightly deeper member of the guitar family. But over the years he has added multiple layers of strings: harp strings, sitar strings, motorized hammers, pickups, propellers, movable bridges, kalimba, and so much more – attached to the body of the guitar to help multiply the sonic possibilities. Then, there are the pedals! Paolo Angeli, as a one-man-orchestra with foot percussion, and traditional Sardinian vocals, performs new compositions from his latest, Nijar , in-studio.

Set list: 1. Monologo de la Luna 2. Nijar 3. Ramas de Suenos 4. Telon 5. A tour of the prepared Sardinian guitar

British singer, songwriter and guitarist Richard Thompson OBE was part of the groundbreaking folk rock band Fairport Convention in the 1960's, made records with his then-wife, Linda Thompson, and has many fan-favourite solo records as well. Rolling Stone lists him as one of the 100 greatest guitarists of all time and the LA Times called him the greatest living songwriter after Bob Dylan. The folk-shredder and troubadour Richard Thompson joins us to play some acoustic solo versions of songs from his 2018 album, called 13 Rivers . (From the Archives.)

Watch the full session here :

The NYC group Zelenaya mixes traditional folk music with heavy metal in ways that are both surprising and convincing. Haunting three part harmonies, doom-laden guitars, pummeling drums – somehow it all comes together in Zelenaya’s debut album, called simply, Folk Songs . The band has both confused and carried away audiences at campground diasporic folk festivals and at death metal shows; serving up music for those who are into Ukrainian choirs, Mussorgsky, math rock and Tuareg guitar bands, Black Sabbath, and Bolt Thrower. In what is likely the first instance of a blast beat and a wall of amps in the Soundcheck Studio, Zelenaya sculpts Eastern European folk tunes into doom metal-laden arrangements, sung in Ukrainian and Georgian, in-studio. (-John Schaefer/Caryn Havlik)

Zelenaya plays a FREE show with Gamelan Yowana Sari, and Antinomie in Forest Park, Queens at the Seuffert Bandshell on June 23 at 4PM AND in Brooklyn on June 27 at Our Wicked Lady .

Set list: 1. Hora Za Horoyu (Ukrainian) (Mountain Beyond Mountains) 2. Okro Mch’edelo (Georgian) (Goldsmith) 3. Oy Letilo Kupailo (Ukrainian) (Oh, Kupalo Flew)

The Tuareg singer and guitarist Mdou Moctar is from Niger, and his music career began with his songs being shared across mobile phone trading networks in West Africa. Now, as an ambassador of the Agadez sound, he plays his songs on the world’s biggest music stages, including Coachella, and, coming soon, Bonnaroo and Glastonbury. Moctar and his band combine rock and psychedelia, often in the "Desert Blues" style of loping and sometimes accelerating threes. Mdou Moctar’s latest album is called Funeral for Justice , and features his most fiery guitar playing yet. He and his band are here, to stretch out and play this perhaps trancey music for staying lifted, in-studio.

They play at Bowery Ballroom on June 25 and at Warsaw in Brooklyn on June 26 .

1. Imouhar 2. Modern Slaves 3. Imajighen

The duo called Ringdown makes what they refer to as electronic cinematic pop from Portland, Oregon. But there are also elements of folk and classical music in their songs, which makes sense given who they are. Ringdown is Caroline Shaw, Pulitzer Prize-winning composer and musician, and Danni Lee Parpan, folk-rock singer and songwriter. Together, they have a handful of Grammys, and a "Best Drum Major" Award - and they have begun releasing songs about love, and heartbreak, and dancing. They present a preview of new music - using synths, violin, keyboard, voices, and processing - from their forthcoming EP, in-studio.

Ringdown headlines the closing night celebration of ChamberQUEER 2024: Constellation, in Brooklyn on Sunday, June 16.

Set list: 1. Reckoning 2. Thirst 3. Two-Step

The band called Tipa Tipo comes from Brooklyn via Peru. The trio plays an unexpectedly danceable mix of tropical Latin funk, cumbia, disco, and yacht rock. With their synthesizers, guitar, and tight vocal harmonies, they offer a kind of retro 70s sound, but with a modern, feminist sensibility and lyrics sung mostly in Spanish. Tipa Tipo play songs from their latest record, Cintas, in-studio, with all of the cowbells.

Set list: 1 Poco Tiempo 2 Grifo 3 Ataque de Medianoche

Julia Holter’s could be in the realm of contemporary classical music, experimental pop, and ambient music. Often dreamy and elusive, her songs defy easy description. As likely to work with adventurous rockers as with contemporary classical musicians, Holter has an unusually keen ear for unexpected sounds. Take her song, “Evening Mood,” where hazy layers of vocals swirl over a rhythm section that seems more about the feeling of movement than the actual sound of it – and it turns out the basis of the song is a heavily processed heartbeat. Her latest record, built around the waterlike flow of the body's internal sound world, is called Something in the Room She Moves. Julia Holter and her band play new music, in-studio.

Set list: 1. Spinning 2. Marienbad 3. Talking to the Whisper

The alternative rock band Guster, formed over bongos and acoustic guitars at Tufts University in 1991, has built its reputation on their striking vocal harmonies, their close connection to their fans, and their sense of humor. So in the wake of Taylor Swift’s bank-busting Eras tour, Guster embarked on their own tour, which they called "We Also Have Eras" – a reminder of their enduring presence and road warrior work ethic on the music scene for over 30 years. Guster has a new record out, their first in 5 years, called Ooh La La , and it brings the band back to our studio for a live set, with bongos.

Set list: 1. Keep Going 2. Black Balloon 3. Satellite (with Max Fine, piano)

Grace Cummings, the Australian singer and songwriter from Melbourne, has a strikingly rich and commanding voice, the kind that can cut through a big production. Which is good because Cummings has become known for her love of big, dramatic productions and gothic atmospheres. Her new album, Ramona , made in L.A., goes for a cinematic, emotional sound, and it brings Grace Cummings and her band to play some of her songs, in slightly smaller arrangements, in-studio.

Set list: 1. Common Man 2. Ramona 3. Work Today (And Tomorrow)

Ramona by Grace Cummings

Graham Haynes, the Bahia, Brazil-based composer, cornetist, and bandleader, “expands and confounds what we understand as jazz and electronic music.” His work grows out of a keen sense of New York’s many histories of music and musical movement, (Graham Haynes’ Instagram.) Haynes has played with jazz luminaries like Vijay Iyer, the late Pharoah Sanders, and of course his own dad, the famed drummer Roy Haynes. But he has always been interested in other styles – electronic music, hip hop, traditional music from other parts of the world, and contemporary classical music. Haynes, along with New York-based multi-instrumentalist Lucie Vitkova, do some improvisations involving cornet, electronics, accordion, synthesizer and more, in-studio.

Set list: 1. Improvisation 1 2. Improvisation with hichiriki / cornet

New York’s The Jazz Passengers – despite the name – don’t just play jazz. Founded in 1987 by sax player Roy Nathanson and trombonist Curtis Fowlkes, the band has worked with spoken word artists, rock stars like Elvis Costello and Deborah Harry, and theatrical elements that have an almost modernist vaudeville flavor. Over the years the band would become a place where some of New York’s most creative musicians could spread their wings and have some fun.

Their new album, Big Large , is a journey back through the band’s long musical history – it is also the last album made with Curtis Fowlkes, who died last year. The Jazz Passengers is now a mix of the veterans and a new generation, and Roy Nathanson has led them all to our studio to play tunes by turns angular and searing, warm and masterful from the band’s repertoire.

Band members: Roy Nathanson, sax, voice; with Bill Ware, vibes; Brad Jones, bass; EJ Rodriguez, drums; Marc Ribot, guitar; Sam Bardfeld, violin; Lucy Hollier (Curtis' student, now playing his trombone); Isaiah Barr, sax; Gabe Nathanson, voice and trumpet.

Set list: 1. Tikkun 2. Kidnapped 3. Jolly Street

Big Large: In Memory of Curtis Fowlkes by The Jazz Passengers

Alice Merton burst out of the starting gate with her 2016 single "No Roots", a song that celebrated her nomadic upbringing in four different countries. Since then, the British-based German-Irish-Canadian singer-songwriter has released two albums of songs with somewhat introspective, perhaps brooding lyrics, set to uplifting and sunny melodies. When we last checked in with her in 2019, she’d just released her debut LP called Mint and was living in Germany. She has lately been touring on music from her new EP called Heron , and plays a stripped-down intimate set, in-studio, including her rearranged single, "No Roots".

Set list: 1. Don’t Leave Me Alone With My Thoughts 2. Run Away Girl 3. No Roots

Singer Kiran Ahluwalia was born in India, grew up in Canada, and is largely based here in New York. Her music reflects her transcontinental upbringing, as she mixes the sounds of traditional South Asian song forms with Western rock and jazz. A two-time JUNO (Canadian Grammy) winner, Ahluwalia’s work has featured collaborations with leading musicians from the Celtic and Fado worlds, as well as Malian super group, Tinariwen. Her six-piece band includes electric guitar, tabla, drum kit, accordion/organ and electric bass and is led by guitarist Rez Abbasi, a Pakistani-American who is also Ahluwalia’s husband. Her latest album, Comfort Food , features songs that protest Hindu fundamentalism in India and the nationalism that continues to stir conflicts between India and Pakistan and celebrates pancakes…
Kiran Ahluwalia and her band perform some of these songs in-studio. - Caryn Havlik

Set list: 1. Dil 2. Tera Jugg 3. Pancake

Shabaka Hutchings, now Shabaka, has been a crucial and connected London-based musician for years, leading arena dance-jazz band Sons of Kemet, cosmic psych-dub-funk trio The Comet Is Coming, and the collaborative band Shabaka & the Ancestors. He began incorporating layered flutes on the last Sons of Kemet record Black to the Future , and kept on picking up more and other woodwinds, first on his 2022 ambient meditation, Afrikan Culture , and now on his new full-length, Perceive Its Beauty, Acknowledge Its Grace . On it, Shabaka plays flutes: the Slavic woodwind called svirel, Japanese shakuhachi, Andean quena, and even clarinet. Plus, rapper and flutist André 3000 contributes flute to “I’ll Do Whatever You Want”.

This time, in his visit to our studio, Shabaka, together with Charles Overton on harp and Austin Williamson on drums play some of the songs from Perceive Its Beauty, Acknowledge Its Grace . Plus, Shabaka talks us through the different flutes in his bow case, including a clay turtle ocarina and a century-old shakuhachi. Read more on Shabaka’s Shakuhachi journey via SoundAmerican . – Caryn Havlik

Set list: 1. Insecurities / As the Planets and the Stars Collapse 2. Living 3. I'll Do Whatever You Want

José James has often been called a “jazz singer for the hip hop generation,” having come to jazz through tracing hip hop samples and over the course of twelve records, he’s also incorporated R&B, soul, rock, funk, and Latin music into his songs. While he’s mostly sung his own music over the years, he has occasionally covered songs by some of his favorite artists: Bill Withers, Gil Scott-Heron, Erykah Badu and Billie Holiday.

James has just released a new album called 1978 , which sees him looking back, past hip hop, to the soul music of the 70s. But this is soul music with a message; songs like “For Trayvon” make that clear. But it’s also message-music with soul: José James closes the album with “38th & Chicago,” which has a jazzy bassline, an almost bossa nova guitar sound, and a Caribbean lilt in the percusson. José James and his band play some of these hot grooves in-studio. -John Schaefer

Set list: 1. Let's Get It 2. Planet Nine 3. Saturday Night (Need You Now)

American indie rock-chamber collective, San Fermin, has been making lush, wide-angled Baroque-pop songs for more than a decade. The band was founded by Brooklyn-based keyboardist Ellis Ludwig Leone, who has multiple creative outlets as a songwriter, classical composer, and founding partner (with bandmate Allen Tate) of a record label focused on collaborations. The latest batch of 'immediate pop' songs on the 2024 album, Arms, is about things falling apart, but the process of making it brought people together, (Brooklyn Magazine ). The band San Fermin plays some of these new songs, in-studio.

Set list: 1. Weird Environment 2. Didn't Want You To 3. Arms

France-based Cameroonian musician and composer Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of R & B, pop, and folk, while the sounds of West and Central Africa have continued to resonate. His Bandcamp calls it "Africanity at the crossroads of soul, folk, and electro". Past albums by Bassy have also referenced Delta blues, and his latest effort, Mádibá , dedicated to the theme of water, is full of modern electronic beats, delicate guitars, brass arrangements, and rich Bassa vocals. Blick Bassy is about to release an extended version of that 2023 LP; it’s called M​á​dibá Ni Mbondi and is due out on May 17. Catch him on tour in the U.S.A. this May . -Caryn Havlik

Set List: 1."Loba" 2."Hola Me" 3."Li Yanga"

Mádibá Ni Mbondi by Blick Bassy

Vocalist and songwriter Lizz Wright is usually referred to as a jazz or gospel singer, and she certainly does sing both of those styles. But she’s also comfortable with blues and R&B and the Great American Songbook. Her latest album is called Shadow , and it features striking versions of songs by Cole Porter, Sandy Denny, and others. The record also includes a number of Lizz Wright’s own songs, which draw inspiration from her Southern upbringing in Georgia, and wander freely among the many styles of American music. “Shadow” happens to be Wright's studio debut under her label, Blues & Greens Records, a new step in her artistic freedom, and without the genre constraints imposed by record labels. Lizz Wright and her band perform some of these acoustic songs, in-studio.

Set list: 1. Sparrow 2. Circling 3. Your Love

Reyna Tropical is led by guitarist, singer, songwriter and co-producer Fabi Reyna, who is the founder of She Shreds Media, dedicated to women and non-binary guitarists. Investigating landscapes of the tropical diaspora - from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero), the latest release, Malegr​í​a, is a collection of 20 tracks infused with the beat of all things tropical. The music is a blend of Latin rhythms with rock, dance music, and psychedelia and offers connection to the land and the ancestors as well as resilience, and a continuation—a celebration of spiritual survival pulsing with sunny dance beats. Reyna Tropical plays in-studio. - Caryn Havlik

Set list: 1. Suavecito 2. Catagena 3. Conexion Ancestral

Malegría by Reyna Tropical

Brooklyn-born rapper, producer & founding member of Flatbush Zombies , Erick the Architect released his debut solo LP, I’ve Never Been Here Before , in February. While it’s full of trenchant social commentary, it’s also focused on dealing with loss and finding freedom in vulnerability. The tracks draw from funk, gospel, soul, reggae and jazz, with throughlines to musical greats like John Coltrane and George Clinton (who contributed to the album). Erick the Architect and his touring trio bring their elastic funk basslines, character studies, killer beats, and spacey sound effects to perform in-studio.

Set list: 1. Ezekiel's Wheel 2. Beef Patty 3. Liberate

I've Never Been Here Before by Erick the Architect

Deerlady is the name of the band led by singer and bassist Mali Obomsawin and guitarist and singer Magdalena Abrego. Mali was part of the folk rock trio called Lula Wiles; then she released her album of Indigenous jazz called Sweet Tooth in 2022, drawing heavily on her Abenaki heritage. Magdalena, a Chicago-born guitarist whose parents migrated from Mexico and Puerto Rico, has played with the minimalism-meets-jazz collective known as Numinous, as well as the improvising sax player Allison Burik. In January, the two of them released their first album together, with the cheeky title Greatest Hits , “a collection of songs about intimacy under colonialism by Mali Obomsawin" (Bandcamp ), and it sees the two of them turning the amps to 11 and pairing softly sung vocals with roaring guitars. Deerlady plays their shoegazey headbangers, in stripped-down arrangements, in-studio. - Caryn Havlik

1. Masterpieces 2. Believer 3. There There

Greatest Hits by Deerlady, Mali Obomsawin, Magdalena Abrego,

London vocalist, multi-instrumentalist and producer Cosmo Sheldrake creates songs and sound worlds out of people, places, creatures, plants, fungi, and collected sounds. With his combination of traditional instrumentation and electronic production, field recordings, and both human and more-than-human voices (birdsong and insect choruses), Sheldrake pursues adventures in song, capturing the childlike wonder of a curious tea party, and staying connected to the natural world throughout. Cosmo Sheldrake juxtaposes these orchestrated natural sounds with his racks of gear to share his marvelous sound world in some songs from his latest, Eye to the Ear , in-studio.

Set list: 1. Stop the Music 2. I Did and I Don't and I Do 3. Does the Swallow Dream of Flying?

Eye To The Ear by Cosmo Sheldrake

Honduran-American artist Lorely Rodriguez, known professionally as Empress Of, is a singer, songwriter, musician and record producer based in Los Angeles, California. Her albums are full of bright, indie pop that mixes dance music, electronica, trap, and on her most recent album, Latin music. Empress Of’s new album, her fourth, is called For Your Consideration , and it’s a mischievous exploration of heartbreak, affairs, regaining your sexiness, and pursuing lust and control. Empress Of plays some stripped down versions of some of the new songs, in-studio. - Caryn Havlik

Set list: 1.Lorelei 2. Kiss Me 3. What's Love

Welsh musician and songwriter Gruff Rhys (of Super Furry Animals, the pop outfit known for their catchy songs and weird videos) poetically harnesses both the gritty and the trippy in his own music. But he’s also a composer, producer, filmmaker and author. His latest release, the 25th album of his career (individually, collaboratively and as a member of various bands), is a solo album called Sadness Sets Me Free , sung in English, and left open to chance. Rhys and his bandmates play some of these new songs, in-studio.

Set list: 1. Bad Friend 2. Sadness Sets Me Free 3. Celestial Candyfloss

Sadness Sets Me Free by Gruff Rhys

Formed in North London, Bombay Bicycle Club is the sound of four best friends finding joy and savoring the connection in making music together and experimenting. They think of themselves as a genre-less band (The Independent ), “not bound down by genre in a way that a lot of our contemporaries were”. With the 2023 release of My Big Day , and an EP called Fantasies , both of which feature a host of guest vocalists, it’s clear that they’re still freely mixing sounds and cover a lot of ground, sonically. Bombay Bicycle Club plays an unplugged set in-studio.

Set list: 1. Turn The World On 2. Diving 3. Luna

The Japanese singer/composer/producer Hatis Noit, is originally from the northernmost island of Hokkaido. Her name, hatis noit ハチスノイト, means the stem of the lotus flower and is intended to serve as a connection between the living world (represented by the lotus flower) and the spirit world (the lotus root). Further, Hatis Noit feels that singing is not unlike Tai chi, and is a way to connect the physical world to the spiritual world and nature.

Now based in London and using vocal techniques she’s adapted from around the world, Hatis Noit makes music by using electronics to layer and occasionally process her voice. She sings in a pure, Renaissance vocal style, in the keening tradition of the Balkans, in the style of Japanese gagaku or court music, and in a classical operatic mode… sometimes all in the same song. The Japanese singer and electronic musician Hatis Noit creates these choirs of sound all by herself, using a looping station, live, in-studio. - Caryn Havlik

Set list: 1. Aura 2. Himbrimi 3. Inori

Spanish singer and songwriter Maria José Llergo grew up in the region of Andalucia, the home of flamenco music, where she learned violin, and listened to her grandfather sing. From these roots, she grows her own flamenco - and it has "wings" - the sounds of contemporary pop, R&B, and electronica to augment and transform the style. Where there could be flamenco guitar and the "torn throat" crying vocals of flamenco singing, her music is soaring and buoyant global pop, showcasing her instrument - her voice. Maria José Llergo and her band perform in-studio. - Caryn Havlik

Set list: 1. Juramento 2. SuperPoder 3. Aprendiendo A Volar

Watch "Aprendiendo A Volar":

The “distinctive style” of British composer and musician Roger Eno’s slowly unfolding sonic landscapes has “attracted a cult following” (Eno’s bio ). As well as first collaborating with his brother Brian and Daniel Lanois in 1983 on Apollo: Atmospheres and Soundtracks, he has made over a dozen solo albums and other collaborative pieces. He’s composed for theatre, TV, and film; formed the ambient music supergroup Channel Light Vessel in the 90s; collaborated with The Orb, Lou Reed, Laraaji, Jarvis Cocker and Beck; and was the Musical Director for Tim Robbins and his band, The Rogues Gallery, (RogerEno.com ).

In 2020 the album Mixing Colours by Roger and Brian Eno brough him to the prestigious classical music label Deutsche Grammophon. Roger’s latest solo release for that label is called the skies, they shift like chords , and includes solo piano tracks, layers of instrumental and electronic colours, along with an appearance by vocalist Cecily Eno, his daughter. Roger Eno and Cecily Eno perform in-studio.

Set list: 1. There Was a Ship 2. Shadow Clock 3. Tapestry

The Tibetan singer Yungchen Lhamo was given the name Lhamo at birth by a Buddhist monk. The name means Goddess Of Melody, and Yungchen has spent her adult life living up to that title. After fleeing Tibet by walking over the Himalayas, in 1989, she established herself as a leading voice for Tibetan culture in the west, releasing a series of albums on Peter Gabriel’s Real World Record label and has become one of the signature voices on the global music scene, even singing for the Dalai Lama. In her work, she combines songs, prayers, and mantras dedicated to spiritual awakening, unconditional love, and compassion for all beings. Now based in upstate New York, she’s put the principles of Tibetan Buddhism to work not only in her music, but also in her activities leading the One Drop Of Kindness Foundation. Her latest album is also called One Drop of Kindness , and it brings Yungchen Lhamo back to our studio.

Set list: 1. Sound Healing 2. Sun and Moon (acapella) 3. Four Wishes

Daymé Arocena, an Afro-Cuban singer from Havana now based in Puerto Rico, has been performing semi-professionally since she was 8 years old. She was trained as a composer, arranger, choir director, and band leader (Wikipedia ) at conservatory, in addition to being “a practitioner of the Santeria religion, and a master of its profound musical tradition,” (Afropop Worldwide ). Arocena was also part of the band Maqueque, an all-female band of young Cuban artists blending folkloric Cuban music and jazz (NPR Music ).

Since emerging as a solo artist, her songwriting has been a winning mix of jazz, soul, Caribbean, rumba, and folkloric music, imbued with Yoruban spirituality. But her latest release, Alkemi , celebrates the sounds of North American and Latin pop, intentionally so, as she picked Eduardo Cabra of Calle 13 to help produce on the album, which also features guests and sounds from around the Caribbean. Daymé Arocena and her band play some of the songs from Alkemi , in-studio. - Caryn Havlik

Set list: 1. America Boy 2. Como Vivir Por El 3. Por Ti

The singer and songwriter Sheherazaad blends the rich tradition of poetry and music from South Asia with Western instruments and production techniques. Her new album, Qasr , was produced by Grammy-winning Pakistani-American singer Arooj Aftab, and it offers a subtly colored, moody collection of songs that, in the tradition of the old collection 1001 Nights , tell stories. Stories that conjure "real strains of displacement, the push and pull of diaspora, and the depravity of erasure and forgotten roots", (Erased Tapes ). Sheherazaad and her ensemble perform the music of her origins, in-studio.

Set list: 1. Dhund Lo Mujhe 2. Khatam 3. Koshish

Haitian-American composer, flutist, vocalist, and educator Nathalie Joachim is half of the duo Flutronix, whose music blends classical flute playing with electronic sounds. She also played for a spell in the Grammy-winning contemporary classical music ensemble Eighth Blackbird. But in 2019 Nathalie began exploring her family’s roots in Haiti with a striking album called Famn d’Ayiti , using flute, string quartet, electronics, field recordings and her own singing. Now, she’s continued that exploration with a new album called Ki moun ou ye , or Who Are You / and the Kreyol meaning is Who Claims You? On it, her precisely assembled original songs and compositions explore i deas about family, ancestry, and identity using recorded voices of family members, along with her own flute riffs and voice, and percussive elements. Nathalie Joachim presents music from her latest album called Ki moun ou ye , or "Who Are You / Who Claims You?", in-studio.

Set list: 1. Kenbe m 2. Kouti Yo 3. Ki moun ou ye

Singer, songwriter, guitarist, and educator Mary Timony has been a hugely influential figure on the indie and alternative rock scenes for over 30 years. Starting with the band Autoclave in 1990, she went on to front the group Helium for much of the 1990s, was a member of the supergroup Wild Flag, and is a guitarist and singer of the band Ex Hex. Her latest album, Untame The Tiger, is a solo record – her first in at least 15 years – is full of tasty guitar licks and thoughtful lyrics. Mary Timony and her band play some of the new tunes, in-studio.

Set list: 1. Summer 2. No Thirds 3. The Guest

Helado Negro is the avant pop project of Roberto Carlos Lange, born in Florida to Ecuadorian parents but for many years based in Brooklyn. In recent years he’s moved around a bit (Marfa, TX!) and is now based in Asheville NC, which is where he made his new dreamscapey bilingual avant-pop album called Phasor . While it definitely has the dreamy, warm sound of an Helado Negro album, it also feels different - the grooves are more prominent and there are new sonic textures we haven’t heard before, perhaps due to inspiration from Pauline Oliveros’ Deep Listening, Foley sound art, and many other sources – including what the sun feels like.

Set list: 1. Echo Tricks Me 2. Out There 3. Best For You And Me

The American Patchwork Quartet is a group that reflects the American melting pot – the patchwork quilt of people who’ve come and made the U.S.A. their home. APQ features two-time Grammy winner Clay Ross, of the band Ranky Tanky, drummer Clarence Penn, and two musicians who immigrated from Asia: the singer Falu (from India) and bassist Yasushi Nakamura (from Japan). Their debut, untitled album is just out, and includes fresh, often Indian-tinged arrangements of old fiddle tunes, folk hymns, and early blues. As the famed folksong collector and producer Alan Lomax said, “America has a patchwork culture made of the dreams and songs of all its people.” The American Patchwork Quartet performs their take on old folk songs in-studio.

Set list: 1. Wayfaring Stranger 2. Lazy John 3. Shenandoah

Ethan Lipton writes plays, and songs, and sometimes, plays with songs. His musical No Place To Go won an Obie for its trenchant take on the decline of the American workspace, and in another musical, The Outer Space , a couple finds that they can flee planet earth but not its problems. Ethan Lipton & His Orchestra, according to their own biography , offer "modern lounge with a chewy singer-songwriter center" with songs that may present a melancholy wit and a cockeyed worldview. Ethan Lipton & His Orchestra, his longstanding four-piece band, have a new album out, called Did You Do The Thing We Talked About, and they play some of these songs in-studio.

Set list: 1. Mess That Summer 2. To Have Done It 3. Crazy for New York

Pianist and composer Vijay Iyer first got together with bassist and composer Linda May-Han Oh and drummer/composer Tyshawn Sorey in 2021, when they released their brilliant album Uneasy . But with all three musicians having such busy careers, it seemed like it might be a kind of musical summit – the sort of thing that only happens once. Now, those same three gifted players have released a second album called Compassion , on which the trio's connected interplay can seem telepathic, as the musicians imagine future possibilities with warmth and clarity. The Vijay Iyer Trio plays some of these newer works, in-studio.

Set list: 1. Tempest 2. Compassion 3. Ghostrumental

NYC-based rock unit Bodega makes artful post-punk songs with brawny, catchy riffs and shouty gang vocals. Their lyrics contain politically-minded and perhaps cheeky commentaries on advertising, technology, pop culture, high art - and how we consume it all; oh- and on gentrification as well. They play bracing new tunes from the forthcoming album, Our Brand Could Be Yr Life , in-studio. -Caryn Havlik

Set list: 1. Tarkovski 2. Shiny New Model 3. City Is Taken

Our Brand Could Be Yr Life by BODEGA

Guitarist and songwriter John Leventhal has spent almost a half century producing, playing for, and co-writing with some of the music world’s most familiar names – Elvis Costello, Shawn Colvin, Jim Lauderdale, Marc Cohn, Joan Osborne, Sarah Jarosz, The Blind Boys of Alabama, Willie Nelson, and of course, Rosanne Cash, to whom Leventhal is married. He’s won a fistful of Grammys, but the one thing he hasn’t done in all that time is a solo record. Until now. Rumble Strip is a collection of instrumentals, a few songs, and a surprising cover or two. John Leventhal plays some of these tunes in-studio.

1. Floyd Cramer's Dream 2. JL's Hymn No. 2 3. That's All I Know About Arkansas

Bobby Rush is in the Blues Hall of Fame, and he’s won three Grammy awards. The first came when he was 83, the second four years later, and the third most recently this month. Now 90 years old, Bobby Rush still tours, dancing around the stage like a guy half – no, a quarter of his age, and not even COVID could stop him from writing and recording his latest album, called All My Love For You . Bobby Rush demonstrates how he put the funk into the blues, recounts what it was like enduring within the music business (he owns all his own publishing), and tells tales while playing the blues, in-studio. -Caryn Havlik

Set list: 1. Let Me In Your House 2. Chicken Heads 3. Garbage Man

Trumpeter, singer and composer Keyon Harrold gained a lot of attention for his contribution to the Don Cheadle film Miles Ahead , where he played all of the Miles Davis parts on that Grammy-winning soundtrack. But Keyon’s first professional gig was with the rapper Common, and throughout his career he’s moved effortlessly between the worlds of jazz, hip hop, soul and R&B, as a trumpeter, and, as a singer and songwriter. His new album, his third, is called Foreverland , and Keyon Harrold and his band PLAY some of it, in-studio. (Serious emphasis on play. The band is a joy to watch! – Caryn Havlik)

Set List: 1. Find Your Peace, feat. Stout 2. Don't Lie, feat. Malaya 3. Beautiful Day, feat. Malaya and Stout

Foreverland by keyon harrold

The German-born, New York-based singer and actress Ute Lemper's career has spanned a century of songs from the worlds of cabaret jazz, avant-garde pop, musical theater, even contemporary classical music. But when she sings the music of Kurt Weill, a much earlier German-born, NY-based artist, she has few equals. So when Carnegie Hall decided to launch its series exploring the music of the Weimar Republic, Ute Lemper had to have a featured role to play. On Friday, Feb. 9, she’ll be performing her tribute to Weimar Berlin at Zankel Hall, and she’s in the studio to give us a preview of what that’ll sound like. Ticket info for Ute Lemper at Carnegie Hall's Zankel Hall in the round on Feb. 9 .

Set list: 1. Solomon Song/Pirate Jenny 2. Cabaret Songs (Medley of Sexual Liberation) 3. En Brecht/ Die Moritat von Mackie Messer

London-based country-folk-pop outfit The Wandering Hearts are known for their deft fingerpicking, rousing choruses, dark-hued lyrics, and sweet, close vocal harmonies. Their music is a blend of Laurel Canyon and British folk sensibilities, heartfelt songwriting and storytelling, and was a great fit at the recent official Americana Fest showcase in Nashville, TN. The Wandering Hearts play new songs from their latest release, ‘Mother’, in-studio.

Set list: 1. River to Cry 2. Not Misunderstood 3. About America

The singer Britti is from Louisiana, and her debut LP, winningly titled Hello, I’m Britti , is like being introduced to someone who somehow already feels familiar. Britti’s songs are full of the classic sounds of vintage soul, New Orleans funk, blues, and even country/heartland rock. Her sultry croon, ranging from Sade-meets-second line to shimmering country-pop (like her childhood favorite Dolly Parton), on her Dan Auerbach-produced debut album, lounges atop a hazy retro vibe with both country twang and a horn section. Britti plays some of these new songs in a stripped-down setting with just voice and guitar, in-studio.

Set list: 1. So Tired 2. Nothing Compares to You 3. Keep Running

Sudanese-American bandleader Sinkane, aka Ahmed Gallab, weaves the sounds of Afrobeat, disco, soul, even krautrock into his irresistible, dance-ready songs. With his latest, We Belong , due out in April, Sinkane found inspiration in Black Arts, Music and Culture and sought out collaborations across a New York community of artists, musicians, poets, and authors. Those full gospel harmonies, a deeper understanding of composition, and connecting with people all generate a message of hope and belonging, and of shaking it. As Sinkane has quoted of late in some interviews, “Free your mind and your ass will follow!”

Set list: 1. Everything is Everything 2. How Sweet Is Your Love 3. We Belong

American pianist Lara Downes has been redefining what it means to be a classical musician, often by expanding our definition of classical music. She’s championed the works of women and Black composers; she’s been a cultural activist and a broadcaster. Now, she’s c ommissioned a radical new arrangement of Gershwin's "Rhapsody In Blue" by Puerto Rican composer Edmar Colón, to mark the 100th anniversary of Gershwin’s iconic piece. Lara Downes and Edmar Colón play some of "Rhapsody in Blue, Reimagined", in-studio.

Set List: 1. Love Will Find A Way (Eubie Blake) 2. My Lord What A Mornin’ (trad/arr. H.T. Burleigh) / On Bended Knees (Burleigh arr of Nobody Knows The Trouble I’ve Seen) 3. Study in Blue (Gershwin/Edmar Colón)

Canadian-based Afro-Cuban duo OKAN takes their name from the word for heart/soul in the Afro Cuban religion Santeria. Both co-leaders, composers and multi- instrumentalists Elizabeth Rodriguez and Magdelys Savigne are classically-trained musicians (violin and percussion and orchestration); and their music combines the traditional chants and rhythms of the Afro-Cuban tradition with jazz, electronica, and pop. The Juno-Award winning OKAN plays compositions from their latest record, Okantomi , in-studio.

Set list: 1. Oriki Oshun 2. Okantomi 3. La Reina del Norte

Self-described “lifelong hustler,” Xavier Amin Dphrepaulezz, is better known by his stage name Fantastic Negrito, and makes “black roots music for everyone” - blues with a giant undercurrent of punkass. Fantastic Negrito’s songs tell of a hard life with some complete do-overs and a few near-death experiences. Coming from a crossroads with optional deals, his music might be informed just as much by California funk-punk (Bad Brains and Fishbone), hip hop, thrash metal, punk, Prince and his self-taught ways - specifically Dirty Mind (according to this Guardian interview ) and the blues records he’d heard as a kid, visiting family in southern Virginia.

Lately, his tunes have been placed and licensed for TV and film series (Empire , Hand of God , and in the case of his song “Working Poor,” Bernie Sanders’ political campaign.) But back in the early 2000's he had co-founded a record label, which grew into Oakland-based multimedia creative collective, the Blackball Universe cooperative, fed and financed with the publishing royalties of his own musical alter egos Chocolate Butterfly, Me and This Japanese Guy and Blood Sugar X.

Fantastic Negrito's 2018 record, Please Don’t Be Dead, references his own near-fatal car crash, and is driven in part by political and social issues in these broken and fractured times. The record is full of heavy riffs, cheeky songwriting, playful musicianship, and a whole lot of surviving. It brings Fantastic Negrito to the studio to play some of these tunes. -by Caryn Havlik

Watch the individual songs below:

The singer and guitarist Lau Noah is based here in New York, but she’s originally from Catalonia in Spain, and her guitar playing reflects the sounds of Spanish classical and flamenco music. But there are also elements of Latin American music, jazz, pop, even bluegrass on her latest album. That’s because that record, called A Dos, is (as the title implies) a series of duets with people like jazz singer Cecile McLorin Salvant, mandolinist Chris Thile, and pop star Jacob Collier. Lau Noah with fellow singer Elliott Skinner, plays some of these duets, in-studio.

Set list: 1. Wooden Chair 2. Siete Lágrimas 3. If a Tree Falls in Love with a River

Lau Noah's album release show for A Dos is on January 23rd at Joe's Pub

Nashville-based Brooklyn-born The Lone Bellow blends passionate, acoustic-based blues, country, and roots music into folky Americana with three-part vocal harmonies. They first brought their ever-shifting blend of American folk music and heartland rock to our studio before that first album even came out, and they’ve joined us at various points during their 10 year journey. The Lone Bellow plays songs built around warm, twangy guitar riffs, and a single old-timey microphone, in-studio, to celebrate their tenth anniversary.

Set list: 1. Green Eyes and a Heart of Gold 2. Cost of Living 3. Honey

Singer and multi-instrumentalist Louis Michot won a Grammy with his band the Lost Bayou Ramblers, a group that takes the Cajun tradition and adds a healthy dose of punk energy and occasional electronics. Now, he’s released a solo album called R​ê​ve du Troubadour – the troubadour’s dream – and it’s full of traditional Cajun sounds married to contemporary beats, whistled choruses, and guest musicians like Bombino, the Tuareg guitarist from Niger, and the cellist Layla McCalla. Louis Michot and his trio play some of these old melodies, enhanced with field recordings and danceable beats, in-studio.

Set list: 1. Amourette 2. R​ê​ve du Troubadour 3. Chanquaillie/Acadiana Culture Backstep

Hear favorite live performances from the WNYC studios this year: music by Indigenous two-spirit song carrier and activist Jeremy Dutcher; electronically-enhanced piano-based work by German-Swiss duo Grandbrothers ; and Irish garage-punk band Sprints . Also, there's the quiet thrill and expressive song-play of Argentinian vocalist Sofía Rei and Peruvian bass player Jorge Roeder. Plus, listen to partly composed, and partly improvised music from Serbian quartet EYOT.

ARTIST: Jeremy Dutcher
WORK: Honor Song [4:29]
RECORDING: Live on Soundcheck, Oct. 2023
SOURCE: This performance not commercially available.
INFO: jeremydutcher.com

ARTIST: Grandbrothers
WORK: Blood Flow [5:55]
RECORDING: Live on Soundcheck , Sept. 2023
SOURCE: This performance not commercially available.
INFO: grandbrothersmusic.com

ARTIST: Sprints
WORK: Up and Comer [3:44]
RECORDING: Live on Soundcheck, Dec. 2023
SOURCE: This performance not commercially available. The song appears on the album, Letter to Self
INFO: https://www.sprintsmusic.com/

ARTIST: Sofía Rei and Jorge Roeder
WORK: Días de Sitio [2:54]
RECORDING: Live on Soundcheck, Aug. 2023
SOURCE: This performance not commercially available. The song appears on the album, Coplas Escondidas
INFO: https://jorgeroeder.bandcamp.com/album/coplas-escondidas

ARTIST: EYOT
WORK: 557799 [5:57]
RECORDING: Recorded for the Soundcheck Podcast, May 2023
SOURCE: This performance is not commercially available
INFO: A version appears on 557799

Hear favorite live performances from the WNYC studios this year: including Mercury Prize-winning London Afrobeat-jazz-hip hop quintet Ezra Collective; drummer Allison Miller’s chamber jazz band (with tap dance!); and beatmaker/bandleader Kassa Overall’s jazz meets rap and sound design. Plus, the furiously exhilarating post-punk of Atlanta-born quartet Algiers; and Mexican singer Magos Herrera with members of Brooklyn’s own The Knights.

Playlist:

ARTIST: Ezra Collective
WORK: No Confusion [5:01]
RECORDING: Live on the Soundcheck Podcast
SOURCE: This performance not commercially available. The song appears on the album, Where I'm Meant To Be
INFO: https://ezracollective.bandcamp.com/album/where-im-meant-to-be

ARTIST: Allison Miller
WORK: Hudson [5:12]
RECORDING: Live on Soundcheck, Nov. 2023
SOURCE: This performance not commercially available.
INFO: allisonmiller.com

ARTIST: Magos Herrera, Members of The Knights
WORK: Aire [5:02]
RECORDING: Live on Soundcheck, August 2023
SOURCE: This performance not commercially available.
INFO: https://magosherrera.bandcamp.com/album/aire

ARTIST: Kassa Overall
WORK: Make My Way Back Home [4:57]
RECORDING: Recorded for the Soundcheck Podcast, July 2023
SOURCE: This performance is not commercially available. A version appears on Animals
INFO: https://www.kassaoverall.com/

ARTIST: Algiers
WORK: Irreversible Damage [5:04]
RECORDING: Recorded for the Soundcheck Podcast, April 2023
SOURCE: This performance is not commercially available. A version appears on Shook
INFO: https://www.algierstheband.com

The phenomenal pianist Stewart Goodyear, known as both an improviser and composer, famously played all 32 of Beethoven's sonatas in one sitting, when he turned 32 years old. In predictably jaw-dropping fashion, Stewart then turned his electrifying powers to Tchaikovsky's 'The Nutcracker,' with his own transcription of the complete ballet. (The album, released in October 2015, was chosen by the New York Times as one of the best classical music recordings of 2015.) He has since recorded Ravel piano works, his own "Callaloo" Suite and Piano Sonata, and Gershwin's Rhapsody in Blue. He was supposed to have toured with Chineke! Orchestra, playing his "Callaloo" Suite this past year, but well. Yeah. 2020. Instead, we'll revisit this 2015 in-studio performance of pieces from Tchaikovsky's 'The Nutcracker.'

JJJJJerome Ellis describes himself as “a stuttering, Afro-Caribbean composer, poet, and performer.” His last album, The Clearing , was a brilliant mix of sax, electronic music, and storytelling, featuring his own, stuttering voice. But his new project doesn’t involve speech – though it is inspired by prayer. It’s called Compline , named after the old evening prayers of Western Christianity, and it’s a series of contemplative works for solo piano. JJJJJerome Ellis plays improvisations on Compline , his new set of piano works, in-studio.

Set list: Compline Improvisation No. 4, Compline Improvisation No. 2, Compline Improvisation No. 3

Compline in Nine Movements by JJJJJerome Ellis

Nefesh Mountain has established itself over the past ten years as an unusual sort of bluegrass band, playing progressive, Jewish-themed music . The band is led by the husband and wife team of Eric Lindberg and Doni Zasloff and they’ve played with bluegrass legends like Jerry Douglas and Sam Bush. What is different about Nefesh Mountain is the way they incorporate Jewish themes and sometimes even Hebrew lyrics into a style of music that has its roots, in part at least, in Christian gospel music. Nefesh Mountain plays a live set in The Greene Space.

Set list: Keep Your Lamp Trimmed and Burning, The Narrow Bridge, A Sparrow’s Song, A Mighty Roar

Singer and guitarist Anjimile made a striking impression with his 2020 album Giver Taker , a buoyant collection of indie folk pop. Now, he’s returned with a new record called The King , a much darker record that wrestles with Anjimile’s journey as a Black trans person in a divided America. The album draws on a wider range of sounds, including elements of metal and contemporary classical music. Anjimile plays solo, unplugged versions of some of these new songs.

Set list: "Animal" "Anybody" "The King"

Pianist, bandleader and composer Joey Alexander was born in Indonesia and in 2013 at the age of 10, was invited by Wynton Marsalis to perform at the Jazz at Lincoln Center Gala. He spent his teenage years as an interpreter of many jazz classics, playing with Wayne Shorter and Esperanza Spalding, and at major festivals and night clubs, worldwide. In 2022, he released an album of originals rich in melodic and harmonic interplay called Origin . His latest album, a second record of (mostly) his own music, called Continuance , is just out, and it brings Joey Alexander to our piano, to play some of these tunes in a solo setting.

Set list: 1. Blue 2. Aliceanna 3. Why Don't We

Braxton Cook first made a name for himself as a teenager gigging on the Washington DC jazz scene; toured extensively alongside Chief Xian aTunde Adjuah (formerly Christian Scott), and worked in New York where he’s played sax with Jon Batiste (as part of the Soul soundtrack), Christian McBride, and others. But all the time, there was another side of Braxton Cook: the smooth R&B crooner. His latest solo album, Who Are You When No One Is Watching mixes jazz, soul, R&B, and some elements of hip hop production. The material also addresses current issues around injustices and racism, while giving a journaling spin to personal experiences. Braxton Cook and his band play some of these new songs and a tune from his 2018 record, No Doubt, in-studio.

Set list: 1. No Doubt 2. The Same 3. MB

Sprints is a garage-punk band from Dublin where they’re known for take-no-prisoners live shows and claim among their influences the likes of early Pixies, Bauhaus, Siouxsie Sioux, King Gizzard, Savages and LCD Soundsystem . Their first full-length album is called Letter To Self , and amidst the crashing, searing, seething guitars, there is “an exploration of pain, passion and perseverance”, (dedication for the album ), and some inward-looking lyrics. Sprints throws down a mix of deadpan delivery and explosive emotion, playing new songs in-studio. - Caryn Havlik

Set list: 1. Adore Adore Adore 2. Up and Comer 3. Literary Mind

Johan Lenox has one of the more unusual resumes in the music world. He’s probably best known as a producer, working with hip hop stars like Travis Scott and Big Sean. But he’s also a singer, pianist, and a composer of contemporary classical music. He’ll produce uncategorizable work with Pulitzer Prize-winning composer Ellen Reid, write music for the Brooklyn Youth Chorus, and cover a Nirvana song, all as part of his omnivorous musical diet. Lenox’s 2023 release is called Johan's Childhood Chamber Nostalgia Album , which leans toward ambient music with an unfocused childlike spirit. Johan Lenox and a small chamber music trio play in-studio.

Set list: "Hopes and Dreams", "Boy With Blurry Eyes", "When I Was Your Age"

Web Extra: "Dumb" by Nirvana

The Minneapolis trio Barbaro grows out of the American bluegrass tradition, but the key words there might be “out of”, as Barbaro doesn’t race through banjo breakdowns and flashy fiddle solos, although they can do those things. The band is something of progressive version of bluegrass – using traditional instrumentation like fiddle and banjo, but drawing inspiration from electronic music and writing songs that may sound pastoral and folky but which often carry a bit of a bite. Barbaro plays new songs from their rootsy chamber music album, About The Winter, and chats about horse racing, in-studio.

Set list: "Subtle Hints", "Gardens", "All My Friends"